SpuffyWeb Sadly Over-hyped

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

ya1973 After some glorious reviews I was very curious to watch this movie. I must say I was quite disappointed all in all, but there were some positive elements as well: Sener Sen is fantastic in his performance, very convincing and his character truly shines. But that does not save the movie. I thought the main problem was an unfortunate mix of genres, which weakened the movie: it is supposed to be a drama, but there are (mainly unintended, almost ridiculous) "slapstick"-like scenes or moments in it, that makes it like a caricature of itself. Of course drama and comedy can be very close but I am not talking about true comedy here. Slapstick elements in such a serious piece of work just simply ruins it. Since I felt like laughing in some of the supposedly most serious moments, the drama in it did not truly catch my full attention. The homosexual character was so exaggerated (like a persiflage), sympathetic but very calculated jokes, then Devran is still talking and saying odd stuff whilst he is almost about to die, generally people have very dramatic expressions in there faces once they are shot dead (this could be slapstick, truly!) or the girl's comment about Devrans "best male piece" not being as big as Murats, and Devrans reaction to it (slapstick pure!) and this unfortunate mixture just took so much away from the movie. I got distracted and even noticed some minor imperfections in editing or logic of scenes(which I normally don't tend to notice). For example, Ali Osman uses Murats mobile phone to call his friend and just presses one button (like a repeat call) but it is impossible that his friends number is saved in Murats phone as he does not even know him! Karaca is seriously injured by the shooting in the bar, she is in hospital etc and suddenly the injury seems to be gone, she is back to normal! All of this is a pity, as Sener Sen truly shines in his role, but alas this is not a solo performance.

gungoresen Is it only for love or is it for honor also? Devran fights for his immoral photographs that are kept by police chief. Ali Osman fights for keeping innocence girl- Karaca from mafia. I would prefer another catchword rather than "Love is a killer reason" like: "Everything is for love or honor." By the way, I appreciate the social messages in the film: Do not keep it as a secret! Ali Osman's wife has the secret that she has son from him. Death bed declaration to Ali Osman releases the truth, which causes in tragedy between Ali Osman and his son. Devran plays a double game: He works both for police and mafia. That ends in death of main characters from both sides. You will be warned with social messages. Watch it!

antisarikanarya I was waiting for this movie. This is pure cinema. This is fantastic. The actors are great, cinematography is great, script is fantastic, messages are very well and dialogs are great. You must see it, if you want to see a Turkish movie. This is great entertainment and sad story. Yavuz Turgul is one of the best filmmakers of the world. The film criticizes many things. I don't want to give spoilers. This is one of the best movies, I have ever seen. Ferenc Pap is a real good cinematographer. The pictures and the quality are great. Kenan Imirzaliogul has done the greatest role in his career. Sener Sen was like always: GOOD. Rasim Oztekin is a very good actor and played perfect. The others were great too. You must see it. It's not a popcorn flick.

Mouzafphaerre HB I proclaim that, from the day this film was released on, Turkish cinema exists! Monumental acting (Kenan İmirzalıoğlu, first time in his decade old career, is an actor in this one, and perfectly so), consistent storyline with all taboos hitherto nigh untouchable (corrupt Police, state relations of organized crime, torture and humiliation in prison and under custody etc.) turned upside down in a gentle and natural way not over-pressing things in a fist waving manner, a very well done final scene in which you swing between tears and laughter and overall bright regie... No Shakespearean heroes/villains cliché of Turkish films/TV; crafty and in depth character building and realization with an antagonist whom you almost pity.Especially a gem if you wish to hear the Istanbul dialect of Turkish, which is mostly fading into memories with the older generations, spoken with character and attire.Most recommended. (Heavy swearing and mild sexuality warning)