Tedfoldol everything you have heard about this movie is true.

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Wizard-8 "Hot Target" comes with several interesting aspects attached to it. For starters, it seems to be an attempt to be a modern day film noir, inspired by films like "Double Indemnity" and "The Postman Always Rings Twice" though having "R" rated elements like nudity and sex. It's also interesting that this film's focus is on the woman, instead of the man. As well, it's interesting that this time around the movie is not American, and is instead an English/New Zealand co-production and set in New Zealand (not England, as some previous user comments have stated.) No doubt this movie had the potential to be entertainingly different, though the actual execution makes it anything but. For starters, while this was made for theaters, it sure doesn't look like it - it has a cheap British made-for-TV feel throughout, and the music score also has this feeling. Second, in several aspects the movie's plot is too close for its own good to another modern day film noir ("Body Heat"). But what really sinks the movie is its weak tone - it never comes across as terribly sexy, terribly tense, or terribly mysterious. And it's capped with an ending that's far from satisfying and raises questions that are never answered. Apparently these filmmakers didn't look carefully at past film noirs to know that you don't just need certain elements - they have to also be well executed.

Chase_Witherspoon Thin on cogent storyline, thick on gratuitous nudity (which is either a plus or a take depending on your moral barometer), "Hot Target" tells us the story of an attractive American woman (Griffeth) in an unhappy marriage of convenience to wealthy Pom (Marshall) with whom she has a young daughter, living in New Zealand. Her regular dog walks at the park attract the attention of an American stranger (Marachuk) who proceeds to seduce Griffeth into a torrid affair that ultimately leads to murder and financial gain.It's a tired formula given a soft-porn treatment, Griffeth's ample full frontal nudity guarantees the R-rating and is sure to set pulses racing. Marachuk gets in on the act a few times in less detail, but seems to benefit from the situation nicely. It's good to be an actor. Marachuk might be familiar from "Piranha II", while Griffeth has an exploitation film career as long as her legs. Strangely, Marachuk doesn't seem to have any more credits to his name after this film? Marshall is dependable but not nearly as objectionable as he should be to evoke Griffeth's infidelity, and if you blink, you'll miss fellow ex-pat Pom Terence Cooper in a bit part.The film meanders aimlessly from one opportunistic bump 'n grind to the next - in the woodlands beside a cricket match, at a 'borrowed' apartment, on the billiard table - but does pick-up for the final thirty minutes. Then, just as the plot thickens and things get interesting, the film decides to end prematurely, leaving a gaping plot hole and wasted potential in its wake. When a half-dozen climaxes doesn't result in a satisfying ending, clearly, you're doing it wrong.

Woodyanders Wealthy and lovely, but bored and dissatisfied American Christine Webber (nicely played by gorgeous blonde knockout Simone Griffith of "Death Race 2000" fame) feels trapped in a stale and unhappy marriage to cold, ruthless New Zealand businessman Clive Webber (an effectively callous and obnoxious portrayal by Bryan Marshall). Christine receives some much-needed excitement in her life when she meets and gets seduced by suave professional thief Greg Stanford (a fine and charismatic performance by the hunky Steve Marachuk), who plans on breaking into Webber's house so he can steal all their valuables. Writer/director Dennis C. Lewiston relates the compelling story at a steady pace, doesn't skimp on either the tasty female nudity and steamy soft-core sex (the luscious Griffith looks absolutely delectable in her birthday suit and sweats quite fetchingly during her lusty love scenes), and delivers a few nifty twists in the film's last third after Greg's plans go disastrously awry. Griffith and Marachuk display a strong and engaging chemistry as the attractive and appealing leads, with sound support from Marshall (who makes for a perfectly hateful jerk), Peter McCauley as the determined, no-nonsense Detective Inspector Nolan, John I. Watson as Clive's loyal bodyguard Benjamin, and Renee Johansen as Christine's adorable daughter Sandy. Both Alec Mills' crisp cinematography and Gil Melle's supremely funky'n'jazzy score are up to snuff. An enjoyable movie.

ah_mann Billed as a thriller in the spirit of "Body Heat", this film was only available on video in North America -- not surprising, since it is very thin on plot and very heavy on heavy breathing. Loaded with gratuitous nudity, Hot Target will appeal to anyone who is looking for titillation. The American cat-burglar, like the rest of the film's characters, is laughable; there is actually a little bit of entertainment value in the stunningly horrid dialogue. You need only look at the filmography of the cast members to see what a fabulous piece of work can do to a life in film - like, say, end it.Basically, it's 100 minutes of horizontal jogging under the flimsiest pretenses - great, if you like that sort of thing. If you were looking for a thriller "in the spirit of 'Body Heat,'" then I suggest you see Body Heat.Direct-to-video. Kills careers - dead.