Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Breakinger A Brilliant Conflict

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

jidome Unlike the other Ip Man movies, this piece focuses more squarely on Ip Man as a person; portraying his struggles as a man dealing with not only his own issues (familial, social, and physical) but those of the people around him. While Ip man is still shown as the moral bedrock people have come to know him as, this film shows how that foundation affects his pupils and acquaintances.While not the standard string of kung-fu bouts, this movie has it's fist of fury moments where the watcher will be captivated by wing-chun's lightning speed strikes and close body guards. Slow at first, the pace picks up throughout the movie and the combination of action and character development made this movie much more of an art piece than it's predecessors. The movie provides a message beyond the standard "righteousness prevails" and is definitely worth the watch.

meltinzone This movie had me in tears. I hate people who cry in movies. Something about KungFu and Wing Chun and this man, what do I say. Kung-Fu lives in everybody, this movie, wow. I clapped at the end, though I was the only one sitting in the room, at a monitor and desk all by myself, i still clapped. 10/10.Too moved to say anything else atm.... other than I've watched the other three, so maybe it has had a larger effect on me. Wow. We should all strive to be like Ip Man.. truly, what a spirit he was. :..(Not many things have me in tears like this, but this movie, really something special...

A_Different_Drummer There is something hypnotic, mystifying and dignified about watching how a true Master lives life day to day, and the real power of this film is precisely and absolutely about that dignity. Anthony Wong is excellent and, with a single exception, the direction and pacing is excellent also. Ironically, the sole flaw in the film is the final fight scene where a geriatric Ip Man does his "final" battle with a local thug. And that is the key to this film. It takes the better part of two hours to get to this point. If, by the time you do get there, you have not yet connected with the movie, and you are hoping to get a rush from the fight, you will be sadly disappointed. Not that the fight is badly done, simply that it is not well done. There is a difference, especially in Asian films where a good fight can make or break a film. Given the pace of Ip Man 3, given the age of the main character, the final battle should have consisted of a smaller number of moves done with greater clarity and intent. Instead, with no warning, the director finds his inner SHAW BROTHER and the final fight is paced quickly, with flash cuts, and even a downpour from the heavens to confuse an already confused scene. On the other hand, if, by the time you get to the "final battle," you have already come to appreciate the film for what it really is, the final fight will be merely the icing on the cake. And a tasty cake at that.

hkauteur The most interesting aspect between Herman Yau-Anthony Wong collaborations is that their partnership had its roots in Hong Kong Category III horror. Ebola Syndrome is still one of the most disgusting movies I have ever seen and been guiltily entertained by. Forget Outbreak or Contagion, Ebola Syndrome was a far more disturbing movie about a viral outbreak. Forget Hannibal Lecter, Anthony Wong truly played a disturbing sociopath in that movie. The point is: they're not afraid to delve into the gritty, the ugly and the disgusting.Set against the big commercial movie cog machine and the Ip Man franchise, the majority of Yau-Wong penchant for grittiness is diluted and only some of it remains in Ip Man: The Final Fight. It is that essence of the grittier and the uglier sides of Ip Man that makes out for the more interesting parts in Ip Man: The Final Fight, but it's also the film's major weakness because it never treads far enough from familiar territory.What the film ends up being more like tonally is a combination of the Wilson Yip- Donnie Yen Ip Man films and Bruce Lee My Brother, where it is loosely glossing over the details of the grandmaster's life and dramatically punching up the action so it can allow for fight scenes, but also providing a retro-gaze of Hong Kong accompanied with a celebrity guest-list cameos.For example, it's been said that Ip Man sported an opium habit. The concept is telegraphed but never truly explored. Another example is Hong Kong actor Liu Kai Chi gives a cameo as Ip Man's friend who is suffering from poverty. They start what might be a potentially interesting storyline but it never finishes itself. Much of the film is like that.There are about several subplots running through the story and they all end up as separate vignettes that do not rise above the sum of it's parts. For a biopic drama, that's a problem because it does not provide an unified narrative goal. This is not an editing issue. The story was based on Ip Chun's stories of his father and it is as if seemed like the screenwriter noted them down as told and the director literally shot them that way. So I attribute this issue to lazy writing. The retroactive voice-over device ends up killing a lot of the drama. The scene will be happening and the voice-over will cut in summing up the rest of the scene in past tense. It keeps glossing over by stating what happened instead of letting the audience experience what's happening in the now.Anthony Wong is very natural as Ip Man. He looks most like the real-life version of Ip Man and actually adopts a Foshan accent. He breathes many colors into the role and the scenes with Ip Man and his students is the heart of the film. Anthony Wong is pretty much the best thing about this movie and his performance alone is the price of admission.Eric Tsang has a great supporting role as a Crane style master who befriends Ip Man. There is a self-referential joke where Tsang says being a 'clan master' (獎門人) is difficult, a reference to his famous television game show, that was self-serving and unnecessary. Tsang and Wong share an awesome fight together. Not a lot of people remember that Eric Tsang started out as a stuntman; the fight looks very authentic. They were really smashing their forearms together. Eric Tsang is a badass.Something I noticed about the cinematography was there were way too many crane shots in this film. There's a scene that ends on a connective moment between two characters and then it cuts to a crane shot backing away presenting a view of the entire rooftop set. I have a theory about this. In Hong Kong, booking a crane from a production house is a planned expense and usually you would require more crew members or more time to set up a crane shot. Production houses in the Mainland will give crews an entire film equipment package in their deals, which includes cranes and jibs. With the cheap labor and higher amount of crew members, a crane shot can be set up much faster in the Mainland. As a recent occurrence, a lot of Chinese productions lead by Hong Kong directors have recently been very crane shot-heavy. Hong Kong directors, this needs to stop. You have to remember to pull back every once and a while.Just as a small footnote, I really hated the Bruce Lee cameo. Playing Bruce Lee in a film is by no means an easy feat but the actor they chose was abysmally awful. He made Bruce Lee look like a rich asshole sellout. It was not fun, nor did it work as a pop culture reference.Overall, I enjoyed this film, but I do not think it works completely as a standalone piece. It seems to fit as the final piece to this whole line of Ip Man films. In a way, I can't help it because they've made so many movies about Ip Man in such a short time.With every film, I see a little more of who this man was, what his legacy was and it had me thinking about even what being a good teacher means. I still think The Grandmaster is the best Ip Man film. They really don't need to make any more Ip Man movies. And if they do (and I think they are because I saw a poster for an Ip Man 3 with Donnie Yen), please do the story with Bruce Lee and get him right.For more reviews, please visit my blog at http://hkauteur.wordpress.com/