Five Bloody Graves

1969 "Lust-Mad Men and Lawless Women in a Vicious and Sensuous Orgy of Slaughter!"
3.4| 1h28m| R| en| More Info
Released: 31 October 1969 Released
Producted By: Independent International Pictures (I-I)
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A lone gunman hunts the fearsome Apache Satago across the plains of the Wild West. When Satago's marauders ambush a stagecoach, the gunman rides to the rescue of the trapped passengers and helps them in their last stand against the deadly Indians.

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Reviews

Konterr Brilliant and touching
Borgarkeri A bit overrated, but still an amazing film
SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
Mehdi Hoffman There's a more than satisfactory amount of boom-boom in the movie's trim running time.
Red-Barracuda Five Bloody Graves is a western from the notorious director Al Adamson. Al was a maker of z-grade exploitation movies such as Blood of Dracula's Castle (1969) and Horror of the Blood Monsters (1970). Because of this I am rather fond of the man. Anyone who knocked out copious numbers of low budget psychotronic movies from the golden era of the b-movie sure can't be all that bad in my book. And from my admittedly limited exposure to his movies, I have to say that what I have seen has been entertaining enough. Five Bloody Graves is possibly the best of the bunch so far I reckon. It takes the form of a revenge western, with a lone cowboy seeking retribution against an Apache who killed his wife. Enter a stranded stagecoach of cannon fodder...I mean upright citizens, plus a duo of good-for-nothing gun runners and we have the bare bones of a story.This one is unusual from the start in that it includes voice-over narration from Death himself. Some people hate voice-overs but I don't mind them as they allow us to just cut to the chase and get on with it, not relying on a host of tedious exposition scenes and in this example that is effectively what they achieve even if the device was most probably included for budgetary, rather than artistic, reasons. It would only be fair to say that despite a release year of 1970, this sure as hell is not a revisionist example of the western genre. It has a decidedly old-school presentation of the Indians as mindless killers, who aren't so much characters as they are dangerous obstacles for the white folks to deal with. This type of presentation was really out-of-date by the 60's, never mind the 70's! But I think it's partly on account of this completely unprogressive approach that makes this one kind of enjoyable as it gives it an even more exploitative approach which is always kind of fun even when you know it is wrong.From an acting perspective we have the king of the low budget trash-fest himself, John Carradine, on hand in another role as a cranky old git. While the soundtrack was pleasingly inappropriate at times with a score made up of library music which bizarrely included the theme to the 'News at Ten', one of the most famous bits of TV music in the UK and so utterly strange sound-tracking a gun-fight in a low budget western! This musical insanity is only equalled by the later slasher movie Delirium (1979) which featured the theme music from 'Mastermind'! Anyway, the story plays out pretty much as you think it will with little in the way of surprises, although I have to award an extra point for a particularly evil character being sentenced to 'death by ant'. On the whole, this much maligned film really wasn't all that bad at all. I have been watching a fair few run-of-the-mill spaghetti westerns recently and I have to say that this one entertained me more than most of those on account of it being stranger. Good work Al...
Leofwine_draca Al Adamson is a notorious name in cult film circles as a man who made the movies of Ed Wood look good. His films are known for being amateurish, slapdash, and hard to enjoy, and having sat through some of his horror outings it's hard to disagree. However, FIVE BLOODY GRAVES, a rare entry in the western genre for the director, is a surprisingly entertaining little film.Of course, it's still amateurish in nature, with 'anything goes' style performances and a general hurried feel to the production. On the other hand, it's absolutely packed with action and violence; the storyline is pure Cowboys and Indians, with never any more depth to it than that. Rest assured that the expected shoot-outs, knife fights and horse riding scenes come thick and fast in this film.Adamson has amassed a wealth of has-been actors for his film, headlined by western star Robert Dix. Watch out for future cult director John 'Bud' Cardos as an Indian and John Carradine as a preacher. Unfortunately the version I watched was heavily cut for violence, but even so I found it better than many modern day attempts at the genre. Certainly no classic but it might just be the director's best film.
MartinHafer This is a terrible film and anyone seeing it might be inclined to think it's one of the worst films that any director could make. Well, that could be true, but not if it's Al Adamson--the jerk that directed this dull film. No, FIVE BLOODY GRAVES is practically a Merchant-Ivory production compared to such Adamson "classics" as FRANKENSTEIN VS. DRACUL A, HORROR OF THE BLOOD MONSTERS and BRAIN OF BLOOD.The film begins with some totally pointless and stupid narration by the Hollywood actor Gene Raymond. This is pretty sad, as in the 1930s, he was a top Hollywood star and the husband of Jeanette MacDonald--here, he plays "Death" with all the subtlety of Grim from "The Adventures of Billy and Mandy" thanks to a dumb script.As far as the rest of the film goes, it's mostly the "bad Indians" killing the innocent (or semi-innocent) Whites. While this plot isn't too unusual, it was unusual for 1970, as by then Westerns had mostly begun to show Indians with a bit more depth--but not here. Yep, they're mostly just blood-crazy savages. In this mix are some incompetent actors and amazingly unattractive actresses (considering they are SUPPOSED to be alluring) and subplots involving rape that seem to have been added only to "spice up the film".The music is odd, as it really doesn't sound very appropriate for the film. I suspect it was lifted from another film but only recognized one small section that was lifted from the old "Star Trek" television show.While none of this is good at all, the worst thing about the film is how gosh-darn dull the whole thing is. There just isn't much to keep your attention (other than a little bit of nudity). Not nearly as silly or stupid as Adamson's horror films--this one is just bad.
Jonathon Dabell I've seen nearly two thousand films and this ranks amongst the worst ten I've ever seen. Its violence is crude and unnecessary; its plot sounds totally straight-forward, yet is somehow confused; its music is plundered from other sources thoughtlessly (almost unrelated to the on-screen action at some points, especially when the music which British viewer's will recognise as the music from ITV's evening news roars into life during one particularly naff action sequence); and the acting is amateurish to the point of school-pantomime level. What do you expect from a picture that's from the Al Adamson school of lousy film directing? Believe me, it takes a real big effort to sit through this junk - I managed it, but I can't say that I'm proud of the achievement.