Fear Chamber

1968 "In the name of science he created ... The Torture Zone"
3.5| 1h28m| en| More Info
Released: 01 May 1968 Released
Producted By: Azteca Films
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Budget: 0
Revenue: 0
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Synopsis

The frightening Boris Karloff 60s thriller with Karloff as a demented doctor using torture for scientific experiments.

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Azteca Films

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Reviews

SpuffyWeb Sadly Over-hyped
Ceticultsot Beautiful, moving film.
Spoonixel Amateur movie with Big budget
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
dbborroughs One of the god awful Mexican horror films that Boris Karloff made in his final years and which were released after his death. Karloff was paid to shoot sequences for four films in Hollywood because Karloff was too ill to travel. These sequences were written and directed by Jack Hill who then handed the film over to a Mexican producer. The footage was then cut in with stories with actors who were filmed in Mexico and had nothing to do with the English footage. The result was pretty much truly awful films with Karloff seeming to have come in from a different planet because his performance was so much better then everything else. Here the plot has to do with some living rock found in a volcano deep that needs the hormones secreted by frightened women in order to stay alive. So the scientists make a chamber and scare unsuspecting women. Add in some other soap opera type stuff and you have a really bad movie.This is one of those turkeys that even bad film lovers like me stare at with slack jawed wonder and ponder if its worth continued viewing or if we should just hang it up. (not to mention its another of those films that makes you ponder why Ed Wood is the king of bad movies) For masochists or Karloff completeists only.1 out of 10
JoeB131 Thankfully, he didn't live to see this turkey released.The plot is simple. A scientist (Boris) finds a living rock from the center of the Earth that promises the secrets to the universe, but requires the adrenaline of terrified women to live. He realizes that the rock is a murdering creature, and suffers an episode (excusing him from having to appear in the rest of the movie until the very end.) The rest of the film is filled by bad Mexican actors and strippers wearing granny panties. Which just goes to prove, illegal aliens are just doing JObs Americans won't do, because I couldn't imagine any American wanting to appear in this tripe.This movie would have been lost to history had it not had Karloff's scenes in it. It's too bad the Karloff estate, which jealously guards his image today, can't get this and other dubious works pulled from distribution.
JasparLamarCrabb Pretty bad, even for a Mexican horror film. Boris Karloff plays a scientist trying to keep a mysterious life form alive by feeding it a brain chemical released by humans when they're terrified. A promising idea, but a woefully put together patchwork of a film. Jack Hill wrote the screenplay and directed Karloff's scenes and they're spliced together with scenes shot in Mexico. Hill's direction of Karloff is pretty bland stuff and the Mexican scenes hold no interest at all, certainly not the few decidedly out of place shots of women being tortured. Isela Vega (electrifying in Peckinpah's "...Alfredo Garcia") appears as "Helga" and shows absolutely zero charisma. This is one US/Mexican tapestry that's shy of quite a few threads.
Zontar-2 With its rep as one of Karloff's worst, I expected something drab and stilted (like CAULDRON OF BLOOD, '67) so was surprised to find this quite colorful, albeit in a tacky way. While it lacks subtlety (and often coherence), the film delivers sufficient sleaze to please prurient drive-in dwellers.The haphazard script provides much to mock. Spellunking scientists discover and attempt to communicate with a tentacled, "intelligent" rock. That's all of the plot you need...it's raw gibberish. Amoral researchers stop just short of human sacrifice in their experiments, and place blind faith in primitive, printout-spitting computers. Rants from Roland, the diamond-obsessed comic relief, beg for MST3K skewering, and Karloff's scientific theories are the daffiest heard since mad docs roamed the Monogram lot.Most commenters cluck about "Poor Boris." Granted, he isn't tossed one morsel of decent dialogue, but he just phones his part in. (The young leads, on the other hand, are quite likable, even though their characters are not.) Upon his passing, rummagers of Karloff's effects discovered that his check for this flick was uncashed...perhaps he expected it to bounce.