Gangaajal

2003
7.8| 2h37m| en| More Info
Released: 29 August 2003 Released
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Budget: 0
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Synopsis

Posted to a small, crime-ridden town, a cop soon learns that cleaning up the system also means confronting the corruption among police and politicians.

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Reviews

Maidgethma Wonderfully offbeat film!
Cathardincu Surprisingly incoherent and boring
Yash Wade Close shines in drama with strong language, adult themes.
Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
hirojai I quite liked the solo 'nautanki' song sequence in the movie Gangaajal. I thought it was very original, rustic and authentic.I admit that almost all the reviews that are on the web have found the song sequence either superfluous or not up to the mark, but I think otherwise.I much liked the choreography, the dancing (Maanyata), the singing, and the music (Wayne Sharpe, Sandesh Shandilya). Kudos to Prakash Jha and his team.I rate it much better than many a remix videos that have become popular. Maybe some remix producer should revisit the item number. Any takers?
xbharath I never expected to be impressed by this movie, going by the cover which had the regular in-your-face expressions from an outraged hero and a heroin with sadness written all over her face. It seemed like just another good-cop bad-guy movie. It was pleasantly surprising for me. Ajay Devgan, who is the only interesting and important character in this movie has given a more-than-decent performance. The song are minimal and this keeps the movie riveting for most part. The role of the villain is weak and did not develop into anything significant. However the dialogue delivery of AD and his no nonsense style of acting (or of the director) adds to the effect of the movie. The final dialogue: when AD has the villains under his feet and whole city is all set to burn them, AD says "I am not protecting them from you, but I am protecting you from them. It is my duty to make sure you don't descend to the level of these villains. Jaisi Janatha, Waisi Police. If you are corrupt, what do you expect the police to be?" It is overall a good movie to Watch. A similar movie, Shool, was made by Ram Gopal Verma with Manoj Bajpai. It is not nearly as entertaining as this.
Murali Chari Gangajal is a dark and ultra-violent movie; darker than Ardh Satya, more violent than Shool.In the end, the hero lives to survive another day and the villains die. But I would not call it a happy ending. The line between criminals and police, the good and the bad is wafer-thin in this movie. It's tough for me to cheer, when a person gets acid, a.k.a gangajal, poured into his eyes, even though he might be an incorrigible criminal. And, except for the hero Amit Kumar (essayed by Ajay Devgan), nobody seems to mind in the movie.Ajay Devgan brings a lot of passion with him. Mukesh Tiwari, who played the role of Bacha Yadav is convincing. Akhilesh Mishra as the corrupt D.S.P is refreshing. Others play their roles to the best of their abilities. Good triumphs over evil. But at what cost? At the end, Ajay Devgan thunders, "main samaaj ko darinda hone se bachaanaa chahtaa hoon." I agree with the sentiment whole-heartedly.
Herag Halli When it comes to depicting violence,Hindi Movies have an edge. The savagery is mind boggling but it is the candid depiction is what is more disturbing. Prakash Jha as a Director and Screen-writer needs to be credited for his potential talent since the rest of the Cast including Ajay Devgan have done what is expected of them. There is message-as in every Indian Movie (more so than Hollywood movies), the message is always about Corruption. What stikes me as a viewer is the branding and type Casting.This may have been taken from a real event, even though all movies carry disclaimer to the contrary but the exxageration of the event to politizise and polarise is sometimes irresponsible and it goes beyond the reams of intended message that is supposed to be deciphered. This could have been a good Movie but for the inordinate lenth and the the sidestreets it travels.Like many other Indian movies (Plan,Kal Ho Na Ho-to name a few). The few who have the courage not to fall into this trap-like Ram Gopal Varma (Company,Bhoot& Ab Tak Chappan),Abbas Mastan (Humraaz)who are very focussed as to the message they want to deliver and they deliver it in a tight and neat package. I also tend to think that the message could be delivered without the gore that is seen in this Movie, however authentic it apears to be.

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