Tockinit not horrible nor great

Solidrariol Am I Missing Something?

Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

briantaves The achievements of animation in adapting this story in preceding years would continue to overshadow the resumption of live action versions in the 1980s and 1993. In early 1996, executive producer Robert Halmi, Sr., whose Hallmark Entertainment was simultaneously making a new version of 20,000 LEAGUES UNDER THE SEA for CBS (which eventually formed the basis for a two-hour telefilm and a one-hour children's special the next year) announced a two-hour version of JOURNEY TO THE CENTER OF THE EARTH for the Sci-Fi Channel, from a script by John Ireland. In the wake of the commercial success of the USA Network's four-hour mini-series of MOBY DICK (1998), the project was switched to USA, the Sci-Fi Channel's parent company, and the two-hour telefilm was expanded to four hours (including commercials) with Thomas Baum enlarging Ireland's script. Director George Miller, already attached to the project, was eager for the change, and produced with Connie Collins. Shooting began in April 1999 in Australia and New Zealand on a $12 million budget, and the miniseries premiered five months later on September 14 and 15.The setting is given as 1868 and adapts the nationality and names of its protagonists to the cast. Instead of the German Professor Otto Lidenbrock, the hero is the American name-alike Theodore Lytton. As portrayed by 47-year-old Treat Williams, Lytton is as much an action hero as part of the world of science, thereby surmounting the unlikelihood of a man of his constitution surviving the expedition. He studied with Darwin in the Galapagos, and is a rather dominating father-figure to his initially fearful young nephew, Jonas, who is indispensable to his uncle for having a facility for languages that Lytton lacks.Alice Hastings, a wealthy American mountaineer and member of the Carnegie family, hires Lytton to search for her husband, Casper (Bryan Brown). Casper had climbed down in a remote part of New Zealand, the Ruapehu caverns, that descend deep inside the Earth and are rumored to be an area of monsters and mystery. This new narrative strand is only one of several changes that incorporate aspects of another Verne novel, his 1867 epic, The Children of Captain Grant, much of which is set in Australia and New Zealand. Just as Mary Grant is part of the trek looking for her father, which will end in her marriage, Alice is part of the expedition in search of her husband, which will eventually bring her a new spouse.Verne's phlegmatic Icelander Hans is replaced with the burly, kilt-wearing MacNiff. He integrates the Scotsman MacNabbs and the underhanded Ayrton from The Children of Captain Grant, and is wily enough to steer the Lytton party through the dangers of a colonial rebellion and hostile Maoris.Unlike previous films of Journey to the Center of the Earth, the descent is in a tropical climate filled with vegetation. Wind blowing Alice's hair reveals a passage emerging on the shore of the underground sea, with the cavern roof supported by pillar-type columns of rocks, perhaps the most impressive visualization yet achieved. A shift of natural colors is used to convey an other-worldly impression, with a yellow sky and blue plants.On the shore, Jonas glimpses and follows Ralna (Petra Yared), a remarkably agile, tattooed redhead, who leads them into a jungle were they encounter two new races. There is a primitive but more physically developed humankind, together with a reptile race, Saurians, that has developed on a parallel path, with its own language, science, and urban centers in a world where human and dinosaur coexist. Alice is abducted by the Saurians, and in the human village Lytton, Jonas, and MacNiff find Casper, living as their ruler, in a manner reminiscent of a cult leader or Kurtz in Joseph Conrad's Heart of Darkness.While the subterranean world is offered as an example of a different outcome of Darwin's theories, the theme is insufficiently explored, and the second half of the miniseries is disappointing, the filmmaker's refusing to allow the journey itself to serve as the goal, as in the novel.Miller's version further demonstrates how films of Verne's novel and Conan Doyle's Lost World, itself inspired by the Frenchman's book, have become a source of shared inspiration for filmmakers. Conan Doyle's novel was even more concerned with the rivalry of races of prehistoric man than the better-remembered perils provided by dinosaurs. During the production of this version, two new films of The Lost World were made, one a pilot for a television series shot in New Zealand, so certainly the ideas from the Conan Doyle novel were very much "in the air."Casper dies on the return journey, and crossing the underground sea again, Jonas, Lytton, and Alice are abruptly sent to the surface by a vortex phenomenon. Lytton and Alice decide to honeymoon in Iceland, and explore fresh caverns that may offer a more direct route to the center of the Earth (which has the curious effect of making the Verne novel seem like a sequel to this film adaptation).Jonas must recover from an unknown virus transmitted by Ralna, that leaves him with dreams of her and causes him to return to New Zealand and a life of adventure--clearly leaving the way open for a sequel. The theme of Jonas's initiatory trajectory and his gradual emergence as a hero during the course of the journey remains from the novel, despite deviating from Verne's own romantic conclusion (which the Lytton-Alice nuptials render superfluous).

