ada the leading man is my tpye

Actuakers One of my all time favorites.

Yash Wade Close shines in drama with strong language, adult themes.

Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

SeriousJest I was married to a miserable, pessimistic, angry, and abusive woman, so watching Debra yell at Ray, whether or not he deserved it, brought back too many unpleasant memories for me to enjoy Everybody Loves Raymond anymore. However, I did recognize its impressive comedic wit and acting. Watching Rosenthal try to work with "Russian Hollywood" to bring this style of comedy to Russian audiences was extremely interesting. I found Rosenthal to be pleasant and charismatic, although not incredibly funny (in this film, I mean); some of the other people featured in this documentary, however, are hilarious…especially Rosenthal's parents–one particular scene involving them and Skype had me marveling at how truth really is often stranger and funnier than fiction. All of that being said, this film is more fascinating than funny; and worth watching, but not a must-see.

MartinHafer Philip Rosenthal wrote and produced the TV show "Everybody Loves Raymond". Now that the show has run its course in the States, Rosenthal is trying to sell the idea of the series to the Russians. The problem is that the cultures are very, very different. What's funny in America isn't always funny in Russia and vice-versa. As "Raymond" wasn't as broadly written as some more successful comedies in Russia (such as "The Nanny"). And, in addition, so often Rosenthal has no idea what's going on when he visits the country--so much gets lost in translation.I noticed that another reviewer found this documentary hilarious. Well, I didn't--and this isn't a complaint, really. It is occasionally droll. But what I think is that the film is insightful and gives the viewer a look at cross-cultural differences--and that's what I appreciated about the film. Not a must-see, but very enjoyable. And, in some ways it reminds me of the Albert Brooks film "Looking For Comedy In The Muslim World" combined with an episode of Anthony Bourdain or Andrew Zimern's shows on travel and gastronomy. Rosenthal just visits with various Russians and films whatever happens--for good or bad. Interesting.

donwolf20 I had high expectations for this movie because the elite at the International Film Festival in Palm Springs promoted it so much. However, I did not find it funny. I did not find it informative. I did not find it added anything to my life except a wasted 2 hours in seeing it and listening the critiques of the film. The movie is simply a ego trip for the Director. He puts down everyone else in the "documentary". Only his genius was to shine through. I have to admit I never liked the Everybody Loves Raymond series because of the shallow humor. But this was much worse. The attempt at humor was not much of the purpose for the movie. I felt it was simply a ego trip and nothing else.

DirkesDiggler I know what you're thinking. "But I don't like 'Everybody Loves Raymond! Why would I want to watch this?" To which I reply, to your first point, "You are an asshole. It is a very good show, stop being an elitist prick and just enjoy yourself!" To your second, I reply, "You want to see this because it is, quite frankly, one of the funniest, sharpest, and completely entertaining documentaries I've ever seen." This is, in my opinion, the best documentary of the year. We follow Rosenthal from the original idea to the other side of the world as he tries to tune his show to fit the Russian sensibility, work in a creative environment that makes no sense to him, and deal with the absurd logistics of working in Russia. I cannot count the number of absolute laugh out loud moments in this film. Be it dealing with the new head of network comedy (a man who knows a significant amount more about lasers than comedy), trying to get the head of the Moscow Art Theatre to allow one of his actors to appear in the show (The Moscow Art Theatre is where Stanislavski did his writings on "the method," and Chekov premiered "The Seagull"), or attempting to translate the delicate physical comedy of a nut shot this movie has no shortage of genuinely funny moments. (At one point a joke about a "Fruit of the Month Club," had to be changed to "Water of the Week" because there is no "Fruit of the Month Club" in Russia… but apparently "Water of the Week" is a booming industry.) There are some touching scenes as well, Rosenthal bonding with his bodyguard (who would have preferred to have spent his life writing about sea shells), and spending an evening with a Russian family (and seeing just how similar we really are) add a nice emotional weight to the otherwise light proceedings. You could not write comedy this brilliant or moving. The film basically asks the question, "How difficult is it to let go of something you spent years of your life creating and let someone else make it their own." If you only see one documentary in the next two years, do yourself a favor and see this one.