Jailhouse Rock

1957 "Elvis in Action as Never Before!"
6.5| 1h36m| NR| en| More Info
Released: 08 November 1957 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

After serving time for manslaughter, young Vince Everett becomes a teenage rock star.

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Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
NekoHomey Purely Joyful Movie!
Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Harry Lags This is Elvis Presley at his very best! He plays Vince Everett jailed for manslaughter after a bar fight.This is a damn good movie in its own right. Moodily shot in black and white with Elvis making a good job of playing the rebel Vince Everet. The Jailhouse Rock sequence is superbly handled and the entire movie smokes. Along with the famous and quite brilliant title song we also get "Treat Me Nice," "Baby, I Don't Care," "I Want To Be Free," "Don't Leave Me Now" and the lovely tender "Young & Beautiful". Absolutely love this movie. Love the music and Elvis of course. A very enjoyable film showing Elvis in his raw rock and roll singing and acting days. Nostalgic, interesting and fun. Really good to watch..
Scott LeBrun Considered by some to be his best movie vehicle, the Elvis Presley feature "Jailhouse Rock" does indeed provide its star with an agreeable showcase. The King stars as Vince Everett, a hot tempered young man who accidentally kills a guy in a bar fight, and does time for manslaughter. There he makes the acquaintance of cellmate "Hunk" Houghton (Mickey Shaughnessy), who teaches him how to strum a guitar and carry a tune. Vince finds that he quite enjoys performing, and upon his release from prison embarks upon a singing career. Among those helping him are the bright and efficient - and very pretty - Peggy Van Alden (Judy Tyler).The King is compulsively watchable. A great actor he may not have been, but he had a powerful charisma, and he gives his character appeal. He's also convincing when the surly Vince starts to take his friends and associates for granted, and become all about financial gains to be made. The story (screenplay credited to Guy Trosper, based on a story by Nedrick Young) gets pretty serious without getting bogged down in melodrama, and naturally it gives The King a couple of opportunities to belt out a number. "Treat Me Nice" and the groovy title tune (one of this viewers' favorites by Elvis) are definite highlights.The supporting cast is somewhat variable, but Shaughnessy is good, as is Vaughn Taylor as money man Mr. Shores and Dean Jones as radio D.J. Teddy Talbot. Tyler is endearing as Peggy, but sadly, she never even got to see the film released as she and her husband died in a car accident just weeks after filming wrapped.This viewer next plans on watching "Flaming Star", also said to be another of Elvis' best vehicles.Seven out of 10.
roddekker This corny, formulaic "rags-to-riches" tale (which takes place within the competitive world of rock'n'roll music) just barely managed to squeak by with a 5-star rating. Just 22 at the time, Elvis Presley plays first-class heel and ex-con, Vincent Everett, a guy with a mean mouth, a hair-trigger temper, and an upper lip that's forever curled up into a belligerent sneer.As Vincent steadily climbs his way up the ladder to fame and fortune, it seems that no matter how many times he actually manages to alienate those around him (or else decks them with a swift right-hook to the jaw), all is immediately forgiven once he begins to swivel those hips and sing one of his hit songs to everyone's hand-clapping delight.Filmed in b&w, Jailhouse Rock, from 1957, contains some really priceless dialog. Its highlights were Presley singing "Treat Me Nice", as well as the absurdly choreographed, homo-erotic, shimmy-shaking' title tune.
rajah524-3 Compare the films Elvis made before he went in the Army with those he made afterward. In "Love Me Tender," "Loving You," "Jailhouse Rock" and "King Creole," Elvis was a whole lot closer to =Elvis= as he'd been in the era of the "Louisianna Hayride," "Stage Show," "The Milton Berle Show," "Your Hit Parade" and "The Steve Allen Show." The famous cell block dance skit may have been choreographed, but it's still closer to the Elvis of "Heartbreak Hotel" and "Hound Dog" -- and thus, to the Elvis that "changed the world" in '56 -- than to anything he did in front of a camera until the "comeback special" in 1968.I've heard a few people assert that Col. Tom went along with Elvis going in the Army to "clean him up" and "make him more controllable and palatable to the establishment." Anyone who's read James Dickerson's book on the relationship between The King and The Colonel may well agree.But in whatever event, "Jailhouse Rock" provides compelling evidence that the Elvis of 1968-1975 or so was no "invention." That Elvis was the logical development of the Elvis of 1955-1958... the one you can look at with your own eyes right here.