Tedfoldol everything you have heard about this movie is true.

Keira Brennan The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

Yash Wade Close shines in drama with strong language, adult themes.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

FlashCallahan A sexual assault victim manages to escape from her attacker, but leaves her purse behind. Worried that he may finish what he started, she contacts the police but they are unable to help.Her worst fears are realised when, alone in the house, her attacker visits and attempts to assault her once more. Circumstances allow her not only to resist the attack, but to turn the tables and lock him away. And this is where the situation really begins to escalate. Does she release him and risk another attack, or does she go for the eye for an eye route....Based on a stage play (and clearly shows) the film tries hard to get a message across, but I feel that a stage production would carry the message a little further.Fawcett and Russo are great in their respective roles, but as soon as the secondary characters become involved, it turns almost farcical with it's narrative.One starts drinking heavily and becomes the whiner of the pack, the other tries to play doctor, but only escalates the situation, and the element of the terrible dilemma that is placed on the three becomes almost laughable.If it was just Fawcett and Russo in one setting, this could have been one of the most tense thrillers to be released in 1986, instead it feels more like a late night edition of one of your favourite soaps.It's not a terrible film by any means, it's just that the third act takes any intensity away that the first two did...

callanvass (Credit to Rhino on IMDb) An intended rape victim manages to escape from her attacker but leaves her purse behind. Worried that he may visit her house and finish what he has started, she contacts the police but they are unable to help, saying that she has no proof. "If he calls, let us know and we'll send a man round!" A fat load of good that would be. Her worst fears are realised when, alone one day in the house, her attacker visits and attempts again to rape her. Circumstances allow her not only to resist the attack but to turn the tables and lock him away. And that is where her dilemma really starts. Does she release him and risk another attack? Does she go to the police and risk being called a liar? Or does she kill him - and become as low as him?I'm not overly fond of rape movies. They make me very uncomfortable. If they are done right, I tend to appreciate them. How did Extremities fare? Pretty well for the most part. This has your typical 80's sleazy feel to it, but it's done adroitly. When James Russo first appears, it's very unsettling. He is so good at being despicable, it becomes very satisfying what happens to him. The fact that he plays a father makes him even more disgusting. This movie has good suspense in general. Farrah Fawcett is extremely sympathetic as our heroine. I thought she did a fantastic job. My only real complaint is that it falters a bit in the second half. If you're looking for a powerful film, this will be right up your alley.6.5/10

Claudio Carvalho In Los Angeles, the gorgeous Marjorie (Farrah Fawcett) stops her car after-hours in a parking area to buy an ice-cream. However the store has just closed and when she returns to her car, a masked stranger attacks and attempts to rape her using a knife. Marjorie succeeds to flee, but the man keeps her purse with her documents. She goes to the police to report the assault but the female officer tells her that there is no evidence and no case since it is her word against the rapist's word. A couple of days later, the rapist breaks in Marjorie's house while her roommates Patricia (Alfre Woodard) and Terry (Diana Scarwid) are not at home. The cynical Joe (James Russo) submits Marjories to sadistic abuses and humiliations preparing to rape her. Out of the blue, Marjorie sprays insecticide in Joe's eyes, reverting the situation dominating Joe and then she ties him up. She decides to bury Joe alive in a grave in her garden since she does not have evidence to keep him in prison and he had promised to return to kill her. But Terry and Patty arrive and try to convince Marjorie to call the police and think about the consequence of her intention. What will she do?"Extremities" is a film with a dramatic story and a great dilemma. Farrah Fawcett has one of her best performances in the role of a woman abused by a stranger that she finally subdues. His first intention is to kill the man but there is a debate with her roommates and the film has a moralist conclusion. James Russo is impressive in the role of a sadistic rapist. My vote is seven.Title (Brazil): "Seduzida ao Extremo" ("Seduced to the Extreme")

Mr_Ectoplasma Adapted from the off-Brodway play, "Extremities" has Farrah Fawcett resuming her stage role as a woman targeted by a serial rapist and murderer who breaks into her home with the intent to kill her after a botched rape attempt. After dismantling him and blockading him inside her fireplace, she and her two female roommates struggle with what to do next.This is an all around minimalist thriller that is taut and effective in spite of locale limitations. The film is structured much like the stage play, with the majority of the action taking place in the confines of a living room. Thus, the film is very much dialogue-driven, dependent on strong performances which the cast deliver. Farrah Fawcett is one of the most underrated actresses ever as far as I'm concerned, and her performance in this film is proof of it; she was much more than a pretty face on "Charlie's Angels" and plastered on the walls of teenage baby boomer boys' bedrooms. James Russo— who also starred in the stage production with Fawcett— plays the villain with tenacity and menace that is overtaken in the second act as the film swirls with moral debate between the two other women; Alfre Woodard and Diana Scarwid provide solid and necessary support here. The real electric chemistry at the crux of the film is between Fawcett and Russo, and this is very likely due to their past experience playing out the narrative onstage together; regardless, both of these performances are honest and believable.Though not exactly a "suspense" film, there is a high level of tensity maintained throughout; nearly every scene is rife with it. The opening sequence featuring a point-of- view shot from Russo as he stalks potential victims in the night before locking in on Fawcett is especially sinister and almost reminiscent of a slasher film. The denouement follows a jaw-dropping one-to-one between the two leads with a hunting knife and family jewels.Overall, "Extremities" is a minimalist but solid thriller that works as a thriller and as an acting decathlon for Fawcett and Russo (especially Fawcett). I'd say to see it just for the acting, but there is also a great handling of material here that shapes the source material into a formidable and disturbing adaptation. 8/10.