I'll See You in My Dreams

1951 "The glorious story of Gus Kahn, the songs he wrote into America's heart, and the girl who put them into his!!!"
6.8| 1h50m| NR| en| More Info
Released: 06 December 1951 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Songwriter Gus Kahn fights to make his name, then has to fight again to survive the Depression.

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Reviews

Perry Kate Very very predictable, including the post credit scene !!!
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Neil Doyle This is the kind of Hollywoodized biography of a famous composer that springs to life whenever DORIS DAY sings one of those warm and tender melodies. It's Day, at her perkiest, who makes the film rather than DANNY THOMAS, who simply lacked the screen charisma a leading man should have. He's not bad, but brings the film down a notch with his one-dimensional performance.Thankfully, there are some reliable supporting role players that help Doris sell the film--notably, PATRICE WYMORE, FRANK LOVEJOY and MARY WICKES who all do their best to keep the tale moving along at a brisk pace. Wickes is especially mirthful when she tosses off a one-liner with aplomb and clearly seems to be enjoying her role as a sharp-tongued maid.The Michael Curtiz touch is not too evident because the story drags in spots, but whenever Doris gets to warble an old-fashioned tune it doesn't matter what else is going on. Her rendition of "The One I Love Belongs to Somebody Else" is especially touching and her spirited version of "Makin' Whoopie" is another delight. Whether tossing off a ballad or jump tune she can do no wrong.Doris Day fans will enjoy this tuneful and sentimental trip down memory lane.
Polo This is a movie for which Doris Day should have gotten an Oscar nomination. Her best film of the fifties aside from Pillow Talk. She gives a remarkable performance as Gus Kahn's wife, Grace. And Danny Thomas gives a great performance as well. This a movie for anyone who loves Doris Day or just good clean tasteful films.
Singer-9 The first time I saw Doris Day, was in "Pillow Talk". Since then I've grown very fond of her quirky personality on screen. She brings any role she plays to life before your eyes. This romantic comedy is a great example of her ability to make you care for a character's welfare. You want more than anything for she and her husband to succeed. Doris Day lights up the screen, as always.
Jake-75 At first glance, I did not think that this combination (Doris Day & Danny Thomas) would be as compatible as some of Ms. Day's other co-stars. It was a wonderful surprise and a delight to find out just how wrong I was. The timing was impeccable and the ease with which they played off each other was great.