Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

h_u_l_d_r_a There are some exciting scenes in this movie but in general it is second-rate. The shoots are overextended, the characters are not life-like and some actors don't perform well either. I also didn't like multiple nationalist statements which have nothing to do with the plot. I guess the director intended to make his characters mysterious but instead they came out to be unnatural. We are supposed to see how different people successfully struggle with hard times in their lives. But two stories, the one of Carlos and that of Mikel, end up with nothing and the third, the story of Ana, makes a turn without any reason. The movie is very depressive but without any message that derives from it.

fnorful This is a hard movie to comment on: nothing spectacular but nothing to rant against.The several story lines each have their interest and each develop reasonably well. The level of satisfaction you find may be more directly related to where you are in your journey than the particulars of each story.There's nothing new here, although several other comments indicate the typical appeal for nationalism (i.e. one of the Cuban protagonists) or the "unusual" (the paraplegia love interest).A nice slice of life en Espanol... well-suited for the Spanish film buff.

meeza The dazzling multistory "Hard Times (Malas Temporadas)" is clearly a masterpiece in foreign cinema. The film plays itself out as a latino "Magnolia" and one can question whether it pays homage to that film. Director Martin Cuenca develops an interconnecting puzzle of conflicted characters in modern Spain: you have your social worker mom who's teenage son entraps himself in his room each day in order to avoid interaction with others, you have your solitary ex-convict who stalks his former cellmate, you have your amateur pilot who dreams of going to Miami (talk about going to Hard Times! Just Kidding! Like former Florida Marlin Livan Hernandez said after winning the 1997 World Series "I Love Miami"), and you have your paraplegic beauty who plays high infidelity from her rich husband by sleeping with the Cuban (Yea! Cubans rule! Sorry! Being a Cuban American, just had to say it!). The hardening of this tangled web is the time when their lives intertwine into a central fixated message about the love of life. The cast was nothing short of stellar! Respected Spanish actor Javier Camera again demonstrates why the camera loves him with his astute performance as the ex-convict Mikel. Nathalie Poza was stunning as the stressed social worker mom Ana. Eman Xor Ona was sturdy as the Miami dreamer Carlos. The screenplay of "Hard Times" must have been a hard one to develop because of its crossover components but I do commend Cuenca and Alejandro Hernandez for their triumphant scribing effort. You will find yourself having a easy & good time and having a worthwhile cinematic experience when you go see "Hard Times (Malas Temporadas)". ***** Excellent

aseglab I went to the movies in a cold, lonely afternoon, deep in my thoughts about my problems, nothing to do in the evening but thinking. I randomly chose this movie. And it was the perfect one. Definitely not a superb film, it fits though... perfect for moods like I had that day. Watching the development of some people's hard moments in their lives, from a teenager to an immigrant, a normal worker, a handicapped... can be an interesting activity for those days in blue. Watch it only if you like this kind of movies, otherwise you'll be bored from the first minute -action goes so slowly. Actors do pretty well. I had never seen Eman Xor Oña (Carlos) before and he deserves remarkable attention, his sight fills every scene. Leonor Watling (Laura) and Javier Camera (Mikel) do fine as well, although they don't appear as much as the main character, Nathalie Poza (Ana), who is nominated for the Goya (Spanish Academy awards) and plays a nice role. Through Ana's life you'll experience mother troubles and immigration problems in Madrid as well, with a very accurate approach to the real life and situations in such a big city.