Go Naked in the World

1961 "Julie... No Man Could Forget her, No Woman Forgive Her."
5.4| 1h43m| en| More Info
Released: 10 March 1961 Released
Producted By: Arcola Pictures
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Budget: 0
Revenue: 0
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Synopsis

A domineering San Francisco businessman is determined to put an end to his son's romance with a high-priced hooker.

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Reviews

Matcollis This Movie Can Only Be Described With One Word.
SpuffyWeb Sadly Over-hyped
HeadlinesExotic Boring
Pacionsbo Absolutely Fantastic
kapelusznik18 ***SPOLIERS*** The beautiful Gina Lollobrigida as Guillietta, or Julie for short, Cameron is stripped down to her bear bar and panties. That as her shady past is revealed as a high price call-girl at her boyfriend Nick Stratton's, Anthony Franciosa, dad's big time Chicago construction mogul Pete Stratton, Ernest Borgnine, 30th wedding anniversary party. Rick who was to announce his engagement to Julie is dumbstruck by this shocking revelation that's even more shocking to him and his mom Pete's long suffering wife Yvonne, Luana Patten, is that Pete was one of her best customers! Running for her life out of the party before she got lynched by the outraged party goers Julie ends up in a sleazy downtown hotel where her lover, who by then got over the shock, Rick finds her. It's then after Pete was made to drop the charges, in her being a hooker, against Julie by his tearful son Rick that the two lovebirds decided to check out to Mexico and, by getting away from it all, blend into the woodwork. Pete soon realizing that there's no way he can break up the romance between Rick & Julie drops into their hotel in Acapulco unannounced and gives Julie his blessing to marry Rick and be accepted into the Stratton family. But by then the damage was already done with a guilt ridden Julie in knowing all the trouble she caused dropping her idea to marry Rick and going back to her call-girl days. Julie ends up making a complete fool of herself at a local bar by getting gloriously drunk and trying to pick every man there!****SPOILERS*** It's when Rick sees that Julie has gone completely loco, mad, he decides the best thing to do is go back home to Chicago and start a new life working for his father's construction company. The tragic ending has Rick change his mind and decide to take Julie back no matter how crazy she is but by then it's too late. Julie in the end ended it all by taking a swan dive off an 80 foot cliff in the Gulf of Mexico. But as we see as the movie ends the heart-broken Rick is more then forgiving to her for what she did to him as well as the Stratton family.
JohnHowardReid Go Naked in the World (1961) is the noir movie you have when you're not expecting a noir twist in the tale. Right up to its mindless, cop-out conclusion, it behaves like an awful, incredible soap opera. We don't believe a word of it for a minute – which makes all the soapy posturing by Franciosa, Lollo and "Marty" Borgnine all the more ridiculous. Admittedly they drew handsome salaries and no doubt had themselves a great time making this soapy. And there are, I confess, a few amusing lines and mildly suspenseful situations along the way (although one of them atop a high-rise building is somewhat negated by obvious back projection). All told, however, Franciosa looks far too mature to be in any way convincing as the gormless innocent abroad. We might also well ask what Hollywood has done to Lollo, as she looks far less enticing here than in her Italian scenarios. For one thing, the photography by Milton Krasner, who has done far better work in the past, is far too harsh. (He tells me that producer Aaron Rosenberg didn't allow him sufficient time to set up the lights). In any case, Lollo's face looks too skeletal. Her clothes don't help either. They don't flatter her figure at all. She looks fat and frumpy. A similar squeeze on production values even make the Acapulco locations seem of little account. And why Rosenberg decided to shoot the movie in CinemaScope is a real mystery. The film is little more than a dull succession of slowly paced dialogue scenes, almost all framed in close-ups which make no use of the wide screen's potentials at all. Even production values seem like humble pie compared to Metro-Goldwyn-Mayer's usual glossy standards.
Chung Mo Sick at home, I chose to watch this despite having no idea what this movie was about. Never heard of it before either.First off, Bourgnine really got into the role of a domineering Greek immigrant architect. He spends quite a bit of time yelling at everyone. His scenes with Franciosa are very good and provided me with a reason to watch the whole thing. Lollobrigida is good but the scenes between her and Franciosa are gooey.The plot is interesting as Lollobrigida's character is revealed to be a high-class hooker leading to Franciosa's character's very confused response and his confkict with his father who happens to be one of her clients. It could have been interesting but the movie opts for cheap moralizing at the end. I have seen the same ending in "bad girl tries to make good" movies from the 1930s.The title is also a cheap attempt to get the male audience to think they might glimpse Lolabrigida nude at some point. Never comes close although there's a wild dissolve / montage that has an erupting champagne bottle superimposed over Lollobrigida face as she's clearly on her back. Hmmm.You can skip it if it ever shows up again.
Ralph I caught this on TCM running movies with Mr. Bourgnine, and based on the votes wasn't expecting much; killing time on a business trip afternoon. Maybe I'm hot for Italian women(OK I am). Franciosa and Borgnine seemed very believable to me. All the main characters are very flawed in this one and thats what makes it so interesting. Major conflicts develop in this one and Julie (Gina) is a dagger in the heart. Interesting thing, the hotel detective sniffs the cigarette to see if its pot! All the characters are dealing with their head problems, maybe to the point that it looses credibility, but I really enjoyed this one nonetheless.