Forever, Darling

1956 "M-G-M Presents Their Riotous New Comedy In Color"
6| 1h31m| NR| en| More Info
Released: 09 February 1956 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Susan and Lorenzo have been married for over five years and they are starting to drift apart. So into her life comes an angel, which only Susan can see, to tell her that there will be trouble ahead if they do not work out their problems. Lorenzo is developing insecticide #383 at Finlay Vega Chemical Co. and plans to test it on a camping trip that he takes with Susan, but the trip becomes an obstacle course for him.

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Reviews

IslandGuru Who payed the critics
Inclubabu Plot so thin, it passes unnoticed.
DipitySkillful an ambitious but ultimately ineffective debut endeavor.
Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
theowinthrop This is not a total failure, as the three principles do mingle well, and they do try. Mason, the most dramatically successful of the three actors, actually could play comedy on occasion (think of him as the "chubby chasing" old goat in GEORGY GIRL) but his best work was in drama. In fact two years before this film his best remembered performance (as Norman Main in A STAR IS BORN) ended with that classic drowning suicide. Hardly a chuckle in that - though to be fair the complete film was to spoof some swashbucklers that Main was making).Susan and Lorenzo Vega are an up-scale married couple (he is a chemist working on an insecticide) who have been married five years, but who seem to be drifting apart. The near explosion occurs when they are having dinner with two of Susan's friends (Nathalie Schaefer and Ralph Dunke) who are a wee bit too snobby and complacent for Lorenzo to really enjoy the company of. And since he is preoccupied with the deadline of testing his new powerful insecticide, he is not in the mood for their nonsense. He explodes at the dinner, causing them to leave in anger. Susan is also angry as they are her friends. So Lorenzo and she have a spat, and he does not sleep that night.Enter Darling, the Guardian Angel of Susan. This is Mason. At first Susan is amazed that he resembles James Mason, but it soon develops that his features are not really like Mason's but she sees Mason because the actor is her favorite actor. He is trying to convince her that she has to work harder to save her marriage with Lorenzo. Susan has to try to be more supportive of her husband.The complications that develop somewhat resemble another film of a few years earlier: THE BISHOP'S WIFE. There the angel (Cary Grant) falls for the wife (Loretta Young) of the Bishop (David Niven) he is trying to correct the religious motivations of. Grant spends far too much time "entertaining" Young, until Niven becomes jealous - hardly the intention of the angel's boss. Here Darling is not pursuing his charge. Instead he is fighting her off for awhile because of the way she sees him. There is a cute moment when Lucy is watching a film starring Mason and sees herself replacing the heroine. The interesting thing is that the film is reminiscent of Mason's original acting fame as one of those men (like George Sanders and Eric Von Stroheim) you love to hate - the star who whipped the villainess to death in THE MAN IN GRAY, or the nasty uncle of the piano protégée in THE SEVENTH VEIL. He is a sheik who is mistreating a female prisoner (who of course is falling for him while he does so). As a spoof on Mason's background it is mildly good.Eventually he manages to get Susan back on track, leading to her going on the trek to Yosemite Park to test the new insecticide - to help her husband. And of course, being Lucille Ball, her attempts just drive Desi up the wall. It is a tolerable if unmemorable comedy. That is the best I can say for it. But it has some moments worth waiting for. And with it, we leave the last of the three Lucy-Desi films. A curious bunch. Their best work is still the television series.
Patmarie Saw this today and enjoyed it very much. Lucy and Desi of course are great and here seemed more like real people and less like stereotyped caricatures. Though made in the Fifties, much of the relationship philosophy here seemed sound and to still ring true today. One need only to look at I Love Lucy to see that limited options for wives were a widely accepted norm at that time, but this film tires to question and break out of that. When Susan is told that she and her husband have been traveling two separate paths for a long time, she asks something along the lines of, "Does the woman always have to follow her husband's path?" Her angel laughs and says "Of course not!" but gives good reasons why that's what she needs to do at this point. The well-intentioned but scary Fifties attitude toward the environment was uncomfortable but the marriage advice seemed good. The Long, Long Trailer may have had more laughs but this was more satisfying. And anything that ends in Yosemite is a plus.
Monika-5 Lucy and Desi return in a film about what happens when the love starts to leave the marriage of their characters, Susan and Lorenzo. It's not a wacky comedy like The Long, Long Trailer or I Love Lucy, but it's more sweetly poignant and gently humorous. I especially like the scene where Susan and Lorenzo are at a movie and he falls asleep, and she screams and wakes him up right away! The startled, confused look on Desi's face is priceless! And for 60s TV buffs, Nancy Kulp (Jane Hathaway on the Beverly Hillbillies) and Natalie Schafer (Mrs. Howell on Gilligan's Island) are both in this film. Definitely worth renting.
S Srikant The perfect film for settling marital irritations. Settle down with Lucille Ball and Desi Arnaz, as they take you through a hilarious time while they settle all their marital incompatibilities. A must see for anyone who loves a good laugh.