Jacob the Liar

1975
7.1| 1h40m| en| More Info
Released: 18 April 1975 Released
Producted By: DEFA
Country:
Budget: 0
Revenue: 0
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Synopsis

A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.

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Reviews

SpuffyWeb Sadly Over-hyped
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
Aspen Orson There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.
runamokprods Only a very few films have succeeded in treating the plight of the Jews under the Nazis with a sense of humor, but this is one of them. Sort of an earlier variation on 'Life is Beautiful', but this is far less saccharine, and the humor here is dry and sad, not slapstick and wacky. In a Jewish ghetto in 1944, Jacob is brought to the police station for curfew violation. There he hears news on the radio that the Russians are advancing nearer. He uses this hopeful news to stop a fellow ghetto resident from committing sure suicide by trying to steal extra food. But in a moment of foolishness, Jacob claims he heard the news on his own secret radio. Soon the entire town is hounding him for positive news, and the shy quiet Jacob has become an unwanted celebrity and bringer of hope, forcing him into a moral quandary and more lies. The power of this simple fable is enhanced by some very touching flashbacks where we see these now beaten down characters as their lives were just a few years before – full of love, laughter, food to eat, nice homes. Vlastimil Brodsky is great as Jacob, even if he's unfortunately dubbed into German. He avoids the traps of sentimentality or self-pity. Right to the end this is an honest and moving tale of trying to retain one's humanity in the face of ever more overwhelming odds. The hard-to- find DVD could have a better image, but the print was apparently in bad shape from ill- storage in East Germany. (This was the only East German film ever nominated for an Oscar)
John Johnson The movie starts with a violin and scenes of the Jewish ghetto. Jakob is one of many Jews in a German-controlled, Polish ghetto. While walking home one night he is sent by a guard to headquarters. There he hears a brief broadcast that Russian troops are doing well against the Germans. The next day, in a desperate attempt to save his friend from committing a rash act and stealing potatoes, he tells him of the Russian advance. He twists the story and it soon is believed that he possess a radio. In order to protect his exaggeration, he continues to tell more and more lies by pretending he hears them on the radio. His lies have a huge impact on camp, but he eventually needs to tell the truth to his friend Kowalski, who kills himself out of despair for living another day in the ghetto. The Jakob's lie remains largely undiscovered, his street is eventually deported to their presumed death.At the beginning of watching the movie I was quite sick of seeing another German movie about WW2. However this movie was amazing. I like how it toys with the perception of truth. Plenty of truths are told that are harmful, and lies are told that are good. Furthermore, truth is merely the acceptance of truth and is useful in so far as it accomplishes an act. Though Jakob may never had possessed a radio, his initial statements were disbelieved. The same way a cloud is out of water, though it is really out of tiny drops of frozen water. Though the obvious interpretation is that life in the ghetto was terrible, and that Jakob's lives were pure hearted, it's also a statement on underlying scientific notions that we cannot legitimately achieve through personal work what we can do together. That notion is very clear for an East German movie. I enjoyed the way the film cut to flashbacks to explain who characters were. It's a short, concise and brilliant method of exposition. The relationships were very well-developed. Rosa and Mischa's courtship was handled well. Although it's obviously sincere, no reasonable parent would approve of such a love in the ghetto. Though abuses are shown, such as when Herschel Schtamm is killed after investigating a boxcar. Much of the movie focuses on the psychological damage forced by isolation, poverty, and a general racism. The movie knows that abuses are known, it's the stories of relationships that aren't as things like letters and radio were banned. For example, Uncle Jakob's care for his niece, and the niece herself, show a compassion. The explanation of his lamp helps to put emphasis on the love of families that was destroyed, frankly by any organized government and especially that of the 3rd Reich.
MartinHafer This East German movie is a very unusual movie about the Holocaust because it focuses on life within the ghetto. However, the film seemed a bit sanitized in how the residents looked and how they were treated. Unlike some later films, some of the Jews in this film looked awfully well-fed and conditions didn't seem all that bad. The cattle car where the remaining Jews were placed seemed rather spacious and not all that bad either--even though in reality many died on the cars due to conditions. In addition, some of the German soldiers seemed pretty nice. Perhaps this might have been that the Soviet-dominated East Germans were more willing to talk about their sordid past but were still struggling with fully accepting it. Whatever is the case, this aspect of the film did surprise me a bit.Now as for the rest of the film, it was marvelous and provided an odd insight into life in the ghettos. The acting was excellent and the film is very much worth seeing, though not nearly as compelling as THE SHOP ON MAIN STREET, SCHINDLER'S LIST or AU REVOIR LES ENFANTS. I have not seen the recent remake starring Robin Williams, so I can't really compare the two, but my inclination is almost always to go with the originals.PS--The English captioning for this film is pretty poor. Instead of directly translating what is said, it's often summarized or even wrong. My knowledge of German isn't too bad, and several times what they said did not correspond at all to the captioning. You can't blame the film makers for this, but the company that released the film.
dijaz The role of Jacob is that he is a Jewish man who lives in Poland at the time of the Nazi-rule. He falsely tells a coworker about a radio he owns and he tells him good news about the Russian Army getting closer and closer everyday. This lie spreads quickly thru the Jewish ghetto and immediately all coworkers ask Jacob daily about news. In desperation Jacob makes up good news and spreads them around the ghetto. As the movie moves along it shows violence and prosecution of the Jewish people. At the end of the movie the ghetto including Jacob leave their home town and head in unknown direction. Jacob lied about the radio and spread good news to keep hope and live in his community. He did not reach his goal because his predictions of freedom of Jews never occurred.Bernandin Mali