TeenzTen An action-packed slog

Pacionsbo Absolutely Fantastic

Twilightfa Watch something else. There are very few redeeming qualities to this film.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

mmallon4 Invitation to the Dance is often dismissed as a failed experiment; I must disagree. In my eyes Invitation to the Dance is a masterful achievement. I find many anthology films tend to be hit and miss with their segments but all three segments presented here are gems. A pure representation of Gene Kelly's artistry as seen in ballet sequences in previous Kelly musicals. Invitation to the Dance was made in 1953, when Kelly was at the height of his powers, however due to the film's lack of commercial prospects. It wasn't released until 1956 when the movie musical had dropped in popularity due to their lack of commercial viability from the rise of television.The film's title says it all; this is a film which tried to make dance more accessible to all and not just some Gene Kelly vanity project. A film to show that dancing isn't for "sissies"; it can be masculine and bad ass. Originally Kelly was only going to appear in one segment with the rest starring the greatest dancers in Europe; however the studio wouldn't allow this and demanded he appear in all the segments. Regardless I still feel the film succeeds in feeling like an inclusive experience with its array of dancers including a young child whom appear alongside Kelly and are all given their moment in the sun.The first segment "Circus" offers a slice of early 20th century European culture with beautiful array of sets full of eye pleasing colours which still manage to feel authentic; somewhere that's been used and lived in. All three segments in Invitation to the Dance are devoid of dialogue but Circus really does call back to silent cinema with its melodramatic love triangle premise. In his role as a mime, Kelly gets to express the full range of his physical talents and uses his face to convey all his emotion. Circus is a fine piece of tragic, visual melodrama with an emotionally gutting finale. The second sequence "Ring Around the Rosy" is the section of the film most reminiscent of the MGM musical in the 1950's with its use of impressionistic backgrounds as seen in the ballet sequences of Kelly's musicals. I never do tire of these backgrounds as they're always a pleasure to behold; an aesthetic and atmosphere which really characterised musicals of the era. I do love the humour present in the segment such as the femme fatale with the exaggerated Veronica Lake hairstyle which constantly had to be pulled back in order for her to even see, to the singer whose voice is the sound of a trumpet which causes the dames to swoon and faint.The finale segment "Sinbad the Sailor" is the most impressive on a technical level in which Kelly dances alongside animated characters in a dazzling piece of Arabian Nights inspired fantasy. Famously Kelly had previously danced alongside Jerry the Mouse in Anchors Aweigh (1945 ) however Sinbad the Sailor takes this to a new level in which Kelly occupies a fully animated environment. The integration and interactions with the animated world and its characters is largely seamless and more than impressive for the time, with the dance steps of the animated characters being on synch with Kelly's steps. Likewise he is also joined by a live action child and only Kelly himself could dance that well with a child. During this segment Kelly also finds a love interest with an animated Middle Eastern girl and the two even engage in a kiss: An early example of an inter-racial kiss in cinema, even if it is between a live action man and an animated woman.

atlasmb Invitation to the Dance is what you get when you take an artist at the peak of his abilities and allow his imagination to run wild. Gene Kelly--and some very talented people in all fields--integrated music and dance to create three distinct stories.He reduces some scenes to their visual essences by using abstract or minimalist sets, aided by lighting effects. The third story includes cartoons, allowing Kelly to take his imagination beyond the bounds of human limitations and physics.The performances are a synthesis of various dance and related forms (ballet, tap, jazz, mime, acrobatics, pop, and ethnic) with musical accompaniment (classical, jazz--cool and hot--ethnic, and pop).Invitation to the Dance is a treat for any dance lover. It should be seen by all young students of dance.It would be interesting to see this film they way Kelly originally imagined it, with him dancing in one section only.

ccbc The first two segments of this film may or may not impress you, but do watch the third: "Sinbad the Sailor". Kelly plays an American sailor in an exotic Oriental market. He rubs an old lamp and a genie appears, played by an amazingly talented kid. After a bit of messing around,the genie gets a sailor suit, too. Then they open a book to a picture of a wonderous land. The genie transports them inside and all the rest features the two dancers (mostly Kelly alone) dancing with animation.This segment is much longer than any other live-plus-animation sequence until Mary Poppins excepting, possibly Song of the South whose sequences were nowhere near so complex as this. Kelly dances with an animated dragon (that wraps around him), into a harem, is chased by the Sultan's guards, has a long sequence with one harem girl, and then a very long sequence with the guards. This is amazing work for 1952, especially when you remember that every bit of the animation is hand-painted on cels. Hanna-Barbera (then with MGM doing Tom and Jerry directed the animation. (Kelly also did a famous dance number with Jerry in Anchors Aweigh eight years earlier.) Walt Disney advised. This is swell stuff and any fan of animation should give it a look.

didi-5 In what must have been a daring move in the 1950s, Gene Kelly created a film which was pure dance - three sequences (Circus, Ring Around The Rosy, Sinbad the Sailor).Although not a great grosser in its day, time has been kind to this film and although it is not that well known, this film should be as it has a large amount of charm.The first section, Circus, is a story about a clown and his unrequited love for the leading lady. A common love triangle presented in ballet, this is bittersweet and watchable.In Ring Around The Rosy, a bracelet is lost and found and there is a charming duet to watch ... while Sinbad the Sailor includes a mix of real life and animation in the story of the sailor and the genie.As good as any of Kelly's other work, this should be seen a lot more than it is.