Key to the City

1950 "They Click Like a key in a Lock"
6.4| 1h41m| NR| en| More Info
Released: 02 February 1950 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

At a mayors convention in San Francisco, ex-longshoreman Steve Fisk meets Clarissa Standish from New England. Fisk is mayor of "Puget City" and is proud of his rough and tumble background. Standish is mayor of "Winona, Maine", and is equally proud of her education and dedication to the people who elected her. Thrown together, the two opposites attract and their escapades during the convention get each of them in hot water back home. Written by Ron Kerrigan

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Reviews

Ameriatch One of the best films i have seen
Contentar Best movie of this year hands down!
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
roslein-674-874556 For those who know that Loretta Young had an affair with Clark Gable many years before this movie, when he was married, and had a daughter whom she pretended she adopted, their romantic pairing here may seem embarrassing rather than exciting. What's also awkward is that both too old for the silly incidents that make up the he-man vs. beautiful spinster plot: woman embarrassed by sexy dance in nightclub, people arrested by mistake, man thrown into fountain. The dumb joke of people talking at cross-purposes (respectable woman mistaken for party girl, men in adjoining phone booths not realising they are talking to each other) is repeated again and again. They are also too old to fall in love and decide to get married on the same night--by the standards of the time, Young, at 37, would have been, like Gable at 49, middle aged. And both are too old to be resolving matters with a knock-down, drag-out fight (Young with Marilyn Maxwell, Gable with Raymond Burr) that is very obviously performed with stand-ins. Two references to earlier Gable greats (Young plays "San Francisco" on the piano during a nightclub riot, Gable threatens to break a woman's bedroom door down, as he did in Gone with the Wind) are not cheekily amusing, just depressing reminders of much better movies.In a way, the worst thing about the movie is the way it exemplifies its time. It's so Fifties! Although Young has devoted her life to public service, Clark Gable just has to kiss her and she can't wait to throw over her career and start baking cookies. The lazy direction, lacking rhythm and snap, of this story full of holes, that invites us to laugh at grownups acting silly is typical of that patronising, anti- intellectual decade.On the plus side, there are some clever lines and a good cast of supporting players, including Raymond Walburn and Jimmy Gleason. I don't include among them Frank Morgan (the Wizard of Oz), doing his tongue- tied, fumble-thumbs schtick for the umpteenth time. Am I the only one who thinks he acts like a child molester?
edwagreen Clark Gable must have felt some nostalgia when he heard the song San Francisco played in this film. It certainly must have brought back memories of the classic 1936 film with that name with his co-stars Spencer Tracy and Jeanette MacDonald.On the other hand, we have a silly little film where Gable and Loretta Young play 2 mayors who meet and fall in love at a San Francisco convention. Along the way, they fumble into difficulty where they keep being sent downtown to the local jail.The movie would have even been better if they had concentrated on the political corruption that Mayor Fisk, (Gable) had encountered with a very corrupt Raymond Burr, the latter working for a terribly corrupt party boss.Of course, speaking of fumbling, Gable and Young do just that into falling in love. Clara Blandick, Lewis Stone, Marilyn Maxwell, and Frank Morgan provide ample support, but we essentially have an inane story here.
wes-connors Clark Gable and Loretta Young look MGM production perfect as they play two Mayors who meet at a convention in San Francisco. Mr. Gable is the rough one, ex-longshoreman Steve Fisk. Ms. Young is the softer focused Clarissa Standish. The well-named twosome clash, of course, during the Mayoral proceedings - but, can romance be far behind? It's an average film for the two stars. Recommended scenes: the "Balloon Dance" woman who loses most of her balloons, and the "Barroom Brawl" which follows. All that gets Young in trouble with her constituents. Notable also as Frank Morgan's final film. Gable tussles Mr. Morgan's hair. ***** Key to the City (1950) George Sidney ~ Clark Gable, Loretta Young, Frank Morgan
bbstrat Very good movie.Predictable at times, but many interesting characters and scenes. Very well directed and the filming is great. The outdoor shots are a real period piece of that era.The acting is very good,as well as the dialog in the screen play.You never really lose interest with the constant change over in characters. Raymond Burr is excellent as the 'bad guy' of the film. Some very good comedic moments with smart dialog. You really have to listen as it comes smartly and rapid fire at times.Even the predictable tension building scenario's are well done and believable.Great chemistry between Clarke Gable and Lorreta Young.I would watch it again. Really enjoyed this one...............................ML