Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Bereamic Awesome Movie

Breakinger A Brilliant Conflict

Sammy-Jo Cervantes There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Matthew Stechel Really, really, really, really, really funny movie but man is it badly made. On the other hand its hard to make any movie good or bad so just the fact that anything gets onscreen is a downright miracle really...but seriously its not well made. The lead actress is very Tommy Wisseau-esque tho--her accent, but also her outsize over-reaction to anything and everything that's also in the scene with her. She's a wee bit over the top you might say. There's a grown woman playing a 5 year old girl here as well, as in she's actually supposed to be 5 and not a grown woman with the brain of a 5 year old...it doesn't make any sense, but i'm hoping it wasn't supposed to.There's a sequence that's set at a party that turns into a drug laced freakout/orgy that seems to serve no purpose other than to give the people in the movie who aren't the main actress something to do. Honestly nothing that happens in this movie makes any sense--it starts out trying to be a straight up revenge movie (this woman's sister gets killed and she comes to California to find the guys that did it) but somewhere around the lets say 20 minute mark, the movie turns into a woman on the run movie, and then it inexplicably becomes a love story--that part was actually the most believable because the actor who's playing against the lead actress is about as much an actor as she is--except where she goes completely and totally over the top, he's like underplaying every line--their love scene needs to be seen to be believed quite honestly. How this hasn't been rediscovered as an object of cult fandom yet is a good question--its definitely every bit as nuts as The Room, but somehow The Room is still unquestionably the better movie! (At least The Room has some resolution at the end of its plot!)

Woodyanders Cunning and deadly foreign beauty Linda Allen (a hilariously atrocious performance by Rene Harmon, who sports an adorable heavy German accent) arrives in Los Angeles to track down the evil mobsters who tortured and murdered her sister. Meanwhile, the mobsters try to find a tape with incriminating information on it. Plus Linda has to deal with both a nasty pimp and a crooked FBI agent who intends on killing her. Boy, does this deliciously dreadful doozy possess all the right wrong stuff to qualify as a real four star stinkeroonie: exceptionally inept (mis)direction by James Bryan (the same cinematic genius who blessed us with the similarly shoddy "Don't Go in the Woods" and "The Executioner, Part II"), uniformly terrible acting from a lame no-name cast, clumsily staged action scenes (the car chases, shoot outs, and especially the rough'n'tumble martial arts fights are all uproariously awful), a hopelessly muddled and meandering narrative, a simply astounding kinky swinging sex party (Rene suggestively sucks on celery stalks with a certain remarkably sensuous aplomb), poorly recorded post-sync dialogue, and a handy helping of gratuitous female nudity that's largely provided by dumpy and unattractive ladies with a few too many miles (and pounds) on them. The legendary Liz Renay, looking aged, pasty and chubby, pops up in all her sexy and uninhibited fortysomethingish splendor as a stripper who bumps and grinds for all its worth in a seedy nightclub. Max Reed's shaky'n'scratchy cinematography gives this tacky flick an appropriately ratty look. An absolute cruddy hoot.

udar55 Don't go into this one with visions of Sue Shihomi kicking in your head. This is a lame 70s action flick from James Bryan of DON'T GO IN THE WOODS infamy. Linda (Renee Harmon) arrives in Las Vegas and is immediately attacked by some thugs. She is searching for some list on microfilm that involves a pimp and everyone wants to kill her. Seriously, that is all I could make out of this film's plot. It runs a scant 76 minutes, but I often found myself thinking, "What is going on?" Harmon - looking like a low rent Chesty Morgan - has zee zickest Cher-man ackzent so at least her dialog delivery is entertaining. Oh, and she does throw some wild karate kicks, licks a phone, sucks on a celery stalk, and gets nude. Naturally, a film this bad demands I immediately dive into the rest of Bryan's work.

latherzap If director James Bryan never makes another movie, that's OK. He can rest on his laurels, having brought his vision to the screen in Executioner Part 2 and also with Don't Go in the Woods. AND, he also apparently sacrificed years of his life so that the rest of us could experience Lady Street Fighter. As was the case in EP2 and DGITW, the audio in Lady Street Fighter is dubbed, apparently having been shot with no sound. It's safe to say the actors were bad to begin with, but having recorded the audio afterwards seems to have helped make their performances even more atrocious.Plot involves an undercover female agent (with THICK German accent) assigned to kill a dirty FBI agent. The FBI agent has also been assigned to kill her. Attracted to one another, they have an affair in between car chases and shoot outs. Plot specifics aren't explained well at all, but I *can* tell you the movie is hilarious in parts. It really is terrible. Kookie music, bad dialogue, a hit man who seems to say "Get it?" after every other sentence. Awful, I tell ya. If you like bad movies, check this one out. It's hard to find, but hopefully it'll get a DVD release someday.