Fugitive Pieces

2007
6.9| 1h44m| en| More Info
Released: 06 September 2007 Released
Producted By: Serendipity Point Films
Country: Greece
Budget: 0
Revenue: 0
Official Website:
Synopsis

A child escapes from Poland during World War II and first heads to Greece before coming of age in Canada.

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Reviews

TeenzTen An action-packed slog
SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
jbirks106 This probably says more about my own gray matter than it does about the movie, but I was a good 20 minutes into "Fugitive Pieces" when I realized I'd already seen it. Still, there's something slightly generic about the film; well more than slightly, as Holocaust-survivor movies have become one of the more popular genres going. Let's just say that for me, "Pieces" was not a very memorable example of the genre.One obvious problem: the protagonist, Jakob, is the least interesting character in the film. Yes, I know that he's a survivor, and that's made him laconic and introverted, but my god is he dull. (I haven't read the book and have no desire to, so perhaps the film is being faithful to the source material. If so this was a mistake.)Another problem: the actor, Stephen Dillane, is at least a decade too old for the part. The scene where he and Rade Serbedzija are shown on camera for the first time is jarring -- Dillane was 50 when the movie was shot; Serbedzija was 60. I find it beyond incredible that not one but two completely hot babes would totally fall for this dweeb. Only in sitcoms, and in the movies.What I liked: this is a beautifully shot movie. Every frame is a marvel of composition, light and color. And while the Jakob character was a bit dull for my liking, I did appreciate that the movie didn't beat us over the head with the Nazis from Central Casting, as if we were just learning about their atrocities. There are a few, but they aren't gruesome nor gratuitous. In fact just about every character in the film is basically a good guy just trying to muddle through.
John Raymond Peterson The timing for my watching this movie was unfortunate; I have recently seen three movies on related subject of the Holocaust, so I was not disposed in being entirely objective. That being said, this movie did offer an original take; it included a moving relation between a man saving a young Jewish boy from the well known fate of the rest of his family. The boy, Young Jakob, is played by Robbie Kay, who performs well, certainly thanks to the direction of Jeremy Podeswa (Boardwalk Empire) who also wrote the script from Anne Michael's novel; Kay portrays what it was to live in the haunting memory of the family he could not extinguish from his mind and in particular the memory of his 15 year old sister Bella, played by the beautiful and charming Nina Dobrev.The movie does not follow a formal timeline not even in its flashbacks and in the scenes when both young Jakob and older Jakob has visions of his sister; she had an indelible mark on Jakob. The story also goes back and forth intermittently showing how devoted, kind and understanding the boy's savior, Athos, was and how he helped shape his future. The actors do a splendid job, but I found it was a bit too melodramatic at times. Perhaps the introverted character of older Jakob, played by Stephen Dillane, was what made the melodrama a bit more than I cared to see. It does not take away from his performance; I just was not in the best mood for this. He became a writer, encouraged by Athos, and predictably, his writings dealt with subject relating to the loss and effects of the loss of his family in WWII.Rade Serbedzija, who plays Athos Roussos, Jakob's savior, performs his part very well, but it seems he always plays that very same character in so many of his movies; at least here I liked how he was, for all intent and purpose, a damn good father figure for Jakob. I won't forget the mature Jakob's love interests, Alex, played by the talented and delicious Rosamund Pike, who's zest for life was too much for the melancholic Jakob; thankfully he later is introduced to the gorgeous Michaela, played by Ayelet Zurer, a kindred spirit who unleashes in Jakob the desire for love and life in ways the viewer was likely to believe he was incapable of finding. The ending was unexpectedly a happy one, well not the sad one we could have expected before Michaela's introduction; it was the redeeming factor, which makes me okay with recommending it, providing the storyline is one that does not turn you off. p.s. The scenery of the Greek Islands where a good part of the story takes place will make you wish you lived there.
greg@biko.com.au I couldn't resist feeling this is director's self-loving creation. And I'm here to admire his talents... Quite boring and unabsorbing movie. I was expecting much, much more given IMDb score... Subject of the movie also added to the expectations. Unfortunately, that's about it. Big disappointment. I left few times (in my mind). In reality I was hoping something would develop. Any minute now. Very slow.... But nada. Reminds me of European school. Directors forget about viewers and get tangled in their own world... Aftermovie I've checked demographics of voting= chick flick. Should have checked it before wasting my time... Sorry.
srlevinson Moving, beautifully crafted, unbelievable performances, direct, poetic, raw. I was so moved by this film, I find it hard to compose complete sentences to describe it. This movie touched and inspired every cell in my body. The acting by the entire cast was precise and authentic. How were they able to compile this cast? How did they manage to extract these performances? The writing is intelligent, sensitive, moving and direct. This is a rare script. Each scene in this movie required such an investment by the entire film crew to reach its rare authenticity. The courage it would take to produce this film escapes me. While the result deserves the highest awards, this is not a film that was made for the sake of popularity. This film feels like a labor of love and the result of the truest of intentions. My hat is off to anyone who participated in this film.