BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Yash Wade Close shines in drama with strong language, adult themes.

Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

barrykilgore Many of the people who were in this movie were friends, acquaintances and work colleagues in radio and TV in Austin, Texas from 1973 to 1982. Maybe that's why I liked it so much. I was given a copy decades ago while I was still working there. Maybe it was because I knew most of the people in the movie but I loved it. All the players in the game were themselves. To me that made it entertaining.The copy of the movie I had was destroyed during in a bad divorce. If anyone knows where I can get a copy contact me barrykilgore@hotmail.com.If you get a chance to watch it, do so. See how it's like to make a fun movie and have fun doing it. That was Austin at the time.

eddy-22 Shot on a shoestring (cast and crew stopped getting paid after the third week of production) and finally finished a couple of years later, the film never saw theatrical distribution that I know of. Surfaced in video stores in the late 80's as "Sybil Danning's Adventures presents 'Fast Money'." Good luck finding a copy today. Basically the same group of Austin, TX folks who made "The Whole Shootin' Match," the difference this time being that "Shootin' Match" director Pennell is the DP on this one (or was until his dismissal mid-way through filming)and "Shootin' Match" AD Doug Holloway is the director. Soundtrack by Austin-based "Asleep at the Wheel" does a lot to propel the story, which is the by-now-familiar tale of three innocents who start dealing pot and quickly discover that they can't get out of the business. Things start happy, things end badly; comic relief from Sonny Carl Davis and Lou Perry make it entertaining. The quartet of Davis, Perry, Pennell and Doris Hargrave re-teamed a few years later to make "Last Night at the Alamo."