ReaderKenka Let's be realistic.

HottWwjdIam There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Rodrigo Amaro The documentary "Général Idi Amin Dada: Autoportrait" directed by Barbet Schroeder ("Murder by Numbers" and "The Reversal of Fortune") presents us the self-portrait of one of the most mindless dictators ever existed, the megalomaniac Idi Amin Dada, Uganda leader from 1971 to 1979. Self-portraits are dangerous in the measure that the audience will only get what the portrayed wants to reveal about himself, which is his good side, after all who wants to show his own bad temper and mean deeds to the world?It would be a funny picture, since most of the time Dada appears to camera always smiling, joking around about anything (the 'Save the British' fund with Uganda donations destined to England's poor economy at the time was hilarious), if we weren't forced to remember who the man on the screen is and why he's not funny. He might not appear as the cannibal some say he was, or the man who commanded the murder of thousands of people (the film only mentions the Minister of Foreign Affairs, who was alive during the making of the film, a voice over explain he was killed two weeks later, presumably because he wasn't effective in his duty), he might not appear as a bad man at all but we can sense his craziness, the absurd in the things he exposes or even in his fight against Israel. The guy is nuts and it was unbelievable someone like him had the chance to be the leader of a nation. But that's what power makes with people, it makes them greedy, blind to other peoples problems, it makes them unreasonable. And he was all that!The film doesn't add anything interesting but it's not Schroeder's fault, it's Dada's own fault this being something almost irrelevant. He controlled everything, he wanted to present his tender moments with his 18 sons, or his Discovery Channel moments where the crocodiles and a elephant pay tribute to the man (so he thinks that's what the animals are doing). And politically speaking this man and the film have nothing good to say except a enormous contradiction when Idi says he likes Nixon but hates Kissinger, both part of U.S. government. The guy didn't had a clue of what he was saying, making his presence here something laughable rather than a dignifying portrait of his legacy, and he could have made so much more for his country.It's good for historical references, it has its importance, quite good to watch but that's it. The man illustrated here was so light, so funny and so friendly that Forest Whitaker's Oscar winning performance in "The Last King of Scotland" was more terrifying and more realistic than Dada himself. 6/10

tomgillespie2002 Watching Forest Whitaker's performance as Ugandan military dictator Idi Amin in 2006's slightly disappointing The Last King Of Scotland, and then watching this, Barbet Schroeder's fantastic 1974 documentary about the same man, you have to applaud Whitaker's Oscar winning depiction. He not only grasped the man's sense of humour and desire for approval, but his terrifying ferocity which led to Amin being one of the most loathed and feared rulers in recent history. Yet if ever an Oscar was truly deserved, the Academy should have handed Idi Amin himself the award for Best Actor in 1974. The term 'autoportrait' (self-portrait) is cleverly used in the title, as that is exactly what it is. This might seem like a fly-on-the-wall depiction of a man narrating through his everyday duties, yet the film is very much controlled as much as Kevin Macdonald's fictional film was. Only it's not the director that is calling the shots in this film.The film is one-half cinema verite and one half an Amin vanity project, and plaudits to Schroeder to let it happen, as it reveals much more about Amin as it would if he had no participation at all, other than in front of the camera. In one scene, Amin arrives by helicopter at a small town and is greeted by a horde of screaming townsfolk, waving flags and clapping in anticipation. However, we are told, the scene has been completely set up for the documentary by Amin. Without repeatedly informing us of the influence he had on the making of the film, and on Schroeder himself, we are allowed to sit back and watch this monster bend and manipulate the truth for his own benefit. He is seen in a meeting with his ministers laying out his ideals and his expectations for his country. In this scene, Amin plays the role of both serious and committed leader, and approachable joker. He warns one of his ministers that he will take action and replace him should he fail to inform him about an aspect of his work again, to which the minister stares down and nods in understanding. We are informed by the narrator that his body is found dead in the River Nile a couple of weeks later.The film depicts both the political and social sides of Amin. As well as his claims to being the 'last king of Scotland' and his invitation to Queen Elizabeth to visit Africa and meet 'a real man', it also shows the increasingly uneasy relationship that Amin and Uganda had at the time with neighbouring country Tanzania and their President Julius Nyerere. Amin would have you believe otherwise, laughing off these claims and joking that the two have a friendly and informal relationship (the two countries would eventually go to war between 1978 and 1979, leading to the overthrowing of Amin's regime). We also see him with his children from many wives (he was a polygamist, marrying six women) and taking Schroeder and his crew on a boat trip down the River Nile, pointing out the wildlife and talking about Uganda being the most beautiful place on the planet.It is a terrifying insight in how politicians and military rules can use the media as a propaganda tool, and what a lack of respect they have for their people. You get the feeling throughout the film that Schroeder would like to pose more trying questions to Amin, yet because of the likelihood that the film would be shut down should he be challenged, Schroeder is forced to indulge Amin's desires. In a satisfying climax, which sees Amin allowing himself to be questioned by a board of doctors in a bid to show his accessibility, the camera zooms in close as he sits speechless after being confronted with a difficult question, and the volume on his microphone is turned up to maximum to capture every quiver in his breathing, and the thumping of his ever increasing heartbeat. The documentary was forced to be edited and released in two versions - one hour-long version in Uganda, and the full length version everywhere else. Amin sent spies to France to make extensive notes on the full film, which lead to the kidnapping of over a hundred French citizens residing in Uganda. According the Schroeder, he was forced to re-edit the film in order for the captives to be released. The film lay in this state until Amin's fall from power, to which the film was restored and re-released in it's entirety. It could almost be viewed as a companion piece to Leni Reifenstahl's landmark propaganda documentary Triumph Of The Will, both of which show the length that military rulers are willing to go in order to manipulate their people. It is confusing as to why Schroeder would go on to make standard Hollywood pap such as Kiss Of Death and Murder By Number, as this is a fascinating insight into the mind of a fascinating man. www.the-wrath-of-blog.blogspot.com

