Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

Sam Panico This is one strange movie - it combines Nazi elements, a police procedural, a giallo, a psychological examining of identity and even comes close to a Last House on the Left vibe.Severin released this film several years ago, but it's sadly out of print. It's certainly one of the oddest entries in the genre and one you should track down. I've only barely touched on the many twists and turns of the plot because I believe that you should enjoy them for yourself.

GL84 After being released from prison, a criminal intending to blackmail the family of a suspected murder he witnessed years earlier only to find the family a far more demented bunch than he expected while a mysterious killer running complicates his quest and forces his plans to change.This was quite the interesting yet silly giallo. Part of the film's appeal lies in the dual nature of the film which starts right at the beginning with such a goofy and nonsensical setup. In order to buy into the film in general, the utterly contrived storyline at the heart of the film has to be taken into account and that presents this with a daunting challenge off the bat by being forced to accept this idea. This setup does spring forth plenty of typical giallo fun so it does have a lot of worth with the way it brings this together in order to fulfill the genre requirements which is what makes for a decent enough time here. The constant shadiness and general air of sleaziness usually found in these films is in full effects here, from the madness and paranoia at the beginning over what the body being buried really means, the childhood trauma at the center of the rampage and the remaining scenes of just outright odd behaviors they all indulge in that ranges from the dancing and incest just combines together into one utterly odd effort. This makes what happens in the end when the efforts of the family finally get revealed in a series of utterly ludicrous setups that attempt to explain the actions of the plot which piles on more twists and surprise reveals than an entire season of a regular soap opera. It is clear that these various twists and turns are meant to come as a complete shock which is only because it's downright incredible that anybody would ever see them coming as the material is so haphazardly put together this never comes close to jelling into a whole. That these manage to drive the film away from being a typical giallo with the incredibly overwrought sequences found within that just don't make any sense with all the different revelations being brought out in the endless series of flashbacks that reduce the kill-count significantly by having dispatched of the killer earlier in the film. That this spares us having to watch more of the utterly atrocious special effects is perhaps a blessing with the film running through such a truly atrocious series of special effects work that is completely comical rather than shocking due to the painfully obvious mannequin heads. Although there's some brutality to mention in there with the intent behind it, these here are what hold it down somewhat.Rated Unrated/R: Graphic Violence, Full Nudity, Language, a rape scene and drug use.

HumanoidOfFlesh The plot of Sergio Bergonzelli's strange "In the Folds of the Flesh" is extremely convoluted,but basically it's about a family residing in an Italian villa who is involved in a series of bizarre sexual encounters and grisly murders.The inhabitants of the house are strikingly odd:Lucille(Eleonora Rossi Drago),her son,his friend Falesse(Anna Maria Pierangeli)and some pet vultures.Falesse was raped by her own father when she was the child.There are some shades of incest,decapitations and also gloriously exploitative flashback set in Nazi death camp.If you like gialli with bizarre narrative and truly off-beat atmosphere of perversion "In the Folds of the Flesh" is a must-see.7 out of 10.

Scarecrow-88 Absurdly convoluted thriller with an insane amount of twists(..the rug gets pulled out from under you so many times you'll suffer a skull fracture)regarding a family of misfits, a troubled mother and her equally warped son and daughter. Lucille(Eleonora Rossi Drago)is burying the body of her husband supposedly while an escaped convict, Pascal(Fernando Sancho)is being sought after by the authorities. Pascal catches her in the act and is caught, but will return with an idea of blackmail. Falesse(Pier Angeli)is a deeply psychologically damaged young woman who believes she decapitated her father, after he had raped her. We watch a series of men stop off at the villa where these three live, attempting to seduce and ravage Falesse as her brother achingly watches from afar, trying to stop the act before it escalates. Those men all fall victim to Falesse who always hearkens back to that decapitation of her "father" before stabbing a back with a dagger or lopping off the head of another with a sword. Once Pascal arrives, the film spends the center section devoted to his terrorizing the trio, ordering them around with a gun waving at them, demanding for blackmail money, forcing the son to dig up the surrounding area for the remains of the decapitated father. We watch as Lucille concocts a scheme to end Pascal's interference in their lives(..in a bizarre turn of events, Falesse actually is drawn to Pascal, a foul, blubbery brute who rapes both her and Lucille). When Pascal is dealt with(..his departure is inspired by a startling episode that occurred to Lucille in a Nazi concentration camp as she watched her family suffocate in the gas chamber), yet another man, claiming to be Andre, the actual father of Lucille's children, returns, throwing their lives in turmoil. This is when we learn of a third child named Esther, and a beautiful blonde patient in an asylum whose relationship to this family is of great importance to the truth regarding the opening scene's decapitation and burial.I firmly realize that this film will have many viewers rolling their eyes in disbelief at the events that unravel, a bevy of lies weaved by Lucille, and her constituted effort to deceive over the years is hard to process fully. After a while, I almost threw my hands up at the non-stop revelations which just kept coming..it's incredible that a screenplay could feature so many twists and turns. You read others describing the movie as sleazy, but, in actuality, there's more suggestion than actual action on screen. Such as Pascal's molestation of Lucille and Falesse or the obvious, brother-sister, incest in the family over the years. Kudos to director/co-writer Sergio Bergonzelli's editor,Donatella Baglivo, who had the overwhelming task of establishing the complicated developing story as it unfolds. I mean one wonders how in the world an editor could piece together a film that throws everything at the viewer but the kitchen sink before the screen fades to black. Sergio Bergonzelli parades a number of fake decapitated heads for the viewers over the course of the film. Quite a demented little movie that will cause a lot of head-scratching and aggravation, but I enjoyed it's audacity to throw out all the stops in order to bewilder and surprise. As expected such a film with a lot of material, and so little actual violence or depravity on screen, IN THE FOLDS OF THE FLESH will bore and alienate many who watch it. I didn't think this was a traditional giallo, and wouldn't really consider it one, for the exception of the convoluted story and general bizarre behavior of the characters. The film, before it starts, actually quotes Freud..he'd have quite a challenge with the trio of oddballs in this film.