Hold Your Man

1933 "THE STARS YOU LOVE TO SEE MAKING LOVE!"
6.9| 1h27m| en| More Info
Released: 07 July 1933 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

Ruby falls in love with small-time con man Eddie. During a botched blackmail scheme, Eddie accidentally kills the man they were setting up. Eddie takes off and Ruby is sent to a reformatory for two years.

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Reviews

Karry Best movie of this year hands down!
Redwarmin This movie is the proof that the world is becoming a sick and dumb place
Laikals The greatest movie ever made..!
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Antonius Block Jean Harlow and Clark Gable provide high-wattage star power in this film filled with classic images of both. Ah, the 1930's, when you could elude the law by waltzing into a young woman's unlocked apartment, find her taking a bath, and then have her come out and not only cover for you, but iron your clothes. The pair have great chemistry and repartee, and sparks fly. Dorothy Burgess is a firecracker as Gable's old girlfriend who drinks a little too much, and Stuart Erwin is solid as his sidekick in grifting. Overall, the film has that playful, pre-Code joy to it, naughty as it is. The screenplay by Anita Loos and Howard Emmett Rogers is delightful, and the direction from Sam Wood includes some wonderful shots. The final 45 minutes drag a bit, as Harlow is sentenced to a reformatory school, though it was nice to see the shenanigans of her fellow inmates, which included the lovely Theresa Harris, and Harlow singing at the piano to them. It's interesting to see the reaction to Harlow being pregnant, which leads to some over-the-top melodrama in the form of Gable pleading for a preacher to perform marriage services. You can see the ending coming a mile away, but an entertaining film throughout.
utgard14 Jean Harlow plays a streetwise dame who falls for charming con man Clark Gable. After Gable accidentally kills a guy, he takes off and leaves Harlow to take the rap. She winds up in a women's reformatory where she discovers she's pregnant. Mix of romantic comedy and drama helped a lot by the immense likability and sublime chemistry of its two leads. Harlow is terrific. One great scene has a floozy slapping Jean, only to get a punch in the kisser in return. The floozy tries it again later and gets the same results! Gable is as roguish as ever. It's hard to dislike him, even when he plays a cad. Love the girls at the reformatory. They're fun characters with some great lines. The sweet ending will please everybody but cynical types. Harlow fans should love this one.
mark.waltz In a role which seems to have been inspired by Mae West, Jean Harlow is a good time gal down on her luck, hard on the men who pass through her doors, but ultimately searching for love to guide her. When con-man Clark Gable bursts through her doors (finding her in the tub!) after a scheme that has him in danger of being caught, she immediately falls underneath his spell, although denying it from the start. She does everything she can to suppress her real feelings, even giving rival Dorothy Burgess a response to a slap across the face (two in fact!) that Burgess will never forget and will have you in stitches. The first half of the film is a comic delight, filled with many great lines, such as one where Harlow snarls at Burgess, "You know you wouldn't be a bad looking dame if it wasn't for your face", but turns dramatic as Harlow faces time in a reformatory while carrying Gable's child.A gem of a supporting cast includes Stuart Erwin, Elizabeth Patterson, Vera Lewis, and Louise Beavers in a bit role. There's a sensitive storyline involving a black inmate and her preacher father which treats them with dignity and absolutely no stereotype, an important plot point in the last reel. Harlow gets to wear some outrageous outfits, including one that looks like an orchid on steroids.
Michael Morrison One of the great mysteries of life, suffered from daily, is why nice girls so often are more interested in the jerks and heels than in the nice guys.Worse, when the nice guys even want to marry those girls, the girls STILL prefer the jerks and heels, even after the jerks and heels have shown their contempt, have shown they're just interested in using the girls.Stu Erwin is the nice guy, who continues to be nice after being lied to and cheated and even after losing the girl completely.Clark Gable is the jerk, and he is perfect in the role, rather a sad note to his fans.Jean Harlow comes across as a more slender Mae West, even sounding like La West in some of her cynical throwaway lines.Somewhat puzzling is that so many of the other characters, intended to be bad guys -- I mean, heck, they're locked up, so they must be -- are so obviously nice people.In fact, there are lots of nice people here, people who, in a lesser film or story, would be snarling and back-stabbing but here go out of their way to help someone else.So, maybe the story is rather clichéd, at least by modern standards, but ultimately the viewer will be glad to have watched.The biggest complaint I have is that so many really good actors are not given credit. Once again, we can say a fervent "Thank You" to IMDb.com.