Huievest
Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Myron Clemons
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Roy Hart
If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Nicole
I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
memebigboy-98803
Lady bird is a coming of age film it focus on lady bird and her mother and how there so different, the acting is good the actors know how to be funny and serious, the cinematography isn't good and the lighting is off, one of the plotlines is cliche and wasn't needed, overall go watch it you'll have fun
zellyblue
Please allow me to explain my rating system. If it is an independent film I give it five stars to start. If it is directed by a woman I add a star. If it is directed by a woman of color or written by women of color I add a star. If it is directed by a woman I add a star. If it Is directed by or by a written by a woman of color I add another star. Content matters. Anything concerning class,race, gender discrimination, trans gender discrimination , class discrimination, social issues discussed in a meaningful way, anything that passes the Bechtel test I give another star or two. Unfortunately this film was disappointing to me but I can see its appeal to others who have never seen a movie or a film that addresses anything meaningful. I have been watching independent films for decades. So this is a generous seven. Unfortunately in the previews I saw the funniest scene, talk about a spoiler, given away in the first two minutes of the film. The rest was a snooze fest. Still, congrats to everyone. No insults intended to anyone.
sharky_55
When Christine McPherson, or Lady Bird as she prefers to be called, discovers she has been accepted into Public Ivy UC Davis, she curls her lip in disgust; it's a mere thirty minutes away, when really she dreams leaving her nest and flying away to the Big Apple, or at the very least Connecticut. Her entire existence serves as an affront to the modest Sacramento, her style a personal rebellion. The only thing pinker than her streaked hair or prom dress is the cast she sports after flinging herself out of the car mid-argument in the opening vignette, in protest of her mother's parental suffocation. It's a wonderful scene of conflicting perspectives and overlapping dialogue, all timed to perfection by a mother and daughter each trying to get their own word in.It helps that Saoirse Ronan is capable of tuning into any frequency that the film calls for. In truth, she's better coy than cutting and sardonic anyway, as if you feel a huge weight lift off her shoulders in the quieter moments where she isn't keeping up the facade. When she's in the classroom trying to impress the 'cool' girls, her neck is craned forward and her eyes dart around to make sure everyone is hearing and seeing this. But watch her fumble through an approach to a potential crush (both times) and you see the self-consciousness cascade from inside her, and it feels real.In many instances it is the dialogue's authenticity that shines through, juggling the messy and often hilarious contradictions of a teenager's mind: Lady Bird and her best friend Julie throw dirty looks and scoff at the popular Jenna's petrol-guzzling land rover, only to rapidly switch tack and gush at how pretty she is. Later they are lying on their backs with legs up on the wall, munching on communion wafers ("They're not consecrated.") and barely holding in their laughter as they compare their delicate usage of shower handles. The camera zeroes in on this odd little vignette through an upside-down overhead shot, and it is the perfect encapsulation of the film's milieu, a lull in the day of a small-town Catholic school for two girls who only dream of graduation and beyond, and must meanwhile entertain themselves. Lady Bird fends off her micromanaging mum, all the while crossing paths with the usual caricatures, although Gerwig tries her best to sidestep expectations. Amongst them is queen bee Jenna (who's cooler than we expect, and plainer in her ambitions - not that there's anything wrong with that), first crush Danny who is eventually revealed to be gay, and second crush Kyle, who flirts the line between hilarious and infuriating with his constant posturing. The intention behind the mockery is to highlight the hypocrisy of the upper middle class, but Gerwig makes him too easy a punching bag, constantly sporting a cigarette (hand-rolled, naturally) and a Howard Zinn book but not a cellphone (although he whips one out to make detour before prom, further drawing attention to his phoniness). Then again, isn't he exactly the dreamy type that Lady Bird would fall for, only to look back on as Christine and groan as the audience does?Lady Bird believes she has already outgrown Sacramento, and merely asks for the room to spread her wings, but her mother, in a searing performance by Laurie Metcalf, only asks for her to be considerate. Neither are entirely in the wrong. The film's journey is an exercise in empathy building, for two women to slowly but surely see the other's perspective, like how she confronts Danny with a hostile expression but ends up as a shoulder to cry on. Or, after an underwhelming first time, the camera pauses to consider Kyle's father, who has worked his whole life to ensure that his child has a future to look forward to, and is now wasting away. Eventually, one must let go of her fear, and the other, her anger. Standing in New York, the centre of the world, she considers Sacramento.
Panagiotis Stavropoulos
Lady Bird is a coming-of-age drama/comedy which is so personal it immerses you to the character's frame of mind from minute one until the credits roll.