Hoopla

1933
6.6| 1h25m| en| More Info
Released: 30 November 1933 Released
Producted By: Fox Film Corporation
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Budget: 0
Revenue: 0
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Synopsis

A hula dancer at a carnival sets out to seduce the naive son of the show's manager.

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Reviews

Cathardincu Surprisingly incoherent and boring
Nonureva Really Surprised!
Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Skyler Great movie. Not sure what people expected but I found it highly entertaining.
JohnHowardReid Fortunately director Frank Lloyd does not disappoint with his 1933 Hoop-La which turned out to be Clara Bow's final film. She is wonderful. Her performance alone would make the film a must-see, but she receives excellent support from Minna Gombell, Herbert Mundin, Preston Foster, Richard Cromwell and the rest of the side-show folk. Lloyd's skillful direction is not confined to his players, but extends to his creation of atmosphere and realistic effects. Of course Lloyd had a big budget to play around with, and he uses it with both daring and sympathy. Admittedly, the background is no Nightmare Alley, but it's no Shirley Temple kiddie-land either. (Available on an 8/10 LostFlix DVD).
drednm Hoopla is a talkie remake of The Barker, a famous play of the day that was made into a hit silent/part-talkie starring Betty Compson (Oscar nomination) who played Carrie while Dorothy Mackaill played Lou. Here Bow plays the lead role of Lou, a good-time carnival girl who, on a bet, chases after the boss' innocent son only to fall in love. Bow is remarkable in her final film and follow-up to the sensational Call Her Savage (1932). Her vitality and sexuality jump off the screen and make her very contemporary. She's also a fine actress, able to jump from comedy to drama easily. She rivaled Jean Harlow in her ability to make audience like tramps. As the hoochie koochie dancer, Bow gets to do a couple of numbers. Her final costume is a doozie. The cast is quite good. Hunky Preston Foster is wonderful as the boss and father of the innocent boy. He's aged about 10 year but carries the part well. Minna Gombell as Carrie, Florence Roberts as the fortune teller, James Gleason, Herbert Mundin are good, but Richard Cromwell is a bit gooey. If not for personal problems, Clara Bow could have had a great career in talkies. Too bad.
melancholysugarcane This is one of my favorite movies from Clara. She shows her usual yet incredible range of emotions perfectly blended to her character, Lou. Although a beautiful performance by Clara, the movie seems somehow restrained, not being as heart-stirring as some of her silent performances. It is unique, though, in the fact that Clara seems to have shed much of her "IT" girl image that was so evident in her later silent films. All-in-all, a beautiful performance by Miss Bow and a deliciously intriguing story line.
Brian Ferrari It's a tragedy that this should be Clara Bow's final film. She certainly had many years of good work ahead of her. She lights up the screen whenever she appears. She has wonderfully dramatic as well as comedic scenes here. Unfortunately, as much cannot be said about other cast members performances. Her final "snake hips" costume is the most revealing onscreen apparel of her career.