In the Dark

2004 "...Where Some Secrets Should Remain"
3.1| 1h40m| R| en| More Info
Released: 01 November 2004 Released
Producted By: Megalomania Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Armed with a camcorder, a circle of friends parties at an abandoned insane asylum where, five years earlier, they caused a young patient's death. But their fun turns to fright when the consequences of their heinous crime catch up with them. Will they get out alive, or are they doomed? And what will the tapes reveal?

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Reviews

SunnyHello Nice effects though.
SnoReptilePlenty Memorable, crazy movie
GazerRise Fantastic!
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
filmreviews-32360 In the Dark is an eerie tale of building suspense, in the style of "Blair Witch," it provides some really good scares for it's audience. In the Dark is really horrifying and will not disappoint fans of true horror films. In the Dark was an Official Selection for the 2004 Chicago Film Festival. Director, Chicago Horror Film Festival
dawulf Let me save you and your time and recommend that you Do Not watch this! Occasionally a bad horror movie will have at least one redeeming quality. It's unintentionally funny, it has a creative death scene. even an over the top character that you love to hate. This had none of those.I watched this movie and was rooting for the characters to die just so it would be over. There is nothing new in the plot, the villain, or death scenes. Why did I keep watching it? I was not the person in possession of the remote. If I had been, I would have watched paint drying on the DIY network instead.Yet another movie where I think the good reviews are from family and friends of the cast and crew.
doctor13 I hate movies like this because the germ of a good idea is there and you can see some talent in front of and behind the camera, but the final product is so far off base that it makes me really irritated.I think the actors were probably good, although it seems they were allowed to improvise too much. A stronger script would have been very beneficial here. As someone else noted, their characters were amazingly shallow. You could take any two of them and swap the actors portraying them and you wouldn't have been able to tell. And all they talk about is drugs. This reveals little about their characters and gets boring after a few minutes, but it just doesn't stop.Other problems? It takes too long to get to the meat of the story, i.e., getting the kids inside the asylum. We get long, drawn out explanations by a detective and a nurse and the kids themselves filling in the exposition, only none of them can muster up enough enthusiasm to tell the tale without taking mini-breaks for smoking, typing or horseplay. If they don't care about the legend of Lizzie, why should we?When the kids finally do realize that Lizzie is still in the asylum, they have moments of panic, then they revert back to their druggy horseplay, then another panic, then horseplay, then panic again. It seems to me that if I knew a psycho was running around loose trying to kill me, I would go to and remain on Red Alert and not calm back down like nothing had happened.The editing was awful. There was no artistic buildup of suspense, the lack of sound in some security camera shots but admitted in others was jarring. I got confused several times about who was holding the camcorder and in fact, how many camcorders there actually were. For a film that claimed to be a real documentary, the use of scary music and hard rock was out of place. The movie didn't know if it was pretending to be a documentary or a real movie.The good things: while I think the director tipped his hand by showing us LIzzie's scarred face near the beginning, her determined running style was truly frightening. Whenever she ran through a shot, I usually felt a chill. The shot of her face in the window being lit by the flashlight was a good one, too. But I would have given her a weapon. Strangling kids isn't that scary. I liked the idea of her sucking out Barry's eyeball, but if you'd included in the legend that Lizzie carried a sharped spoon for scooping out eyes, it would have strengthened her fear factor. The revelation by Drako (it's not really a twist) at the end was good, but didn't have the umph that it required. And could we have heard some screams as the fire spread and the door was held shut?I applaud the production of indie films, but this one had such potential and just missed its target. Pity.
FrightMeter Count me as one who loves the whole documentary sub-genre of horror created by "Cannibal Holocaust" and made popular more recently by both "The Blair Witch Project" and "The Last Broadcast." Though not a huge explosion of these types of films have popped up, there is a handful out there, such as "Strawberry Estates," "The St. Francisville Experiment," and "The Collingswood Story." These films attempt to frighten the audience by giving them a unique perspective of witnessing the events of the plot unfold through the eyes of a character's own camera lense or, in some cases (such as here), a security camera. Additionally, these films often advertise themselves as being "real, authentic footage!" when in fact, any viewer with any brains knows differently. Often times, these films are able to create adequate suspense and uneasiness. Unfortunately, this is not one of those instances and is really a smear and insult to its much better predecessors."In the Dark" presents itself as "real" footage of the events that take place when a group of teenagers break into an abandoned, burned asylum, where years before, a few of them did *something* (raped?) to a female inmate that left her scarred after they started a fire to cover their crime. The footage is presented dually through the camera lense of one of the teens and through security cameras present in and outside the building. Why does a abandoned asylum that is barely standing because of fire damage need security cameras you ask? Well, you're guess is as good as mine and that is just one of many things wrong with this film. You see, viewers are to believe that the girl inmate who was picked on knows that these teens are in this abandoned asylum on Halloween night, is able to escape her current institution and come to seek her revenge. She is presented here are sorta of a cross between a possessed Linda Blair in "The Exorcist" and a zombie from the "Dawn of the Dead" remake, which is puzzling considering she is supposedly just a burn victim. Better (or worse) yet, she is able to smuggle of few other inmates out of her facility to help scare the crap out of the teens. You'd think, since money was invested to have working security cameras in the decrepit asylum, that the security would have been a hell of a lot better at the new one! Apparently not....apparently no security cameras at the new asylum captured a few of the inmates walking out to go wreak havoc next door.The film's main flaw is the fact that is is extremely boring and filled with extremely bad actors who are portraying annoying characters we could give a crap less about. We are subjected to long scenes of one of the more annoying characters filming himself make rude comments and mock his equally annoying mother, and act like a total retard detailing his plan to sneak out while his mother is fast asleep behind him in the couch. This scene has to be seen to be believed and my jaw was dropped at the ridiculousness I was witnessing. Long scenes of virtually nothing happening are presented as apparently the director's idea of suspense; characters whine and fight with each other and sort of act scared, but for some reason never all just decide to group together and leave the place. After all, there was about 9 of them and only one "killer." Again, nothing about these characters is even remotely interesting and I really just wanted them all to die. The film also feels about 20 minutes too long and the pacing is just horrid. I really really had to stop my self from hitting the fast forward button on my DVD remote, or worse yet, just ejecting the damn thing altogether."The Blair Witch Project" worked because it felt real. The acting was superb and there was no ridiculous plot elements that felt fake. Everything the viewer saw and heard looked and felt authentic and it was scary as hell. This film feels fake. There is no suspense because some of the things that unfold (particularly the ending) are so implausible that it is an insult to viewers. I only hope that the filmmakers really did not expect people to believe this was "real" footage because they failed miserable. Avoid this borefest at all costs.FrightMeter Grade: F