Curapedi
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
DipitySkillful
an ambitious but ultimately ineffective debut endeavor.
Lidia Draper
Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
jacobs-greenwood
George O'Brien stars as B movie cowboy Jeffrey Carson in this B Western that was directed and co-written (with Dan Jarrett) by Ewing Scott. While shooting a movie in Wyoming, Carson gets involved in a range war ostensibly between wealthy ranchers and their cattle wranglers, before he later discovers that the conflict has been exacerbated by some gangsters (led by Charles Middleton) that had been run out of their city by the 'new administration'.After his movie wraps, Carson runs into a writer friend he calls Shakespeare (played by Joe Caits), who's on the run from a Hollywood scandal, and the two begin a hunting trip to lay low for a while. But after Carson rescues pretty Joyce Butler (Cecilia Parker) from some of Kramer's (Middleton) thugs, he and his friend end up working for her tough mom Violet (Maude Eburne), who has so far resisted paying the 1% graft to Kramer's Cattlemen Protection Agency. Naturally Carson is attracted to Joyce, as she is to him, especially per the contrast between the handsome actor and the less than manly rancher Courtney (Frank Milan) that had been courting her.Of course, Kramer and his thugs are no match for Carson, who employs a Hollywood stunt pilot (Lester Dorr) to force down the gangster's plane and pilot (Walter De Palma), who'd been terrorizing the other ranchers by driving off their herds and bombing water troughs and even a dam.
JohnHowardReid
This movie is now known as "Wings Over Wyoming", which in some ways is a better title because the film's most impressive scenes are those in which cattle are stampeded by a diving airplane – an original device if nothing else! Director Ewing Scott handles these action scenes with considerable flair, but both his screenplay, written in collaboration with Dan Jarrett, and his handling of it are less satisfactory. In fact, the many long dialogue exchanges without music or sound effects, remind us of independent westerns made at the very beginning of the sound recording era rather than major studio endeavors as late as this. Also the plot device in which the hero's rival is stupid enough to confuse a movie poster with the real thing doesn't ring true unless it's first established that the man is a moron or at the very least a bigot who hates movies with all the ignorance-is-bliss fervor of a revivalist preacher. Charles Middleton handles the role of the villain with his usual panache, Cecilia Parker makes a grand heroine, Maude Eburne is a wonderful foil, but Frank Milan is at best a rival of no account whatever.
max von meyerling
Hollywood COWBOYThis was a pleasant little surprise, a clever and entertaining programmer western. It's a modern day western, a mix of roadsters and horse riding, familiar as the so called Autry Fantasy. In this case it seems that some actual logic entered into the existence of these two dimensions to exist side by side. The cattle ranchers who have to round up their cattle are saddle bound. Visitors from the outside world drive cars. But that's just one little witticism.The picture begins with a series of newspaper headlines to the effect that the city is cleaning up the gangsters who are running the protection racket. The head bad guy, played by Charles Middelton, none other than the immortal Ming the Merciless himself, decides to lay low for a while and take their racket to the countryside and inopportune the cattle ranchers. Their techniques are very up-to-date, using an airplane to buzz the herds and scatter them preventing their going to market. So there's that, somewhat typical western plot, somewhat updated.There's Maude Eberne playing the crusty old dame role to the hilt, resisting the evil entreaties of Charles Middleton. She has, wait for it, a beautiful daughter. Now throw in a joker in the form of George O'Brien, star of an enormous string of 30s cowboy pictures playing Jeffrey Carson, star of western movies. They are filming in the area and have just completed the last shot. A writer chum from New York (G. Gatsby Holmes (!)) running away from a divorce subpoena wants O'Brien to go camping for a few weeks and is in the habit of quoting Shakespeare. Yeah, this is a western where the Bard is liberally quoted. The henchman of the villain rough up the beautiful daughter and O'Brien saves the day while still in character. Known as a "meet cute". She doesn't realize that he's a movie star and for the rest of the film he has a wry smile on his face as people think he's just some sort of saddle bum named Buck. Satirizing class differences lends a