Kind Hearts and Coronets

1950 "He chopped down the family tree..."
8| 1h44m| NR| en| More Info
Released: 14 June 1950 Released
Producted By: Ealing Studios
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.

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Reviews

BroadcastChic Excellent, a Must See
Aedonerre I gave this film a 9 out of 10, because it was exactly what I expected it to be.
Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
Patience Watson One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.
bregund I first saw this film thirty years ago and loved it then, and saw it again last night and my opinion of it has changed in the interim. I realize the main character isn't supposed to be likable, but the idea that he somehow "deserves" a noble title ahead of anyone else in the family has modern-day echoes of certain members of the younger generation who feel entitled to unearned privileges, a concept I didn't find objectionable until I hit middle age. This creeping sense of uneasiness worsened during the scene where the main character meets the parson, a kindly but doddering old man surely not deserving of Mazzini's hatred. I suppose this concept might have its modern-day equivalent in films like Saw, but even then the victims somehow deserve their bloody fates. The film is redeemed of course by Guinness's incomparable performances, proving that he was every bit a chameleon as Peter Sellars.
elvircorhodzic KIND HEARTS AND CORONETS is very tasty and satirical film. I will not be so much heed to the black humor, which is certainly present. I will describe as mentioned skilled British satire. Well, the film's main protagonist is a murderer. The secondary protagonist is each of the eight victims.Alec Guinness as eight members of the D'Ascoyne family: Ethelred "the Duke", Lord Ascoyne "the Banker", Reverend Lord Henry "the Parson", General Lord Rufus "the General", Admiral Lord Horatio "the Admiral", Young Ascoyne, Young Henry and Lady Agatha D'Ascoyne. He also plays the seventh duke in brief flashback sequences to Mama's youth. I do not want all the credit rewrite to him. Performance is unusual. Some roles are short, but they are quite impressive.The dialogues are perfect, in every moment you expect a gruesome joke. Impoverished and humiliated young man kills all your relatives (almost all), so that inherited wealth and the ducal title. There is a reason. However, the killings are so clumsy and humorous, and therefore the reason it sounds frivolous. This film for general wonder lack inspiration. I'll explain. I do not think anything bad. This movie can serve as an inspiration with with anything. After the film, remains a void in which extinguishes a slight smile. The narrative is a constant, monotonous and reminiscent of the confession.It is interesting how everything works with elegantly and flawlessly. Often you can fall into the trap and think that all of this is true.Dennis Price as Louis Mazzini is a young man, who made a entertains scheme of his own kills. Dennis Price in this role seems quite skillfully. His play with women is much more interesting. After all, can continue indefinitely.The story can be seen as a kind of contempt for the society in which they are pranks, lies and kills some kind of justification. However, great humor and satirical performances give the film a completely different picture.
Prismark10 Kind Hearts and Coronets is a morality tale and social satire combined into one. Although it is well known for the eight roles played by Alec Guinness, you will discover that some of the roles he plays are rather brief.Louis Mazzini is played coldly and rather understated by Dennis Price. He is the grandson of the Duke of D'Ascoyne whose mother married beneath herself to a singer and was exiled by her rich family and died destitute.Louis is toiling in a shop and ends up losing his job thanks to a D'Ascoyne and wants to get revenge against the pompous family. So he brutally bumps them off one by one and gets nearer to the line of inheritance and at the same time his social and financial status elevates.This film is one of the well known Ealing comedies which has a dark heart. In fact the film opens in prison as Louis is facing the gallows which indicates that he might had not got away with his plans. Even then there are further twists to emerge as Louis complicated love live threatens to derail him.Although Guinness grabs the headlines this is Price's film and he is well supported by a sly, witty and literate script.
Spondonman This is one of the finest if not the finest British comedy of all time, only thoughtful and ironic not slapstick and in-your-face - as black as I like black comedy to get. The Ladykillers from the same team later provided more in the way of slapstick. I've just read the comments from some of the haters on here and found them most illuminating – however kind words are more than criticisms in my case.A poor distant relation in a large rich family determines to get rid of all in the way of his succession to the family fortune by foul means. This involves the murder of eight Alec Guinness's which is taken to with gusto, and with some success. It was the urbane Dennis Price's finest performance, the one for which he'll be remembered, and coquettish Joan Greenwood played her heart out too. As for Guinness, his various performances have gone down in film history, although most of the collection were merely walk on parts. The plot and dialogue was incessantly erudite, witty and thought-provoking, the entire film sparkles with ingenuity. The attention to detail was total, and the elegant photography of it all by Douglas Slocombe was too. The American end version was interesting but unnecessary as the ultimate retribution was clear and clearly impending. The nword used was unnecessary but normal as part of the then popular children's rhyme and simply reflects back to us a time when white people could use that word unthinkingly; nowadays lovely premeditated obscenity and profanity is the accepted norm for all. The scheming Greenwood suggesting the possibility of the two dependent miracles to the scheming Price in the interview room are the money shots for me, it's the mesmerising logical culmination of the intelligent script.Imho it's almost perfect in every department and really beyond all criticism as completely in a league of its own as a unique work of Art.