Honest

2000
4.1| 1h50m| en| More Info
Released: 26 May 2000 Released
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Budget: 0
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Synopsis

The film is an edgy black comedy set in swinging London in the late 60s. The All Saints girls play three street wise sisters who head 'up West' to rob and generally cause trouble.

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Reviews

Ehirerapp Waste of time
Solidrariol Am I Missing Something?
Abegail Noëlle While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Kayden This is a dark and sometimes deeply uncomfortable drama
Ken Adiv Caught the movie on the local movie channel. It was interesting enough to keep me watching. The All Saints play three sisters. Some funny moments, a litle action, and the occasional love scene :-)7 / 10 - An o.k movie, fun to watch.
TANESY I would rather rip my own guts out with blunt knife than buy any All Saints album. So it's quite clear I didn't watch this movie because I'm an All Saints fan. Nor do I find any of them particularly attractive, so that's no selling point there either - mind you the two Appleton sisters do both get their top off if that's why you're interested in this movie. I wasn't expecting much from this film, but I must admit I was happily surprised. This is a rather good movie. No it's no masterpiece, but it has an entertaining story, is well paced and even laced with some really good acting performances. Definitely worth watching.
Chris_Docker Foreign critics have received this movie much better than British ones. Possibly because, although Dave Stewart has done a reasonable recreation of sixties swinging Hippiedom in London, it really isn't that interesting to home-grown audiences any more. The addition of three-quarters of a well-known girl band (All Saints) gives it even less charm (although one of the ladies concerned turns in quite a reasonable performance, as well as letting the camera linger longingly on her bosom. Nice to see ex-pop star Dave Stewart make a go of directing now his music career isn't what it used to be - he's done a reasonable job but he will hardly be hailed as a great director for this effort.
Ian Mc This must have looked great on paper... Imagine three beautiful sisters, in swinging-sixties London, who steal for a living. Get three pop stars (Nicole and Natalie Appleton, Melanie Blatt of the 'All Saints) as the cast and package with pop star turned director, Dave Stewart (of Eurythmics fame).It's the perfect pitch. OK - maybe not, but there will be a buzz and people will want to see it. But should they? In my opinion, probably not.From the outset, the film couldn't decide whether it wanted to be sixties a pastiche comedy, or a thriller edged movie.The plot was pedestrian and you were never really drawn to care about the characters. The script was peppered with sixties stereotypes, posh kids, tripping hippies and some decidedly one-dimensional mobsters. The cast seemed to struggle under the weight of the plot, some of the scenes were truly painful to watch - especially the comedy drug-dealer villain and the extended 'trip' sequence. Some of the emotional pay-offs were lame to say the least. Co-writers Clement and La Frenais (with Stewart) are capable of much, much more than this.All that said, there are a couple of good comedy moments, including a chase into Mornington Crescent Tube Station in a camper van. Sadly, these moments are few and far between.Nicole Appleton, as the oldest sister Gerry, seemed reasonably at home in her role. Sadly though, she was let down by a mock-cockney accent which seemed to have escaped from the Dick Van Dyke school of dialect coaching. Others were guilty of this too. Peter Facinelli, the American love interest was missable. Corin Redgrave brought a little dignity to the proceedings with his mob boss.Points must also go to one of the most obvious continuity errors I have ever seen... a full back tattoo that goes missing!With an 18 Certificate in the UK for the drug-taking, language and nudity the film was doubtless pitched at an adult audience. I feel that, unless all want to see is some pop star nudity, you will walk away disappointed. "Honest" is destined for the same bargain bin that you may pick 1997's 'Spiceworld' out of, and that's a shame as this had the potential to be far, far better. One to miss.

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