farcical aspect to the story.O'Brien has a sidekick played by Dan Wolheim, for a programmer he was more than just good. He plays it as a rough precursor to Fred Mertz, grouchy. Buck and his two sidekicks have been taken on by Eburne as cowpunchers. Then we have the heat turned up on the farcical as the rancher's beautiful daughter is being courted by a New York scion to a Park Avenue fortune or whom she has no regard whatsoever. But he is total denial. Check out his name: Westbrook Courtney and he wears an ascot and drives the most beautiful Rolls Royce roadster. The comedy comes when he notices beautiful daughter and "Buck" getting together and he takes Buck aside to tell him, for his own good, to know his place because he's only going to be disappointed and hurt if he tries to romance a lady above his station. Of course George O'Brien finds the whole affaire amusing. As a movie star he outranks the Park Avenue scion. So Courtney is out in the RR roadster and come across a wanted poster with George O'Brien's picture on it. Of course its a prop left over from the movie he was filming. Courtney can't wait to tell everybody they have been harboring a criminal. Everybody, including the Cattleman's Association, gets hot under the collar that they've caught a dangerous criminal, so beautiful daughter goes to warn "Buck". More farce as she lets on that she knows his secret, which means to him that she's found out that he's a movie star and to her that he's a wanted criminal with a price on his head. Courtney calls the sheriff who arrives expecting to arrest a criminal. Now if this had been most any other programmer western, O'Brien would have spent the last twenty minutes of the film under suspicion as the bad guy in disguise, put in jail and breaking jail to capture the real bad guy and prove himself innocent. Here the sheriff walks in on this proto lynch mob and has a good laugh because he knows that he's the actor from the recently departed film company and the wanted poster is just a prop. In these pictures the Sheriff is usually a boob willing to believe the first superficial story placed before him.Of course it seems as though O'Brien doesn't take anything seriously because he's the only one aware that he's in a movie and can rise above it. He finally speaks up and asks if anyone's noticed that all of their cattle troubles began when Middleton, remember, he's the villain, arrived in town and began selling protection? How many westerns, how many movies in general, is it so obvious that all of their troubles are easily identified as being a villain's doing, yet they always focus on some innocent, usually the hero, because really without it there's maybe 20 minutes of story? And the crime is usually the murder of the heroine's father which she reacts to with mere petulance and anger. Hey, its just a programmer western! Significantly they were referred to as "juveniles in the day.Then it really begins to get good. O'Brien has a plan. He calls a movie stunt friend to fly out and when they commence their cattle round up the bad guys bring out their beat up biplane only to be trumped by this beautiful all silver Ryan ST monoplane. They force the biplane down and he tells them where the bad guys hide out is. They bomb it sending them scurrying and they are rounded up by the cattlemen and O'Brien and the beautiful daughter kiss and all's right with the world.
ejrjr
The story has some unusual twists including Kramer, a white-collar criminal who plots to exploit a feud between cattlehands and cattlemen plus fleece cattlemen of money through a dummy Cattlemen's Protection Association.George O'Brien plays Geoffrey Carter, a Hollywood cowboy shooting a western film at Lone Pine, CA. He just happens to rescue Joyce, a cattlewoman's daughter from the city gangsters and falls for her. Then he goes to work for her mother as an anonymous cattlehand.The most interesting plot element is the use of a single-engine, dual wing biplane to frighten cattle and then a subsequent air dual with an aircraft from Hollywood flown by Carter's friend.Final roundup of the criminals has a nice twist but the ending is standard Hollywood schmaltz. There are some holes in the story never resolved. But nothing out the ordinary for a 1937 RKO Radio Picture.George O'Brien is adequate but the supporting cast never have opportunities to rise above predictable or pedestrian, which is simply a fault of the script. However, this is a 64 minute, low-budget B-western, so there was little time or reason to worry about character development. This is a rare film and not many prints exist either as Hollywood Cowboy or Wings Over Wyoming. Showcase Media of Studio City California 91604 has one, good, complete 16mm dupe print.
