Tedfoldol everything you have heard about this movie is true.

SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Cassandra Story: It's very simple but honestly that is fine.

weezeralfalfa I titled my review after the 1937 Marx Brothers musical comedy of that name, which shows certain broad resemblances to the present film. As you might guess, this Abbott and Costello(A&C) musical comedy focuses on horses, both carriage and racing breeds. It initially focuses on a particular carriage horse named Finnegan, who is attached to a carriage driven by Irishman King O'Hara(Cecil Kellaway) or his teenage daughter Peggy(or Princess)(Patsy O'Conner). Costello is a friend of this family, but he gives Finnegan a piece of his peppermint stick. A few days later, Finnegan is down feeling ill. Costello gets some 'horse pills' at the pharmacy and tries to ram one down the throat through a tube. But, before he can blow the pill in, Finnegan blows it down Costello's throat, and Costello gives up. The horse soon dies, and everyone (including Lou) blames it on the candy! Lou wants to buy the O'Haras a new horse, but has no money. So, he and friend Abbott go to loan shark: Big-Hearted Charlie, who loans them $100., but at a usurious interest rate. He suggests they gamble on the horse races to get the money to pay off his loan, and directs them to phony horse race bookies, who cheat Lou out of most of his cash. Then, Lou buys a horse on the street very cheaply, only to find that it belongs to a policeman. A trio of touts then claim that a certain horse owner is giving away an old racing horse free. So, at night, they sneak there, and take the wrong horse, since the horse names on their stalls were switched. The have trouble with a suspicious Eugene Palette, but overcome his hindrance, and make off with the horse. They don't realize they took the famous Tea Biscuit until they read in the newspaper that this horse is missing. There is a $10,000. reward for the return of this horse, which the three touts plus Palette hope to collect. The boys hide Tea Biscuit in their hotel room! Palette snooped around, but couldn't find the horse in their back room. They get by Palette, hitch the horse to a carriage, and take off for the race track. Problems on the route have Lou riding the horse when he gets to the track. The horse throws him, and he lands on another horse: Rhubarb. He runs Rhubarb in the race, even though he is apparently extraneous. Tea Biscuit, running as Rhubarb, wins. Abbott, who bet $100. on Tea Biscuit, despite his presumed absence, is resigned to his loss, and tears up his ticket. But, after it's established that Rhubarb really is Tea Biscuit, Abbott finds the pieces of his ticket and is allowed to claim his winnings. Also, Costello gets the $10,000. award for bringing Tea Biscuit back. But, there's a problem. Palette already received a check for $10,000.? as his winnings. He gave the touts an advance on that. He blames Lou for this debacle, and wants Lou to give him the money he lost. Thus, we end with Palette chasing Lou around. Palette harassed Lou throughout most of the film, showing up wherever Lou went, having new reasons to want to kill him. Palette, of course, was very charismatic, with his great girth and bull frog-like voice. Thus, he tends to dominate the scenes he's in.As in most of their early films, there is a romantic couple, here in the form of Leighton Noble and the striking blond Grace McDonald. Also, as was often the case, they served as singers for several songs. However, 13y.o. Patsy O'Connor led the singing for 2 numbers: the initial "Sunbeam Serenade", while driving her carriage, and the later "Old Timer", sung to Finnegan as he lay ill. However, the 2 main production numbers were mainly sung by others. Grace McDonald led the street-located "Glory Be", while Leighton Noble led the finale stage-bound "Hang Your Troubles on a Rainbow". Believe I saw Grace do a short tap dance in this number. She was the sister of Ray MacDonald: a professional dancer, and they used to perform singing and dancing together when young. Leighton was primarily known as a singer and orchestra leader, rather than an actor. Patsy O'Connor was the niece of Donald O'Connor, who was then costarring in a series of musical comedies for Universal....The Four Step Brothers also performed their novelty-styled tap dancing and other shenanigans in both major productions. Shemp Howard, of The Three Stooges, was one of the 3 touts. He was often present in a small role in the early A&C films.....Prolific actor Samuel Hinds served as the owner of Tea Biscuit, whose name is a slight variation of that of the famous racehorse Sea Biscuit....This film is based on Damon Runyon's story "Princess O'Hara". , first made into a film in 1935. In the present film, Peggy O'Connor played the princess.Despite it's frequent nonsensical highly contrived nature, I can recommend this film for those, especially kids, who like the boys' shtick.

