Twilightfa
Watch something else. There are very few redeeming qualities to this film.
Tyreece Hulme
One of the best movies of the year! Incredible from the beginning to the end.
Blake Rivera
If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Horst in Translation (filmreviews@web.de)
"Lambert & Stamp" is an American documentary movie from 2014, actually April 2015 if you don't count Sundance and stuff. It was directed by James D. Cooper and focuses on the early years of the band The Who. The film runs for almost 2 hours, so it is pretty long and I cannot deny I felt it had some lengths as well. According to IMDb, the main language here is German, but I don't think this is correct. At least the version I watched was almost nothing but English-language and German also wouldn't make much sense looking at who this is about, who gets interviewed and, last but not least, who made it. The people in the title were both film producers, both dead now sadly, Stamp only for 5 years, but Lambert already for several decades. When they were trying to make a new movie, they came across the band "The Who" in the very early stages of their existence, even under a different name back then and we see the impact these two filmmakers had on Daltrey, Townshend and co back then. The interviews with these music legends were also the somewhat only thing I found kinda memorable about this documentary. I would call myself not really a fan of The Who, but there are some songs by them that i like quite a bit. But if you watch this with the approach of becoming a fan, then it probably will not be successful, even if you know and like them already a bit before checking out this movie. On another note, the Stamp mentioned in the title here is indeed the brother of British actor Terence Stamp, somebody that I like quite a bit. But not even this affection was enough for me to end up enjoying this pretty overlong film eventually. I give it a thumbs-down. Not recommended.
jdesando
Who are The Who? They're Kit Lambert and Chris Stamp. Of course, you first come up with the names Pete Townshend and Roger Daltrey because they actually play that wickedly-good rock. However the first two names in this essay are the founders of The Who, filmmakers with a dream to make a rock documentary but sidetracked into managing one of the best rock bands ever.Director James D. Cooper hits the right notes: plenty of talking head from handsome, articulate Chris Stamp (brother of famous Terence, who appears with commentary), entertaining clips from the band's early years, and a thriller of a break up story (almost required of all rock band stories, fact or fiction). Never could anyone be bored with such a complex, fascinating rags-to-riches tale.Pete Townshend, not much to look at as a young man but distinguished now with a naughty glint, gives as much as Stamp, especially when we try to understand the dynamic that led to the breakup. Although the posh Kit Lambert, whose dad was Constant Lambert the maestro, was an intrepid entrepreneur, he pushed himself to early death with cigs and drugs. During the growth times, however, he pushed the band into unknown territory. As did the better thinker, Stamp.Although Kit Lambert died before the making of this doc, he is so carefully edited in as to make it seem he was here all the time. Stamp is especially effective as we are taken through the creation of the mega-hit rock musical Tommy and the release of Lambert & Stamp from the organization. The Who buying Shepperton Studios, where the founders met, is a nice piece of irony. Lambert's brainy discussion of class and youth with its manifestation in the "mod" era directed by the youth of London elevates the documentary from curiosity to demanding to be heard to understanding the wild youth of London.
David Ferguson
Greetings again from the darkness. Considering myself a big and long-time fan of the rock band The Who, this documentary from first time filmmaker James D Cooper caught me off-guard with the surprising amount of detail and behind-the-scenes insight into how the band broke out from the dingy club circuit to a world of gold records, massive arena shows, mansions, and international acclaim. The answer is in the title: Kit Lambert and Chris Stamp.Unless you are a Rock Music historian, these names are probably new to you. Lambert was the son of renowned British composer Constant Lambert and had a "proper" private school upbringing, including an Oxford education. Stamp, the brother of actor Terrence Stamp and son of a tugboat captain, was the polar opposite – blue collar family with a street-wise education. This odd couple bonded over their love of French New Wave films, and decided to create their own film project to capture the restlessness and rebellion of British teenagers in the early 1960's. Their idea was to film a band that captured the essence of the times, and this led them to put off the film project, and instead manage and mentor a group of "unattractive" mods known as The High Numbers … soon to the The Who.Much of the film is dedicated to interviews of the survivors. Pete Townshend and Roger Daltrey from The Who, seem quite complimentary in their recollection of the influence of Lambert and Stamp, as well as the band's late members Keith Moon and John Entwistle. Since Kit passed away in 1981, the bulk of the interview time goes to Chris Stamp, who is unabashed in his respect for Lambert and how their differing styles but single vision helped drive the band's development through some pretty lean early years. Stamp passed away in 2012, so his interviews and recollections helped capture a time that would otherwise be little more than newsclips and home movies. His memories are a treasure trove for an era.The film opens with a perfectly placed 8th century quote from Hesiod. This band of misfits and outsiders was being managed by two fellows who were equally misfit – the result being musical genius and never before seen stage theatrics. There is a segment with Townshend and Daltrey conversing about drummer Keith Moon that drives home the frustration and sadness that these two felt towards their bandmate, who was an exceedingly troubled man (Moon died in 1978 at age 32). When Townsend says "Keith Moon wasn't a drummer … He was something else". We know exactly what he means.Director Cooper does a really nice job of keeping the focus on the two men behind the band, rather than the four lads on stage. We all know the music. We all know the tragedies. What we weren't aware of is how Lambert and Stamp managed this band to reach the huge heights of success … and this theme is never lost. One of the most fascinating clips has Townshend playing an early and very rough cut of a song that he is working on for the two managers. He is begging for their input and suggestions – a level of openness we rarely glimpse from artists, and one that clarifies just how much impact the titular characters had on the band … right down to the songs and the stage act.The film is a bit tough to watch at times what with all the quick cuts of photographs and clips … kind of dizzying and distracting. That reaction is probably a result of this being such a non-traditional … actually quite unconventional documentary. It is by no means a retrospective or tribute to The Who. Instead, and much more impressively, it's a rare look at the fearless approach of two British gents who set out to make a statement on the times, and instead helped create something timeless.
sufield-39848
This film will draw you in and touch your heart as it exposes what it means to live your dreams. A beautiful exploration of the visions and fires that brought the legendary band, The Who into being. Two young men from different beginnings find a common vision to create and break free from their origins. The charming and bold duo, Chris Stamp and Kit Lambert, remind us what it is to be young and believe in no limits. Genius and madness mix as six incredible talents come together and inspire generations through the universal language of music. In a brave undertaking, director James D. Cooper elicits poignant and fascinating interviews from those who remember this incredible journey. His connection and understanding of these men keeps us engaged and wanting more. It is a universal story of passion and frailty. The lyrical editing and incredible soundtrack complete the picture leaving the audience satisfied and hungering at the same time. A film that will stay with you long after you leave the theatre.
