Protraph Lack of good storyline.

SpecialsTarget Disturbing yet enthralling

DipitySkillful an ambitious but ultimately ineffective debut endeavor.

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

Steve Sanchez There aren't many good movies made about the world of hip-hop, but this is the best of the lot. The actors seem like actual rappers, and i should know i work with them every day. Not only do they have distinct personalities, but they personas carry over into their music and they way their stories are shot.This is the story of the day in the life of two rappers, one an upstart, one a seasoned professional at the end of his career. The young one is shot with gritty hand held and A-maze (the big name) is shot smoothly in keeping with his status and personality. Both of there stories are interesting and intertwine very believably.The only faults with this movie have more to do with it being low budget rather than any fault of the film makers.I highly recommend.

heredia-kr I enjoyed this movie because it did not have a fairy tale ending. I am not going to spoil it, but unlike most movies, this one was very realistic. Thankfully there is a movie that delves into the deeper issues of the fame and glory of the Hip Hop lifestyle. What I found most compelling were the actors, each and everyone seemed authentic and in their own element. I really believed that these actors were rappers -not to mention their music was pretty good in the film. Overall, I thought the movie was good. It kept my attention the whole time, and the stakes were pretty high. When I though I knew what was going to happen next, I was wrong -which I appreciate. This isn't your normal "rags to riches" hip hop story like "Get Rich" or "8 Mile" this is a better look at the sacrifices and pressures of becoming and staying famous in Hip Hop.

Jane Stewart I've worked in the music industry for almost 20 years, and have spent most of the last decade dealing with urban music, and if nothing else, the filmmakers behind this movie certainly understand this world. The stories being told are very true-to-life, and many of the incidents are clearly based on reality. It is no surprise that almost everything else the director Peter Spirer has done before this has been Hip Hop documentaries. He is obviously an authority on the matter, as his films are some of the most prestigious docs out there on the subject (Rhyme and Reason, the Beef series, Tupac Thug Angel, the Biggie doc). Does this qualify him as a great feature director? Not necessarily, but it definitely gives him a lot of credibility, and a unique perspective from which he has crafted his urban feature debut. This isn't slick Michael Bay or Stephen Spielberg directing... it is raw, honest, totally indie, and has a "fly-on- the-wall" feel, like we're catching a glimpse behind the scenes. The contrast between the two main characters is also evident (albeit subtly) in the filmmaking, as the Young Eastie storyline (that of the struggling rapper) is shot with hand-held cameras and has a more frenetic editing style, while the scenes involving the established, big name rapper (A-Maze) are smoother, obviously shot with dollies, steady cams, etc, and has smoother, more polished editing. This interesting dynamic gets played with as the movie progresses and the lines between their two worlds blends. I don't know if this film will be of interest to those who are not into the music business, or urban films in general, because there aren't any big explosions, sweeping romances, slapstick comedy, or other "blockbuster" elements. But for anyone who has interest in the industry, and especially for those who understand this world, it is a fascinatingly authentic little gem. It is understated and tells a simple but harsh story of the cold cyclical nature of the Hip Hop business.

YeahSoAnyway Finally, a movie that gets Hip-Hop right. If you're like me, and though "Terrence Howard, a rapper? Really?" when you saw H&F, you'll dig this movie. It is way more authentic, and less of a silly fairytale portrayal of the Hip Hop industry. Don't get me wrong, Terrence Howard is a great actor, and H&F was a fun movie for what it was, but I never believed for a second that Howard was a rapper. And the approach to writing, recording, and everything else music related in that movie was just corny. In Just Another Day, I totally believed that Wood Harris and Jamie hector were rappers. They each have a very distinct style, and their rhymes and flow seem authentic to their characters. But, you don't really watch the movie to see a couple actors rap, you watch it because it provides a really interesting and believable look at the way the music industry works. At times it feels like a documentary (in a good way... think Robert Altmans "The Player" or Larry Clark's "Kids"). And the "24" style concept of showing just one day in the lives of two very different men was really effective. You see just how similar their struggles are, and that fame doesn't really change the situation all that much. It's kind of a bleak view of the industry, but that's the reality. All in all, a much better movie than I expected for a low budget indie. A unique story, solid acting, and good music too. A must-see for Hip-Hop fans and aficionados of the great Hood-Classics of the 90's like Mennace II Society, New Jack City, Boyz n the Hood, etc. And highly recommended for anyone that appreciates engaging indie cinema and unconventional storytelling.