Hellen I like the storyline of this show,it attract me so much

Diagonaldi Very well executed

MoPoshy Absolutely brilliant

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

tdrish Mario Van Peebles makes his debut in Exterminator 2...the lackluster sequel to the "blockbuster" Exterminator. Okay, so it wasn't really a blockbuster, so what? You still had a vigilante Vietnam vet going around eliminating people that had no right existing. Lowering a godfather into a meat grinder. Knocking off a pedophile. How can this not be good? Unfortunately, none of the kills in Exterminator 2 are worth remembering. In fact, I think it's an insult. Mario plays "X", a character so silly, it's literally laughable. He doesn't even come off remotely as tough, appearing as a gang leader for an extremely violent group of people ( sorry, didn't want to use the word "gang" again.) All quotes aren't worth remembering. Script is awful. Violence seems toned down quite a bit, leans more towards being an action/ adventure rather then being a violent vigilante flick such as Exterminator. Make no mistake, the goods are on the original. If you want to see an early appearance from Peebles, go ahead and have a look, just don't expect to be wowed too much. And, I'm sorry, ummm...break dancers? Did a few cast members leave Electric Boogaloo to star in this? What did you expect, it was the 80's. And the ending? I'm still laughing 30 plus years later! I'd give Exterminator 2 three thumbs down, but I only have two hands.

Woodyanders Rugged Vietnam veteran vigilante John Eastland (Robert Ginty in sturdy stoical form) goes after crazed gang leader X (gleefully overplayed with lip-licking wicked relish by Mario Van Peebles) and his band of reprehensible hoodlums. Eastland drives around the streets of New York City in a garbage truck and torches the scumbags with a flamethrower. Director/co-writer Mark Buntzman relates the enjoyably scuzzy story at a snappy pace, maintains a tough gritty tone throughout, makes good use of the seamy urban locations, certainly doesn't hold back on the brutal graphic violence, and tosses in some gnarly break-dancing for good measure. Foxy brunette Deborah Geffner contributes an appealing turn as Eastland's sweet dancer girlfriend Caroline. (Geffner earns extra points for not only cutting loose with some impressively fluid and graceful dance moves, but also for baring her lovely breasts in a love scene with Eastland.) Frankie Faison likewise shines with his engaging portrayal of Eastland's amiable buddy Be Gee. Moreover, the bad guys are truly hateful, nasty, and disgusting, with David Buntzman as a sinister old Mafia guy, the hulking Irwin Keyes as chain-brandishing thug Monster, and Arye Gross as the weaselly Turbo rating as definite despicable villains. The polished cinematography by Robert M. Baldwin and Joseph Mangine boasts lots of strenuous slow motion and gives the picture a pleasing slick look. David Spear's pulsating score hits the funky-throbbing spot. While this sequel never recaptures the sterling harsh edge of the fierce original, it nonetheless possesses a cheerfully crude'n'cheesy cartoonish quality that's a lot of mindless fun to behold. Vintage 80's action exploitation sleaze.

Scott LeBrun "Exterminator 2" brings back the great Robert Ginty as flamethrower wielding vigilante John Eastland, but has nowhere near the impact as the first film. That's not to say that it's not enjoyable, but overall it's silly stuff.Directed by Mark Buntzman, who produced the first film, it sees Eastland start to date an exotic dancer named Caroline (Deborah Geffner) and make friends with an outgoing garbageman named Be Gee (the excellent veteran character actor Frankie Faison). Eastland agrees to take on a job as a garbageman (!), but finds his happiness threatened by the activities of a street gang led by the fiendish "X" (Mario Van Peebles, in a breakthrough role). Of course, Eastland has already been up to his old tricks by torching various criminal scum, but is he going to be ready for this particularly sadistic gang?The viewer can have an interesting time checking out the early appearances by actors who would go on to become busy and recognizable if not famous: Irwin Keyes, Arye Gross, Thomas Calabro, and John Turturro, who has a bit. The gang members basically come across as cartoons and there's a certain goofy quality to a lot of the dialogue, performances, and situations. (If nothing else, the audience may find "Exterminator 2" laughable enough to be entertaining.) The music is also particularly amusing, providing the perfect accompaniment for assorted violent goings on. Ginty is reasonably engaging although his character of Eastland was a more compelling individual the first time. Faison is superb and shows off a natural charisma. And Van Peebles makes the most of his demented & depraved role, making for a pretty good antagonist.Especially entertaining is seeing Ginty turn Faisons' garbage truck into an assault vehicle and watching the final cat-and-mouse chase between hero and villain. There's plenty of characters going up like Roman candles to keep the viewers interested.All in all, this is decent enough, and it might be worth watching it along with, say, "Death Wish II" and/or "Death Wish 3" for a dose of vigilante vs. gang escapism.Six out of 10.

