Happythankyoumoreplease

2011 "Go Get Yourself Loved"
6.7| 1h40m| R| en| More Info
Released: 04 March 2011 Released
Producted By: Paper Street Films
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Budget: 0
Revenue: 0
Official Website: http://www.happythankyoumoreplease.com/
Synopsis

Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved. Six New Yorkers juggle love, friendship, and the keenly challenging specter of adulthood. Sam Wexler is a struggling writer who's having a particularly bad day. When a young boy gets separated from his family on the subway, Sam makes the questionable decision to bring the child back to his apartment and thus begins a rewarding, yet complicated, friendship. Sam's life revolves around his friends — Annie, whose self-image keeps her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles tests their relationship; and Mississippi, a cabaret singer who catches Sam's eye.

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Reviews

Manthast Absolutely amazing
Patience Watson One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.
Catherina If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Fulke Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Movie_Muse_Reviews It appears that Josh Radnor's hopeless romantic "How I Met Your Mother" character Ted Mosby has rubbed off on his other ambitions. His debut film, "happythankyoumoreplease" is a bit more realistic than the hit sitcom, but both involve a great deal of optimism.Following various relationship dynamics between six connected New Yorkers, Radnor is not-so-subtly inspired by Woody Allen, whom he references in the film quite clearly without naming him directly. To compare Radnor's film with Allen's body of work, however, would very clearly result in one major fundamental difference: Radnor is not pessimistic.Radnor stars as Sam Wexler, a struggling writer (yup) on the precipice of 30 who by chance notices a young boy (Michael Algieri) get separated from what appears to be his family while on the subway. Sam feels inclined to help, but after a certain point (around when he learns the boy is a foster child who clearly didn't like his living situation) realizes he can't shake him off and takes him in. Around this time, a nearby bartender/server (Kate Mara) catches his eye.The film also follows Sam's closest friend, Annie (Malin Akerman), a woman with alopecia struggling to find love, as well as his cousin Mary Catherine (Zoe Kazan) and her boyfriend Charlie (Pablo Schreiber), who confront the possibility of uprooting their lives and moving to Los Angeles.The characters' problems are very realistic, though not necessarily interesting. Sam's relationship with the boy, Rasheen, has the most potential because Rasheen is not the typical surprisingly mature wise- alec kid we're normally treated to in adult films involving unlikely friendships between a child and adult. But Radnor is also interested in the other relationship dynamics in his script, so that one story doesn't get quite the attention it might have ideally received.Radnor's writing is very conscious of cliché, a necessity given the stories--especially the romances--have a natural trajectory toward predictable. And even though there's little reason given as to why Mara's Mississippi is interested in Sam, Radnor makes their exchanges too cute for their entire subplot to turn sour. The implication is these are two troubled young people looking for love, willing to go out on a limb to find it. That is just one of the many really sweet notions Radnor wishes to convey through this film."Happythankyoumoreplease" never delves into especially dramatic territory. The characters hit major bumps and hardships, but more of the sentimental variety, the kind that evoke audience empathy by trying to relate to everyone. Nothing out of the ordinary happens in the movie; Radnor just wants his audience to connect with the problems of the characters and consider the shifts in perspective they experience.It's a pleasant film that really plays it safe, and those movies have their place. People hoping to be stirred by some seriously thought- provoking interpersonal dilemmas will be disappointed, but the title should be a giveaway that this one's an uplifting indie. The characters and their situations feel real, and it's enough to keep the film interesting until it finishes with a soft, moment-of-clarity/all is right in the universe climax.I would definitely keep an eye on Radnor's work going forward. There are far worse labels than an optimistic Woody Allen minus the neuroses.~Steven CThanks for reading! You can read more at moviemusereviews.com
Lumikinos Honestly, I can understand that some or many people can't relate to this movie, but it has the Burns feel in it - it is real, honest, sincere drama that deals with life. If you want some ordinary comedy, this isn't for you, But if you'd like to see something worth thinking and more important - something to sympathize to, this would be a good choice. Also, the performances are not perfect, but I thoroughly enjoyed Malin's - she isn't the trophy wife or useless blond character, she's rather the main plot's heroine and she nails it the way i could have expected her to based on her previous roles. So, make your choice, but in any case, with all its flaws, don't approach this movie with any expectations, but get a beer, sit back and enjoy the kind, sad and funny piece of indie.
Willie-12 Happythankyoumoreplease (HTMP) is one of those independent films that you're dying to love. I wanted this movie to be good. I wanted to care about the characters. I wanted to feel like I'd just seen something comparable to Garden State or Beautiful Girls...a well made, well written, character-driven story. But no matter how hard I tried to make this movie good, it just didn't happen. And that's a shame, because there was definitely potential here. And there were even some scenes that worked pretty well...on their own. And therein lies the problem. Even though there were some shining moments, they were tucked into scenes that seemed to be sealed off to themselves. There was little coherency, and that, in part, had much to do with some very poor editing that didn't allow smooth transitioning between scenes. There was also some dialogue here, that was just plain bad. It almost seems as if Josh Radnor, when writing the screenplay, wanted to make sure he gave every character, lead or supporting, enough dialogue so he wouldn't make anyone angry. As a result, much of that dialogue is found within monologues that try their darnedest to sound slick and culturally relevant and cool, but really come off as disingenuous and false. And there was one story line in particular that, not only didn't seem realistic, but was somewhat disturbing. I know when Radnor's character sort of takes Rasheen under his wing, and becomes close to him while taking the boy back to his apartment, the audience was supposed to get that warm, fuzzy feeling inside (as was indicated by the, "Sam...you're my best friend" line). I didn't get that warm and fuzzy feeling inside mainly because I was too preoccupied with how illegal Sam's actions were. Touching as that relationship might have been, it was still kidnapping of a minor. And instead of taking this film down a more realistic avenue with that felonious crime in mind that, no doubt, would have inevitably darkened the film's mood, Radnor completely evades confronting that issue in favor of Sam going to jail in the same way someone driving on a revoked license would. And he gets bailed out? Are you fricking kidding me? This, as others have pointed out, rings the most false out of many unrealistic moments. One last point regarding dialogue, and I don't usually complain about profanity in movies. But when it appears that characters are uttering F-words just for the sake of uttering F-words, it doesn't make a film more slick and edgy. It just makes it seem desperate to want to be taken seriously as a movie for adults. Hopefully what we have here with HTMP, is a first time director/screenwriter who is learning as he goes, and ironing out the kinks. If that is the case, then perhaps it has done some good for Radnor as he sharpens up his skills as a movie maker. If that's not the case here, then Radnor better not quit his day job anytime soon.
Duderina First I want to say that I loved this movie! The actors were amazing and the script was to! My compliments to Josh Radnor. At first it did remind me a bid of a Woody Allen movie (im sure i wasn't the only one). But Josh has his own style. The dialogue was great, not to over dramatic and funny in some ways. The characters were people you can really relate to and they are understandable. The story itself wasn't really the most original one I've every heard but the way it was written was good. It never gets boring and when you're watching the movie you really want to know happens next to the characters. Each character gets enough time on screen so you get to 'know' and understand them. I would recommend this movie to everybody, it's fun and again, the actors (especially Josh Radnor) are amazing.