How to Stuff a Wild Bikini

1965 "It's a Beginner's Course in 'Boy-Girlsmanship'"
4.7| 1h33m| NR| en| More Info
Released: 14 July 1965 Released
Producted By: American International Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

When he's stationed in Tahiti, a sailor hires a witch doctor to keep an eye on his girlfriend.

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Reviews

Alicia I love this movie so much
SpuffyWeb Sadly Over-hyped
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
scm-84771 You would have had to have grown up with these incredibility corny movies to find them even mildly interesting. I did. But the one take-away was when the native girl says to Frankie " here on the island, we have a saying 'if you can't be with the one you love, love the one you're with". Now, did I hear that correctly? Sure enough, next scene, 'Cassandra" says the exact same line at the beach party. Now did Stephen Stills really get this line from Billy Preston for his first solo hit single? "Love the One You're With" Or did he watch this movie five years earlier and forget where he first heard this line?
dealey52 The review above regarding Mickey Roony touching the actresses' breast was true. The actress was Sue Willliams and she was a Playboy playmate. She was the first Playmate to get breast implants, so I don't know if Mickey did it on purpose or not. In any case it should have been caught. If you watch her act her small part thru out the movie she really tried to be noticed and shine. Sadly she was also the first Playmate to take her own life, September 2,1969. She was only 23. She was called Peanut in the movie and in real life she was only 4' 11". Sue acted in several of these types of movies and then it seems the parts dried up which may have led to her depression.
Skragg Like Jackie19, it's nearly my least favorite of the beach movies, but luckily, that isn't much of an insult. Along with all the regular actors, there are the great guest actors. Buster Keaton's witch doctor (along with Bobbi Shaw's native girl) may not be the most enlightened image of a Polynesian, but he manages to be very funny in the part. (I'm sure plenty of people see these movies as a big, embarrassing step down for people like him, but I see no good reason why.) And of course, Irene Tsu as the girl who tries to tempt Frankie. Then, there's Len Lesser, who's just about as great a comical villain in this one as Timothy Carey is in Beach Blanket Bingo. And of course, Mickey Rooney. Someone mentioned the "touching her boob" bit that he gets away with, but one of his scenes also has a fairly funny gay joke. Rooney asks one of the surfers (someone in that scene alone) if he's seen the exciting girl that so much of the film is about, the one that all the boys are crazy about, and the character says in a lisping voice, "Certainly not!"
SGriffin-6 This was the last of American-International's beach musicals that starred Frankie Avalon and Annette Funicello (although they'd try to continue for a few films without these two). Frankie and Annette are barely together even in the film--Frankie is more of a cameo than a major character in the plot.Intriguingly, this musical is filled with "book numbers"--where the characters sing when they should be talking. Usually, the beach party movies just had people asking Frankie or Annette to sing at a party or at a nightclub. So, that's a change. The problem is that the songs aren't anything to write home about.Further, the film betrays why the beach movies were losing their popularity: the surfing fad was being supplanted by a renewed interest in motorcycle culture. Only a year or two later, American-International would be making films like "The Wild Angels." This is a problem for a series where the stock antagonist, Eric Von Zipper, is a parody of Marlon Brando's biker hood in "The Wild One" (1954). The film shows a renewed interest in cycles--Annette's romantic interest, Harvey Lembeck, is an avid motorcyclist. The film tries to deal with this by transforming Von Zipper from a biker into the stereotypical 60s junior executive (a la "How to Succeed in Business"). But, you can see the structure starting to fall apart here.There are fun moments though--particularly the opening credits (clay animation done by Art Cloakey, the creator of Gumby), and the wacky motorcycle race at the end of the film. Lastly, there's a fun cameo at the very end of the film by producer William Asher's wife...