lost-in-limbo Johnny Long is back to doing what he does best and that's cleaning up the New York streets of its scum. This time he's all geared up with the flame-thrower set on exterminate. When he's not flaming street gangs. He spends time with his dancer girlfriend and that of an old army buddy. Although things get real personal, when Johnny's girlfriend is brutally beat up by a power hungry gang lord of the streets, known as X. This really tips Johnny over the edge and drives him to revenge. Don't you just hate when you get through watching a movie to realise it was heavily cut, as it doesn't go as long as it's advertised on the video case (which by the way has a great cover art work). Well, that was the case here and I couldn't hide my disappointment of it. I'm not a massive fan of the original, but I was still interested in seeing the sequel after reading how much crueler and nihilistic it is in its actions. Sure, that would have been great, that's if I saw it that way, but I didn't. The deaths scenes were cut down and some (like the always mentioned subway scene and Johnny's girlfriend beat-up in the park) I didn't even get to see. Those moments where choppy as hell and had me going "What on earth just happen?!" Even the film's final standoff between X (a dreadfully juicy turn by Mario Van Peebles) and Johnny Long comes on too early in the story and then drags on for ages. Until it meets its murky conclusion. In all, it's a very inferior sequel that turns into an embarrassingly, vapid cheese-fest in the tradition of the Death Wish sequels (… namely part 3). There's no foot grounded in reality compared to the original and it comes off like an action comic fantasy. Thanks to Peebles and his laughable bunch of roaches. Robert Ginty (and his placidly stiff nature) is back as Johnny the Vietnam VET turned vigilante. On this occasion he brought with him his welder helmet and the trusty old flamethrower (the iconic picture found on the poster of the original) to clean up the dirtily decayed and crime-riddled streets. When he gets mad. Vicious punks and petty thieves better watch out! As he appears from nowhere (like a ghost) to wipe the floor. How they don't notice someone dressed like this until its to late, goes beyond me. Imagine the noise he would be make carrying all of this and how hard it would be to swiftly maneuver with it! The mangled story is basic and skips a lot stuff that happened in the original and heads its own direction… well kind of… ah, yeah its derivative. How could the cops go from knowing who the exterminator is at the end of the first feature to be at square one in the follow up? Who knows? I don't. While, there's nothing much else going on in the thin material to derail the main focus off Ginty's character and emotional build up. Still cluttering up the pace are redundant fillers (give me some break dancing) and an over-plus of scene-stealing Van Pebble posing and preaching his "He is the street" speeches. Just proving how much of a bad-ass he is. Poor Van Pebble, because he comes across as extremely wretched and too fruity looking to invoke that presence. Mark Buntzman's no-nonsense direction is ineptly junky (great campy slow-mo pieces), but he makes decent of the gritty and beat up look of the New York surroundings. It's not as prominent, say like the original, but Bob Baldwin's grounded photography gives it that rough edge. On the other-hand, the progressively clunky score by David Spear is a manipulative piece of mess. There's an explicit vibe created, but sadly its more comic style than nastily exploitive. Nonetheless it's still fun and creative in its set pieces.There are moments of ridiculously stupid and roistering fun evident, but make sure you get your hands on the uncut version.P.s. Watching the uncut version (shockingly on Pay TV?!) was a much better experience. The subway sequence was rather unsettling. Shonky, but amusing comic action.