Diagonaldi Very well executed

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Michael O'Keefe Film Noir concerning drug trafficking and revenge. The rugged Victor Mature plays a U.S. Narcotics agent, Charles Sturgis, who's sister was murdered trying to pass on information about a drug dealer. Sturgis will become a man obsessed tracking down an international drug boss Frank McNally(Trevor Howard). This will not be an easy self-assigned task since the drug kingpin has above average abilities of disguise. Sturgis will follow a beautiful accomplice, Gina Broger(Anita Ekberg)through "pickup alleys" in not just New York, but Spain, Italy and England too. Interpol will recommend special help. This movie runs 1 hr and 32 minutes, but at times seems a lot longer. You might say there is a lack of action; but you have Ekberg to follow around. Acting is not her strong suit. As for Mature, his characters may change, but his acting method appears to stay the same. Some nice European scenery.Other players: Bonar Colleano, Peter Illing, Martin Benson, Dorothy Allison and Sydney Tafler.

bkoganbing Victor Mature stars in Pickup Alley as a drug enforcement officer who has his professional and personal life combined in this film. His sister Dorothy Alison is strangled by Trevor Howard who is a big drug syndicate kingpin that everyone knows about, but who has successfully kept a very low profile. All kinds of police agencies are looking for Howard and now Mature has a personal reason to get him.Thinking she killed Howard's partner his moll Anita Ekberg is also on the run. She might be the one to lead Mature to Howard so he tails her across several international cities back to New York where the climax takes place.This idea had already been tried and far more successfully in the Dick Powell noir classic To The Ends Of The Earth where Powell was the drug enforcement agent with no personal axe to grind who follows a drug shipment. We get to see several glimpses of major cities in Europe and of course New York. Nothing that really registers a decent impression. Pickup Alley was an OK second feature, but will never be a classic. Fans of Mature, Ekberg, and Howard will be satisfied. Best in the film in a small role is Bonar Colleano, exiled American gangster who lives by his wits both as souvenir salesman in Rome and peddler of information to those with a price.

sol ****SPOILERS**** Having seen everything sleazy and destructive that illegal drugs, like morphine and heroin, can do to people Bureau of Narcotics Agent Charles Sturgis, Victor Mature, never expected that doing his job would hit home like it did at the beginning of the film.With Agent Sturgis finding his sister Helen, Dorothy Alison, strangled to death it turned out from clues found at the murder scene that her killer was the notorious, but faceless, international drug pusher Frank McNally, Trevor Howard. Helen was about to expose McNally to the police but he got to her first strangling Helen with her own scarf.With him now determined to catch Helen's killer Sturgis starts to track the elusive drug dealer down in a world-wind pursuit that covers some five major cities, New York London Lisbon Rome & Athens, in both Europe and the USA. Meanwhile McNally plans to knock off his competition in the drug trafficking business his partner Salko, Alec Mango. McNally getting his personal squeeze the voluptuous Gina Borger, Anita Ekberg, to do the hit on Salko she messes up when Salko, seeing what a dish Gina is, loses control of his emotions and motor movements and ends up getting blasted. It just happened that Salko's unexpected, as if she didn't see it coming, move on Gnia had distracted her aim, that prevented her from hitting a vital organ, in being able to kill the horny and uncontrollable hood. Salko seemed to have survived the shooting but without medical help, which his "good friend" McNally made sure he didn't get, his days on earth were numbered. Sturgis in London, where Salko was shot, now gets some clues to who Salko's attempted assassin is-through fingerprints left on the crime scene-Swedish blond bombshell Gina Broger!Tracking down Gina who's now wanted by the London police, for shooting Salko, Sturgis ends up in Rome. It's there where Gina's to get the cash that's to cement a deal for her boss McNally in shipping a sealed refrigerator back to New York loaded with heroin. Things get a bit sticky for McNally when his henchman Guido, Marne Maitland,screws up when he's distracted by an excited tourist from murdering Sturgis, with a switchblade, in the ancient Roman Catacombs. It's then that Sturgis gets to meet local hawker, he'll sell you anything for a price, Amalio, Bonar Colleano, who in the end leads him straight to McNally and his gang of international drug traffickers.The movie has the distinction of having three different titles at the time of its release besides "Pickup Alley":"Half Past Hell" "Interpol" and "The Most Wanted Woman". Victor Mature as narcotic agent Charles Sturgis had his hands full not only with the McNally gang but even the good guys in the film. Sturgis chasing McNally gets shot and wounded by a watchman, at the New York piers, who mistook him for a saboteur. Anita Ekberg as Gina Broger was anything but convincing as McNally's woman in that she was always getting abused by him, like getting belted in the mouth, and still didn't have a mark on her. In fact you wondered why Gina, until she was blackmailed by him for shooting his partner Salko, would put up with a creep like McNally in the first place. McNally treated her like dirt making Gina do all his dirty work and paid her in peanuts for risking her neck for him.

bmacv A law-and-order thriller focusing on the international narcotics trade, Interpol (aka Pickup Alley) harks back to such dire warnings as Port of New York and To The Ends of the Earth. It looks forward, too. Courtesy of co-producer Albert (Cubby) Broccoli, who five years hence would issue the first film in the deathless 007 franchise, Dr. No, this British-made movie serves as a brief, black-and-white preview of the trans-global intrigues James Bond would soon be set to smashing. The surly secret agent here is drug-enforcement officer Victor Mature, and his motives are not merely professional: Not only is his `kid sister' hopelessly hooked to the needle, but in the pre-credits opening scene, a female colleague ends up strangled with her own scarf by heroin kingpin Trevor Howard, an arch and urbane adversary who flourishes a cigarette holder, like Charles Grey's Ernst Stavro Blofeld in Diamonds Are Forever. In pursuit, Mature jets from New York to London and thence to Lisbon, Rome, Athens, Naples and back to the States.There's even an exotic Bondgirl (Anita Ekberg), shanghaied into working against her former boss, and an amusing local helpmate (Bonar Colleano) as an expatriate Yank peddling junk and souvenirs to tourists in the Eternal City. He first pops up before an excursion into the Catacombs, where death proves to be not always ancient. Similar set-pieces – chases across rooftops and up and down steep streets – enliven other ports of call.But, like many of the Bond movies, Interpol comes at you in sections. We cool down from one diversion in anticipation of the next. But there's not much thought given to a determining plot-line or sustaining mood. And the major characters aren't given much in the way of, well, character; to make matters worse, they're barely allowed to interact. Most of what Interpol has to offer was already done earlier in the noir cycle (occasionally by Mature and even Howard), or would be done better in the splashier spectacles of the 1960s. And let's face it: Apart from her frolic in the fountain in La Dolce Vita, Ekberg would never amount to much of a fixture in film history.