Entertaining Mr. Sloane

1970 "Nobody's perfect."
6.4| 1h34m| en| More Info
Released: 27 July 1970 Released
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Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

A woman and her closeted brother meet a man sunbathing on a gravestone and invite him to be their lodger. Their elderly father, however, recognises him as the killer of his old boss. Past sins could be forgiven if he agrees to the siblings' demands.

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Reviews

Ameriatch One of the best films i have seen
Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Ava-Grace Willis Story: It's very simple but honestly that is fine.
Brucey D this is a generous slice of cinematic black comedy, adapted from Orton's play, concerning the amoral Mr Sloane, who lodges with a far from normal family.Pretty good performances from the four leads, but for me, the standout is Harry Andrews, driving around in that bright pink monstrosity of a car, that apparently used to belong to Syd Barrett (of Pink Floyd).Is it a good film? I dunno really, but it is well worth watching.
Prismark10 The adaptation of Joe Orton's play Entertaining Mr Sloane is a misfire. Beryl Reid is the middle aged nymphomaniac Kath who spots the amoral narcissistic drifter Mr Sloane (Peter McEnery) lying half naked sunbathing in the cemetery. Kath herself who lives by the cemetery is dressed seductively, a see thorough dress and we initially see her suggestively licking an ice lolly.Kath invites Mr Sloane to become her lodger and quickly seduces him. Her elderly father, Dada recognizes Mr Sloane as the man who killed his employer and then disappeared.Mr Sloane is having a fine time womanizing, tormenting Dada and being playful with Kath and her brother Ed (Harry Andrews) who drops by every now and then. Ed seems straight-laced but drives a pink Pontiac and makes Mr Sloane the chauffeur with a tight leather uniform.The film is supposed to be a grotesque, sexual black farce but the film reveals its hand too early. McEnery is too old as Mr Sloane, he should had been held back as an innocent charmer than unveiled as a murderer as soon as he met Dada. As for Ed, that pink Pontiac gave him away not matter how much of a country gent he tried to pass off as.The ending was also rather abrupt and disappointing although I suspect a gay marriage ceremony would had been seen as shocking at the time.
Neil Doyle ENTERTAINING MR. SLOANE is certainly an uneven adaptation of the Joe Orton play, but it does create a few sparks with the performances of BERYL REID as Kath, PETER McENERY as Sloane and HARRY ANDREWS as Ed. The trio is involved in a three-way affair with Mr. Sloane who charms them both with his good looks and apparently bi-sexual leanings.It's certainly not the usual fare one expects to see on screen, even in the '70s when the material was considered quite daring. But the script gives the three principals some rich material to work with and the film now has a cult status with fans of black comedy.Orton is the gay playwright who was killed by his lover who then committed suicide and was dead before this film version of his hit London play was made. Whether he would have approved of some of the changes is debatable, but it still has the power to shock and cause ripples of laughter despite the darkness of the theme.Summing up: As oddball as they come.
mitchontheweb I first saw EMr.S as a teenager who had just come out of the closet. As a child I was a fan of '60s horror films (Carradine, Cushing, et.al.) and black comedies (e.g., "No Way to Treat a Lady") and suspense/murder ("Eye of the Cat" or "Wylie", "What Happened to Aunt Alice?", "Daddy's Gone a Hunting", "Who Killed Teddy Bear?"). EMr.S, at least as I remember it after 20 years, combined those genres. The title character, handsome and bi-sexual, added the homo-eroticism that made for a very happy young gay movie fan indeed. It also led me to learn that the Brits were years ahead of Hollywood in the treatment of gay characters in movies, and I now count "Who Killed Sister George?" and "The Leather Boys" as other personal favorites.