Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Benas Mcloughlin Worth seeing just to witness how winsome it is.

Richard Maurer (ram-30) This seems to be the kind of low budget film you watch when you have nothing else to do. Well, I got hooked by the first five minutes and I had to keep watching even though I had other things to do. The opening rescue scene is full of suspense and the protagonist's(Jonas) conflict is so quickly established that Paul Ziller and associates put you right into the story immediately.It's not surprising that Roger Corman, infamous for quick, low budget but high quality horror productions in the 1960s, is the executive producer. The setting and mood surrounding a fire crew camp is quite realistic. There are a lot of original features to this film that make it strongly recommended.