ManiakJiggy
This is How Movies Should Be Made
Claysaba
Excellent, Without a doubt!!
Freaktana
A Major Disappointment
Roy Hart
If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
jazzfantastic
What a find! I've never seen Sinatra so appealing nor Durante quite that young! Lawford is all warmth, charm, and sincerity, and Grayson, is, well, Grayson the Divine Singer. Great film about everyday people with aspirations and heart.The plot is inspiring, the people affecting, the ending excellent, and the score wonderful. I disagree that there was too much opera, and I personally got a kick out of seeing Frankie sing opera w/Grayson. I don't know from 'Lakme', but Grayson was divine looking and sounding in that scene. Found this on VHS for $1, and feel mighty privileged to have seen it. Durante was quite remarkable in a far longer role than the small turns I've previously seen him in.
writers_reign
During the forties it seemed that MGM in particular had something of an obsession about offering classical and popular music in one package so that Jose Iturbi was almost as at home on the lot as Arthur Freed. This is yet another example and re-teams Sinatra and Kathryn Grayson who had already blended their respective genres in Anchors Aweigh some three years earlier. Adding Durante to the mix does no harm at all in fact the only jarring note is Peter Lawford who could neither sing, dance or act but didn't let that stop him from masquerading as competent at all three. The plot is as light as Isobel Lennart could get away with and still sound half credible and is merely a hook on which to hang some tasty Jule Styne-Sammy Cahn numbers including the Kern-like ballad Time After Time. Apart from Step Lively, made at RKO, this is arguably Sinatra's best musical from the forties - and YES I KNOW On The Town was released in the same decade. Sue me.
whpratt1
Enjoyed this picture from the beginning to the very end with great old time musical numbers sung by Frank Sinatra, (Danny Webson Miller) who returns from the Army after four years of service to his hometown of Brooklyn, New York and meets up with some of his old friends. One of the friends is Jimmy Durante, (Nick Lombardi) who really stole the entire film in almost every scene. Kathryn Grayson, (Anne Fielding) had such a fantastic opera voice and sang some very famous Classical musical numbers. It was enjoyable seeing Peter Lawford, (Jamie Shellgrove) give a great song and dance number and also a blooming romance between him and Anne Fielding. Even Gloria Grahame, (Nurse) gave a great supporting role as a nurse taking care of Danny while he was in the service and how he sort of remembers her at the very end of the picture. Great film, don't miss this great Classic from 1947. Enjoy.
edwagreen
Wonderful film with a stellar cast.Frank Sinatra and Peter Lawford shine as two quiet buddies who return to Brooklyn after World War 11 service in England. Actually, it's a first trip to Brooklyn.The film is so endearing due to its themes of clinging to your aspirations. Sinatra finds Kathryn Grayson and falls in love, but when she introduces Lawford to him, you know the rest.Jimmy Durante plays a rather subdued custodian in a school where Grayson teaches music. She is down as she wants an operatic career.The film is lifting when she and the 3 guys all join forces to make sure that a poorly financed student, who is brilliant at the piano, can continue his musical education after college. In Hollywood tradition, they succeed. Tamara Shayne shows her usual earthy appealing as the boy's mother.Sinatra belts out Time After Time and Grayson's operatic scene is memorable.This film is definitely heartwarming and a joy to watch.