MartinHafer 'Schmaltzy' can best be described by excessively sentimental--to the point where it can be seen as sickeningly sweet. Despite the very positive reviews for IT AIN'T HAY, I am very surprised that none of them see the film as an example of pure 100% bonafide schmaltz.Here is the plot--you decide whether or not it's schmaltz. A young girl (about 14) drives a horse-drawn carriage (hmm...what about child labor laws?). She adores her horse and everyone loves her--calling her "Princess". But, when Lou Costello accidentally kills the horse, the entire community is heart-broken for the poor kid...and Lou knows he must do something to buy the girl and her old granddad a new horse--otherwise, the girl will be miserable and they won't be able to pay their bills! When Lou DOES get a horse, he accidentally steals a famous race horse and gives it to Princess. But, when he learns the truth, the horse must be returned...and what is to become of this precious and precocious teen?! There's quite a bit more to the plot than this, but the bottom line is that Abbott and Costello played the sentimental card too often and the edginess of their material was missing--like it was a film just for kids or people who hate comedy. While some comedians have used schmaltz, there is a big difference between schmaltz and sentimentality. Schmaltz is when the sentimentality takes center stage and is THE substance of a comedy--and real comedy cannot be funny if there's schmaltz as the saccharine style of the film interferes with the laughs. This film simply chose sentiment over laughs again and again. One of the only really funny parts occurred at the very beginning, when Shemp Howard (a perennial in early Abbott and Costello films) is introduced.Overall, the worst film that the team made up until this point. Too much singing, too much sentimentality and a "wacky" race towards the end that instead of helping the film to finish on a high note just came off as contrived. Sorry folks, this is one "lost" film that Abbott and Costello made that just as soon could have stayed lost--barely earning a 5--and that's being rather generous.By the way, the rubber band joke at the end was a reference to WWII and rubber rationing--when rubber was as rare as could be since almost all of it was diverted to wartime use.

WILLIAM SEFFEL This film has not been restored and the Bud and Lou routines are great with perfect timing. One of their best routines are when they are by the race horse which is pulling the open carriage and Lou is briefed on the horse being a mudder and that the horse eats his fodder. The Step Brothers dancing scene is top rate and I haven't seen anything like it anywhere else. The Damon Runyon dialogue is great but because of the studios and family licensing differences, this film will pass into oblivion. What a shame this will be lost when so many would really enjoy it. The copies that are available are of such poor quality you really can't enjoy them.

robertshort_3 The comedy team of Bud Abbott and Lou Costello were in their prime in the 1940's (particularly the early 1940's) and this offering from 1943 is very funny indeed. Based on a Damon Runyon story "Princess O'Hara" (and featuring some of the classic Runyon characters such as Harry the Horse), it's been tailored for the A & C brand of comedy, and features some of their funniest routines (the "mudder & fodder" exchange, which was repeated in their later film "The Noose Hangs High"; stealing the horse, the climactic horse race scene, etc.) Like most of their early features (with the notable exception of the great "Who Done It"), there's also the mandatory songs - they are a mild intrusion, but on their own merit are quite good. (These song numbers were a stock element in the Universal comedies at the time, so you just have to tolerate them, but, like in the Marx Brothers comedies, they did seem to be there just to "pad out" the running time.) There's also a gem of a supporting performance by the great character actor Eugene Palette.Unfortunately, "It Ain't Hay" is currently tied up in legal knots, which keeps it out of circulation at the present time. Due to this, it was not included in the great A & C collection released recently on DVD by MCA, nor has it been shown on television for many years. Hopefully these legal issues will be resolved, and this fine example of the great comedy duo's work will receive the distribution it deserves.