SanEat
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Roy Hart
If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Marva-nova
Amazing worth wacthing. So good. Biased but well made with many good points.
Mark Turner
If you grew up in the sixties there is no doubt that you were exposed to the genre of film known as the beach movie. The most notable stars of the genre were Frankie Avalon and Annette Funicello but there were others who dipped their toes in the salty waters of the Pacific as well. One of those was Sandra Dee in a little film called GIDGET.The movie opens with the early teen Francie Lawrence (Dee) and her friends preparing for a trip to the beach. The other girls are just interested in meeting boys but Francie hasn't quite been bitten by the bug for male companionship just yet. While the others display themselves a bit suggestively, Francine keeps more of herself covered.Swimming in a mask and snorkel she gets caught in some kelp and one of the surfers on the beach named Moondoggie (James Darren) rescues her on his board. Having experienced riding the board now Francine wants to try as well. Told she needs a board of her own she negotiates with the guy on the beach making them.The next day she arrives with her money but the guys joke about not wanting to teach her. The main beach bum, The Big Kahuna (Cliff Robertson), takes her under his wing and begins instructing her. She takes to it naturally and is soon a sort of mascot for the rest of the gang, given the nickname of Gidget. While they view her as their "kid sister" things begin to change for Francine.She begins to notice Moondoggie more and falls for him. Her summer at the beach that began with no intention of looking for romance is slowly changing. The question that comes to mind though is does Moondoggie have the same thing in mind as well or does he still see her as the kid he saved from drowning?Like most beach movies the film takes a simplistic look at the times and the people involved offering little depth to them. The lone exception is Robertson's character, an older man who left the world behind to surf the waves of the world and who the rest, mainly Moondoggie, look up to as an example of what they want to become, free and easy without a care in the world. Except that not all is as it seems.The movie also differs from most in the genre in that it doesn't play things strictly for laughs like the Frankie and Annette films did. There are no broadly played characters here on display. These seem like real people, as real as a beach movie can get, with real issues they're trying to resolve. At the same time it is a time capsule for the period, a time when mom and dad were an integral part of their children's lives while at the same time not understanding them or being there 24/7. It's that wholesome style of film that many deride as far too fake but that makes for an enjoyable movie none the less.Dee is wonderful here as the innocent young girl who is growing up while we watch. She has a charm and an appeal about her without being thought of as sexy. She's the girl next door who you liked that would eventually blossom into a young woman. Darren does a fine job as well, playing the well to do son of a businessman who wants move in his future. And Robertson as the beach bum with a past shows why he was such a good actor.The film resulted two sequels, neither of which starred Dee but both having Darren return. It also spawned a TV series with a young Sally Field in the title role. Later there were TV movies made with the character as well.Twilight Time is offering this in their usual high quality style with a great picture on display here. Again, extras are limited. They include an isolated music track and the original theatrical trailer. As always they are limiting this to just 3,000 copies so if you're a fan of beach movies or of Gidget then make sure you pick one up today.
utgard14
Likable teenage soap about a tomboy (Sandra Dee) who falls for a beach bum (James Darren) while discovering her love for surfing. This is not at all a comedy and I'm not sure why it's listed that way, here and everywhere else you look. It doesn't even try to be funny outside of some of the surfer dudes' lines. It's a relic of its time and youth culture. Similar to the Frankie & Annette Beach Party movies, but without the singing and not as much fun. Sandra Dee's adorableness carries the whole movie. Inspired a later TV series starring Sally Field that I liked a lot as a kid.
Lechuguilla
What a time capsule! A film that hearkens back to a cultural era of innocence, "Gidget" screams 1950s, with clothes, lingo, attitudes, and characters that now seem quaint. Gidget (Sandra Dee), that "pint size" sixteen-year-old who lives in Southern California, scampers down to the beach and takes an instant liking to surfing. In the process, she meets a fraternity of youthful, shirtless beach bums. Surfing, fun, and romantic complications ensue.All fluffy and frothy in the first half, the film's plot and characters reek of bubble-gum shallowness, with dialogue to match. But the plot turns more dramatic in the second half, and characters show at least some degree of depth. Gidget comes across as smart, determined and, given her age, dubiously skilled at psychology, with words that make a big impression on The Big Kahuna (Cliff Robertson), surfers' de facto leader. Ultimately, the film conveys the theme that events and people ... change.Visuals feature bright, splashy colors and a photogenic cast. Rear-screen projection and cast doubles, for the surfing scenes, look hokey now, but were the norm in those days. Music trends romantic and lively. Naturalistic sound of ocean waves enhances a relaxed, carefree tone.Although perhaps needed for story balance, plot sequences that involve Gidget's parents seem stodgy, and detract from the main focus on the relationship between Gidget and her beach pals.Sandra Dee, despite her squeaky voice, gives a performance that was better than I had expected. James Darren and Cliff Robertson add competent support.If ever there was a film that captures the carefree, innocent life of kids in the 1950s, this is surely it. Undeniably nostalgic to older viewers, and prehistoric to younger viewers, "Gidget" will continue to fascinate, emblematic of an era that will never return.
wes-connors
Sandra Dee gets to play the first "Gidget" (combining "Girl and Midget"). She's seems too made-up and beautiful for the role, but she acts the perkiness well. James Darren has a good role with "Moondoggie". Cliff Robertson is the "The Big Kahuna" of the beach. At different times, Ms. Dee's Gidget seems to want to: have fun, have sex, grow up, grow out, stay young, and/or learn to surf (which is not at all unusual). Most of all, Gidget wants a boyfriend.This film seems much more significant in hindsight; since, the Gidget character proved to be so enduring, and filmmakers discovered an audience for teenagers in swimsuits was ready for action. As a film, "Gidget" only fair, and its story is standard. The most interesting part was Mr. Robertson's character - do you want him to "grow up" and leave the beach, or should he become an old beach bum? You do get an answer, at the end of the movie. Also interesting is how Robertson relates to the younger characters. The music is slight. Mr. Darren does the title song nicely (later on); and, the soundtrack often sounds like the melody to "Tammy" is about to begin. **** Gidget (4/10/59) Paul Wendkos ~ Sandra Dee, James Darren, Cliff Robertson, Arthur O'Connell