Ray Girvan This is a grab bag of elements of the Verne story filled out with various Rice Burroughs staples: fights, captures and escapes surrounding a patriarchal tribe whose men dress caveman-style and whose flawlessly-complexioned women wear little leather skirts and bikini tops; Amazon warriors; humanoid lizards; and a seasoning of dinosaurs. The whole thing is given a weird gloss by filtering out greens - presumably a cheap way to get the blue-foliage jungles - so the whole thing is in a blue/brown/red palette. I sort of enjoyed it; but being in hospital the day after an appendix operation, I guess I wasn't in a critically demanding mood.

Michael DeZubiria I should start off and say that I have no problem with women in the movies, I like to think that no one would have taken the above statement that way. But in the two adaptations of Journey to the Center of the Earth, women have been added to the expedition, this time in spectacular fashion, and to the overall detriment to Verne's story, which was about exploration and discovery and not about romance. But whatever, being what it is, the 1999 version at least had a moderately interesting story, although one which had little to do with the source material.Sadly, this made for TV movie is packed with cheesy sets, goofy acting, ridiculous caricatures and atrocious special effects. Obviously, they had to make the film with what budget they had available to them, and I imagine they probably did a great job for what they had to work with, but this three hour epic takes great care to follow some parts of Verne's novel, and in other parts, the entire second half, for example, it flies off on a tangent and goes in a totally different direction. I'm all about creativity, but ever since I read JJules Verne's novel I have been dying to see a film adaptation that was at least moderately interested in adapting the actual story to the screen. So far no such luck. Among the many things that I found disappointing about this movie, and the one that I had most hoped would have been improved upon from the 1959 version, is the subterranean sea and the surrounding environment. There are some fairly impressive special effects shots that show that there is a ceiling of granite over this massive ocean, but then the rest of the movie that takes place in this underground cavern was simply filmed outside, sunshine and all. You literally have to keep reminding yourself that this all takes place underground because it is so obviously not. And the thing that kills me is that if they had altered the color of the light that was lighting everything they could have solved that. It's right there in the book, it was described as a sort of luminescent, soft, electrical glow, I'm picturing something with a greenish tint. All that natural coloring just kills the whole effect. Then you have the creatures that they ran into in the novel, literally they caught glimpse of some strange looking humanoid creatures and then took off running, but this movie turns them into an entire society of English speaking people, a full on culture of tribal inhabitants, the interaction with whom provides the majority of the conflict in the movie, and thus is where the real point of the novel is lost completely. The story is no longer about journeying to the center of the earth, but is instead about these outsiders arriving out of nowhere into this society, causing some dangerous conflict with the humanoid underground dwellers that live in the woods near them, and the ultimately trying to make everything right.Oh yeah, and of course everyone in the movie has some love interest, except for the Scottish, ah, tour guide with the mysterious tattoo on his nose. But he's really only there for comic relief and brute force when needed, so that's to be expected. Needless to say, the young subterranean lover that Jonas, the strapping young explorer, meets in this underground kingdom is not the vaguely humanoid kind of creatures that were described in the book, but a stunning redhead who speaks perfect English. Now, it doesn't bother me that they speak English, because there is a sufficient reason given for that. But to have English speaking people on the journey to the center of the earth is a little distracting. As soon as Ralna say something in English you know the rest of the book is out the window. I just really don't think that anything like this is even remotely what Jules Verne had in mind

sauron256 This film was just an ego-trip for evolutionists, allowing them to bring across that they teach 'the truth' and that everyone else is wrong. They try to do it in a way that is subtle, hoping that it won't be so offensive that way, but it still is.Even without this, the film is bad bad bad. The story-line and acting are nothing short of pathetic, especially the chick who falls in love with Treat; did they pick her up from the streets or something? If you want to see a good TV film, watch Jason and the Argonauts instead; Jason is much better than his brother Jeremy.