Michael Kenmore I saw the film on rental DVD which is out of print and very difficult to get ahold of if no out of print VHS copy is available. This is a compelling and fascinating documentary on the former and ousted Uganda dictator Idi Amin Dada who thought it would be ideal as a positive public relations tool to use a documentary film to voice his views. It proved the opposite as you watch the film that maintains truth and objectivity while letting Idi expound his opinions to inform the viewers of his views and justify his decisions as the despotic ruler of Uganda between 1971 and 1979. It's an amazingly candid documentary about a candid dictator who at first seems like a nice, jollying person to hang out in the beginning of the film but turns out to be a perverted-beyond-humanity, murderous, blood-thirsty schizophrenic psychopath as an illiterate military commander-turned-dictator thirsting and gnawing on bestial cruelty and bloodshed as a stronghold on ultimate power that is a toxin of the mind, heart and soul. The documentary barely shows any atrocity except at the beginning, but the way Idi engages the documentary crew with his inane, egotistical, delusional and bizarre ramblings on-camera should ice-chill the spine of every conscientious viewer who paid attention to watch this historically important film since Idi Amin Dada recently died from multiple organ failure in a Saudi Arabia hospital in August 2003.For a brief but detailed account of Idi Amin Dada's sheer scope of violence and brutality under the Dada regime, I recommend "The Most Evil Men and Women in History" by Miranda Twiss available only at Barnes & Nobles. It astounds me that one of the worst and most barbaric dictators of the 20th century lived to be an old man without prosecution for crimes against humanity. Without Barbet Schroeder's brutally honest documentary, we would not be aware of what was inside the warped mind of Idi Amin to justify the horror bestowed upon the victims in the wrong place at the wrong time from all directions in Uganda under his coup d'etat rule.Truly, we have the real Hannibal Lecter on film and that is General Amin. A rare film that's so bone-chilling it's scary just listening to Amin's speeches with his strange, barely contorted facial expression - and it's in real-life. The embodiment of evil personified by Amin on film.

Baldy-13 I saw this movie in Israel in 1975. At the time Amin was in his heyday and because of his relationship with Israel the film was very interesting, featuring interviews with Amin and him showing off his armed forces.Today, with Amin a nobody in Saudi Arabia, this film is but an asterisk of history.