Afouotos
Although it has its amusing moments, in eneral the plot does not convince.
InformationRap
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
artpf
A Montreal DJ, following his girlfriend to Los Angeles, falls into a deadly relationship with a couple of female hitchhikers.Sounds like it could be fun, right?Well firstly the title music is horrible. It makes you want to run just to get a way from it. I had to FF thru the titles.Next, the acting is horrendous. And the film making is so shoddy that in one of the initial scenes (in the car) the girl has flies on her and no one re-shot the scene!!!OMG!Of course the car breaks down. Oy Vey. The one positive thing I can say is that the color is really nice. It pops. Other than that, the movie is horrible.It seems that it was marketed as a "film noir" but whoever came up with that bright idea doesn't know the first thing about film noir. DOA is film noir, Detour is film noir. This is garbage. The truth is, the writer stole a scene right out of Detour! Amazing.
hpmc6
I normally don't round up with my ratings (I would put this at a 7.5 if IMDb had decimal ratings), but I'm giving this an 8 because I think it's gotten a tough break from existing ratings, which I hadn't reviewed before I rented it.I was attracted to the film because I am familiar with and enjoy the region it is set in.All of the characters and acting are good. I didn't like the sacrilege of the Jesus burger, but it was creative. The FX section of the DVD really showed interesting use of special effects to create interesting locations out of run down places. The choice of the 1963 (or 1964) Lincoln gave the film a cool look that fit the setting. The film has an enjoyable somewhat psychedelic visual style. The plot unfolded in a way that was plausible, but not predictable, but was not over complicated to the point of being tiring. The scene with the cop was suspenseful and surprising. Veronica was very seductive and entertaining, a well chosen foil for the laid back Edgar (the nice guy who just stumbles deeper and deeper into trouble). Edgar was hilarious when Veronica told him the gum was laced with LSD. Gloria also fit the chemistry well. Chloe played the straight role of the mostly normal girlfriend convincingly. Allen was well played and the film threw an interesting fake at the audience by suggesting that he might be a serial killer with the blue garment that Gloria uses as a pillow in the back seat of the car. It all tied up well at the end.All in all, the director really did a great job considering the low budget, sometimes a lower budget can make for a superior film, as many of today's film clichés (long boring chases/action sequences etc) are expensive to produce. A smaller budget can force more creativity with what they have. This was a better than average film, produced with a fraction of the average budget, and a refreshing break from the same old Hollywood stuff.
MBunge
Oh joy. Here's another one of those movies that should never make it to DVD. Interstate is barely a half-step above a student's final project at an overly expensive film school. Only a few moments of filmmaking in the entire thing even flirt with professionalism. The rest of it is a collection of bad acting that couldn't get you a job as an extra on a telenovela, a story that plays out like someone came up with it when they were drunk, dialog that sounds like a schizophrenic talking to himself and editing that makes you wish you were a narcoleptic.Young lovers Edgar and Chloe (Shiloh Fernandez and Chase Mallen) are driving from Montreal to Los Angeles, where Chloe has an audition for a sitcom. Their car breaks down in the middle of nowhere and they only have enough money to guy a bus ticket for Chloe. As she luckily gets to ride out of this film, Edgar is left to hitchhike the rest of the way. He gets picked up by the oily, scraggly, squirrelly Alan (Walter Pena) and after they have a couple of inane conversations, Alan winds up dead. If Edgar did what any normal person would do and go to the cops, the movie would be over. So, of course, he has to behave like a spastic moron and drive off with Alan's body in the car and then dump the corpse in the desert.After that, Edgar hooks up with Veronica and Gloria (Alexandra Ackerman and Jodi Stanford). They're sisters who are on screen for an hour and behave like real human beings for about 32 seconds. The rest of the time they're either vamping it up like they're in a softcore porn flick that's had all the sex cut out or dumbly servicing the Almighty Plot Hammer. There's some stuff about a drug deal, Edgar being the world's biggest wuss, some thugs who apparently walk around with assault rifles and fedoras, a scene that's arbitrarily shot at weird angles straight out of the old Batman TV show and a secret that's so pedestrian you expect it to get run over by a car while jaywalking.In case I haven't been clear, Interstate is not good. There's not even any nudity or violence and the profanity in it is the sort of unimaginative stuff you hear on middle school playgrounds. These filmmakers demonstrate that they can do all of the technical things you have to do to make a movie, but they don't do any of it well. This film is like a 72 year old man with no feet running a marathon. You might be impressed that it could be done…but would you really want to sit and watch it?Interstate is one of those movies where after you rent it, you feel like you've been taken advantage of. The people who made it had to know it sucked. The people who distributed it had to know it sucked. All they cared about, however, was conning unsuspecting video store customers out of their hard earned money. So, if you ever see this DVD sitting on the shelf and think about getting it, do yourself a favor and just send the money to one of those Nigerian princes who keep e-mailing you. You'll get the same experience and you won't waste 89 minutes of your life sitting in front of the TV.
Bugmenotflip
Saw this at a film festival last year. This isn't a typical thriller. It's more of a mystery noir film. Moody lighting, low key acting, murder and femmes fatals. If you rent it expecting car chases and fight scenes you'll be left on your appetite. If you're a fan of film noir, crime stories, this little gem will not disappoint. It also reminded me of Detour, the 1945 film by Edgar Ulmer. There is some creative use of camera work and lighting. Like I say, it's all very subtle compared to the typical "thrillers" we get nowadays. The special effects are great. With many Route 66 locations depicted like over the top Americana. The actors have some great moments, and other not so great but overall very professional considering their age. Music and sound could have been better but then again, this is low budget film making. I would recommend this movie to teenagers and fans of film noir everywhere.
