AboveDeepBuggy Some things I liked some I did not.

ClassyWas Excellent, smart action film.

MoPoshy Absolutely brilliant

Hulkeasexo it is the rare 'crazy' movie that actually has something to say.

Michael Neumann Judy Davis stars as a backup singer to an Elvis Presley impersonator, who after being sacked by the imitation Man From Memphis rents a seaside trailer home by sheer chance right next door to the teenage daughter she abandoned as a baby. Once past that massive coincidence the story settles into a promising drama about a young girl's dawning awareness of her own identity, but the script reads too often like the unembellished daydreams of an adolescent orphan, wavering between sensitivity and self pity, and what should have been the emotional high points are smothered under some of the most portentous music in recent memory. In the end the scenario doesn't fully deliver on its potential, but scene for scene the film is certainly worth watching, and the characters are all rendered with sympathy, even in their less flattering moments. It may not represent a step forward in the careers of either Davis or director Gillian Armstrong, but it's nevertheless encouraging to still see movies being made Down Under that don't look like they've been produced by the Australian Tourist Council.

Oblomov_81 There are very few performers today who can keep me captivated throughout an entire film just by their presence. One of those few is Judy Davis, who has built a successful career out of creating characters that are headstrong in attitude but very vulnerable at heart. She takes roles that most other performers would treat melodramatically and adds a fiery, deeply emotional intensity that pulls attention away from everything else on the screen.Her skills are well displayed in "High Tide," a film that matches her up a second time with director Gillian Armstrong, who gave Davis her first major success with "My Brilliant Career." In that film, Davis played a young woman who was determined to make it in the world, despite the suffocation she felt from her community and upbringing. In "High Tide," however, Davis' character, Lillie, is roughly the opposite: she gave up on any hope for her future when she was young, and, after giving birth to a child, runs from her responsibilities and takes up a life without direction or meaning. When she finally meets up with her daughter years later, the thought of taking care of her child is petrifying; she knows this is her chance to atone for her failures, but how can she be honest with her daughter and still gain her respect?Gillian Armstrong's films usually relate stories about characters who desperately want to communicate with each other, but face obstacles set up by their own personal habits and addictions. "Oscar and Lucinda," for instance, was about a man and a woman who desperately needed each other's love but were always blindsided by their craving for chance, represented by their gambling addictions. Here, we are immersed in the world of a family torn apart by the mother's inability to commit to a settled life and her struggles to redeem herself despite being fully convinced that it's too late to change for the better. This is not simply a film with a great performance at its center, but also a rare achievement: a fully convincing story of redemption.

iamlarsx This is one film I am always recommending to friends looking for something "different" to see. On paper it sounds like one of those 1940's "women's pictures" but in execution it is something really special and beautiful. Gillian Armstrong adds real texture and symbolic heft to the simple story--those speeding-camera shots of the water are wonderful!--and is aided by a sublime cast. Judy Davis gives what is, for my money, quite possibly the greatest performance ever captured on film. She has two scenes in particular--the initial confrontation with her ex-mother-in-law, and a lengthy conversation in a parked car with her daughter where she tries to explain and make sense of her life--that are just extraordinary. This is acting of the highest order and, like the film itself, rises above its meager melodramatic roots.

HairynosedWombat This is not the stuff of soap-operas but the sort of conundrums that real people face in real life. A testament to the ensemble and director for the powerful story-telling of fallible characters trying to cope but not quite succeeding.