High Noon, Part II: The Return of Will Kane

1980 "Sometimes It Takes a Gun to Keep the Peace"
5.2| 1h36m| en| More Info
Released: 15 November 1980 Released
Producted By: Charles Fries Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Former Marshal Will Kane and his Amish bride, Amy, return to Hadleyville a year after he resigned and find the town in the grip of a bounty-hunting marshal and his two trigger-happy deputies.

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Charles Fries Productions

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Reviews

Hottoceame The Age of Commercialism
Holstra Boring, long, and too preachy.
Luecarou What begins as a feel-good-human-interest story turns into a mystery, then a tragedy, and ultimately an outrage.
Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
utgard14 Will Kane and wife Amy return to the town of Hadleyville one year after the events of High Noon. Yes, Will returns to a town that turned its back on him and left him to fend for himself against killers after everything he had done for the townsfolk. Why? Because he's going to buy some horses. A stupid contrivance that completely disregards the point of the first movie's story. Anyway, the town has since gotten itself a new marshal and he's not a nice guy. Will, of course, butts heads with him and decides to stick around town for awhile.A made-for-TV sequel to one of the greatest westerns of all time? This doesn't have disaster written all over it at all! I watched this with the same contempt as most people who saw the beloved original, but I did try to separate comparisons and view it as its own entity. That's pretty much the only way it can be enjoyed on any level. If you even think of Gary Cooper while watching this, you'll likely turn it off in disgust. As a sequel to a great film, it's a hot pile of garbage. As a story all its own with characters who just happen to share the names of those from the other film, it's a barely watchable, completely pedestrian affair, lacking any originality or complexity. It's like a pilot for a generic TV western from the '50s or '60s. It's directed by the guy who did Starflight: The Plane That Couldn't Land, another made-for-TV gem starring Lee Majors. The script is by Elmore Leonard, although I would never have guessed it. As far as the cast goes, Majors is wooden as ever, David Carradine hams it up as a superfluous character wanted for murder, and Pernell Roberts sleepwalks through his role as the villain. Katherine Cannon gets the unfortunate task of being in the Grace Kelly role. Talk about never being able to live up to a high standard.It's not a good movie. Yes, I'm taking it on its own terms and not comparing it to High Noon and, yes, I'm judging it on the level of a made-for-TV effort. It's STILL not a good movie. It takes some lame plot any viewer of old TV westerns has seen before and slaps the name of a classic film on it to try and get people to watch it. I have no idea if they were successful at that in 1980 but I hope not. Since we didn't get High Noon 3: Will Kane Strikes Back, I'll assume the public back then responded with the appropriate amount of scorn this deserves.
john_aalsmeer Pernell Roberts left Bonanza because, as a serious actor, there was not enough opportunity for him to show his acting skills. He made this movie? Why oh why?! My wife is a fan of Lee Majors, so we watched this movie! Why oh why?! Everyone knows High Noon was a truly great movie, so they made a 'sequel'. Why oh why?! If you watch this movie before reading the reviews, you too will say 'Why oh why?!' This movie truly deserves the accolade of 'awful'. The story line is extraordinarily weak - an excuse for a final, face-to-face showdown between an ex-hero (Lee Majors) who doesn't like to use a gun and a nasty piece of work (pseudo-lawman Pernell Roberts) who is an expert with a rifle from long distance (note the scene where he pulls his rifle quickly to his eye and shoots a 'baddy' from super long distance without barely a moment to take aim, using a rifle without a sight???) but, according to Kane (Majors), only likes to face up to his victims from a distance. I suffered the pathetic story line hoping for a dramatic ending - it wasn't dramatic, but at least it was an ending! Yes, I watched it all the way through - why oh why?!
RALL If I had to pay to see this alleged movie, I would have contacted a Lawyer for my money back. Any resemblance to the real Will Kane is purely a coincidence. Low Noon!, should be the title!
KidRegno I searched the several dictionaries I have available to me at my office and came up with at least 40 adjectives that would have "added and reinforced" my one line statement above. But I felt adding, "and that's a gross understatement" would give you a clear and brief picture of my thoughts on this 1980 TV disaster...!I apologize if I have offended any of you who felt the TV rendition was even worse then what I indicated above...!