TrueHello
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Hayleigh Joseph
This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.
Jemima
It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.
jcnsoflorida
I'm an American w/ some familiarity w/ Antwerp and I enjoyed seeing it on film. The influence of Rosemary's Baby is obvious. While this is not in the same league, it does have some things going for it: good photography and music and 2 good leads: Schoenaerts and Eline Kuppens. (I'm not sure how good Schoenaerts is but he's nude 5 minutes after it begins so I can forgive a lot.) Probably the weak link here is the screenplay. The ending makes no sense whatsoever but getting there was enjoyable enough that I didn't much care. Atmospherics, mood, that kind of thing can be incredibly important in a film and Left Bank is quite good in the mood department. It helps too, of course, that the film is anchored by 2 strong performances.
dbdumonteil
The Val Lewton productions were the first movies which introduced unusual things and irrational into daily life :best example remains "the seventh victim" directed by Mark Robson in 1943;both Polanski's horror movies "Le Locataire" aka "the tenant" and Rosemary's baby -here the major influence- are part of THAT tradition too.And most amazing thing,Belgian Andre Delvaux's works mix dream/nightmare with a disturbed reality too.The black and white documentary Marie watches has something eerie ,something irrational ,something frightening ;the people's face are bizarre,almost threatening:how not to think of this little odd film Yves Montand and his mates watch in a tiny movie theater in an (imaginary?) village."Left Bank" takes place in the wrong side of town ,a vague curse hangs over this place -like the Bradford building.A series of bizarre warnings,of mysterious disappearances ;Marie is like Alice,she is on the other side of the mirror .Bobby is an athletic self-assured boy he's got nothing of a Guy Woodhouse.And her Mamie is no Minnie Castevet either.And however,Marie is more and more alone except for the short moments she shares with Dirk (who plays more or less the part of Hutch).When the movie begins ,Marie is a well-balanced girl ,isn't she a race champion?Her rational world is going to crumble as she begins to suffer physically and mentally.Events which happened a long time ago seems to happen again (or to be about to happen again).The sun rarely shines on this "black hole" .The scene in the cemetery is so dark the picture seems to be black and white.SPOILER.In fact ,the only really luminous scene is the birth.As Beth Gibbons 's magnificent "mysteries" -an exact equivalent of Rosemary's lullaby- fills the air,a long tracking depicts the urban landscape -another subconscious ? tribute to Polanski."Linkeroever" has something deadly ,something demonic ,a movie which leaves questions unresolved ;no horror and fantasy buff can be impervious to its charm.
Coventry
My beloved Belgium country hasn't got much of an impressive history when it comes to horror cinema, but at least there have always been enthusiast and visionary directors that tried to make a difference. Back in the 70's there was Harry Kümel (whose movies "Malpertuis" and "Daughters of Darkness" are highly desired and acclaimed cult-collector items nowadays), then there's Jan Verheyen (who also hosts horror movie screenings on Belgian TV) and since recently we have Pieter Van Hees. Van Hees is an extremely devoted fan of the genre, as it is illustrated in his absurdly grotesque and engrossing short movie "Black XXX-Mas" as well as in this slow-brooding and atmospheric thriller "Linkeroever". The title literally means Left Bank and refers to a very well known living area in Antwerp. It's a reputedly "troubled" area since the Middle Ages already, with dark historical secrets and mysterious inhabitants, and thus the ideal setting for a sinister story. Marie is a young and talented but introvert athlete who suddenly falls ill and gets forced to cancel her participation in a prominent European tournament. She moves in with her new boyfriend Bobby and, mostly out of boredom, begins to investigate the mysterious unsolved disappearance of the previous tenant. I don't want to reveal too much about the complex and extremely unsettling story, but the script hints at horrific elements such as human sacrifices, reincarnation, pagan rites, excommunication, witches and super massive black holes. "Linkeroever" is basically a typical folklore tale, but set in a present day social environment and decorated with style & content elements that are borrowed from similarly-themed international horror classics like "The Wicker Man", "Blood on Satan's Skin" and "Rosemary's Baby". Pieter Van Hees generates a depressing and constantly grim atmosphere through simple tricks (autumn weather conditions, pauperized living areas…) and patiently takes the time to unfold the story and draw detailed character portraits. The denouement isn't that difficult to predict – especially not when you have experience with occult horror – but it nevertheless evokes a handful of genuine chills and nightmarish afterthoughts. Considering the fairly low budget and overall tense ambiance of the film, you shouldn't hope for a lot of bloodshed, though. Van Hees could rely on a professional crew as well. The photography, editing and musical guidance are damn close to brilliant and, following good old Belgian traditions, the film contains several dared but tasteful and quintessential sex sequences. Eline Kuppens is simply fantastic in her screen debut and she carries the entire motion picture like it's the easiest job in the world. She's a natural beauty with the talent and perseverance to make it even in the international film industry. Kuppens receives excellent support from the handsome young actor Matthias Schoenaerts and a couple of Flemish TV-screen veterans like Marilou Mermans, Frank Vercruyssen and Sien Eggers. Recommended for anyone who can speak the language and fundamental viewing for all Belgian film freaks.
Raf Cole
OK, Just seen this movie with a couple of friends... Let me just say up front that if I knew this film was as it is, I wouldn't even bothered to go. Me and my friend literally were debating of leaving the cinema.But some things about the film first, I knew the basic outlining of the film... Nice quiet place called Linkeroever has a nasty history, can be made good in anyone's book I reckon. But as we see with so many movies. A good idea just isn't enough when not properly worked out. There are no actors in this film (or only bad ones), bad script, bad editing , bad music , ... Can't say one good thing about it actually (except maybe for the funny - out of this world - love scenes throughout this picture )My advice, see something better !!
