I Wonder Who's Killing Her Now?

1975 "The Zaniest Characters Ever Assembled in One Motion Picture"
3.5| 1h27m| PG| en| More Info
Released: 01 December 1975 Released
Producted By: Cinema Arts Productions
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Budget: 0
Revenue: 0
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Synopsis

Oliver is in trouble. He's been caught embezzling money from his father's company, and unless he can pay back the $250,000 he took (which he can't), he will be fired from his job, arrested and probably sent to jail. Meanwhile, his rich wife has not only refused to bail him out of this mess, she's planning to divorce him. Desperate, Oliver thinks up a way out. He takes out an insurance policy on his wife with him as the beneficiary, then hires a hit man to kill her. The only problem is that because the doctor who performed the examination is an incompetent fraud, the insurance policy is invalid. Desperate to call off the hit, Oliver tracks down the hit man, only to find that he's subcontracted the killing to another hit man. Tracking down that killer reveals that he, too, has hired it out to a third person, and so on, and so on. Just how many people are trying to kill Oliver's wife?

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Reviews

Hellen I like the storyline of this show,it attract me so much
GarnettTeenage The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
Red-Barracuda Oliver is a man in desperate need of money so he decides to have his rich wife killed off. To this end, he hires a man to assassinate her only to later have a change of heart. It turns out, though, that the murder has been sub-contracted downwards via a chain of men, with the price getting cheaper and cheaper. Oliver, therefore, amasses an ever increasing gang of oddballs and eccentrics in his mission to stop the murder he instigated.This silly screwball comedy stars a man with an impressively silly name, the (surely) one and only Bob Dishy. This is possibly the actual funniest aspect connected to this film though, as despite being a relentless farce, it isn't especially amusing. Its plot ensures that it is quite episodic in nature and this means that it's fairly fast paced which certainly helps a bit. While it isn't exactly a successful comedy, it is strange enough to be worth a viewing. It's sort of like a poor man's Mel Brooks, even if some of Mel Brooks' actual films sometimes seem like poor man's Mel Brooks films themselves. But the sheer daftness on display here is sort of endearing to a certain extent and, on the whole, I sort of didn't mind it all that much.
Gary Imhoff The mystery is how it could be so bad. The cast is a great collection of comic character actors of the 1970's. The writer has a top-notch resume filled with wonderful comic scripts, including his collaborations with Woody Allen (the early movies, when Woody Allen movies were funny), and the director isn't incompetent. There are even some good lines in the script. (One attempt on Joanna Barnes' life is introduced by a shot of a shark in a swimming pool, with a sign by the pool reading, "Acme Shark Rentals." Bob Dishy's psychiatrist is confined to a straight-jacket; Dishy asks him why, and the psychiatrist replies, "We can't all be fashion-plates.") But the result is a mess. The actors and the director seem to have responded to what they knew was a failing movie with desperation -- "maybe if we play this broader, louder, quirkier, more over-the-top, we can make it funny." They can't, and they don't.So what went wrong? The temptation, this having been a product of Hollywood in the 1970's, is to wonder who was on what drugs. If that isn't the explanation, I'd love to hear what was.
rwint Abysmal farce about a man who hires a hit man to kill his wife, but when he wants to call it off he can't because it's been sub-contracted to too many different 'wacky' characters. Similar in style to THE BIG BUS and AIRPLANE, but much more sillier. In fact it gets so silly that it becomes dumb, embarrassing, and even more lame than a kiddie flick. The running gag of a faceless killer (we only see his shoes) repeated attempts at killing the wife are poorly executed and photographed. Making them annoying instead of clever or funny. Out of ninety minutes there are really only three that are even half way amusing. Of the few minor highlights: a cuckoo clock in a psychiatrists office, a mexican waiter in a chinese restaurant, and a out of work actor who agrees to do the killing for $6.95. Funny character actors Darden and Libertini play several different roles.
richcam1 This is one funny flick. It's about the dead-beat husband of a rich woman who, after finding out she's going to divorce him, takes out a life insurance policy on her and hires a hit man (Bill Dana aka Jose Jimenez) to do the dirty work. When he finds out that the insurance policy is invalid, thanks to the incompetant doctor (Pat Morita) who performed the most discreet physical in medical "hystery"! The husband then tries to stop the hit, only to find that it has been sub-contracted about a dozen times! The round up of the (insane, whacky and unlikely) hit men is so funny that my sides hurt when the film finally ended.

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