Tedfoldol
everything you have heard about this movie is true.
Janae Milner
Easily the biggest piece of Right wing non sense propaganda I ever saw.
Aneesa Wardle
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Kamila Bell
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
leonblackwood
Review: This film is awful! The storyline is all over the place and I totally lost interest after a while. I think that it's about a novelist who is due to bring out his second book. After the success of his first novel, his ego is boosted to a point were he is rude to people, including his girlfriend who is also a established photographer. I understood the movie up to that point but the director took the plot down many avenues which became confusing. I ended up falling asleep a few times because I was completely bored and I hated the way that the movie was shot. You've got this annoying jazz music throughout the film and the narrating just brought more confusion to the whole project. I would have been able to put up with tone and pace of the film if it was slightly funny but I really didn't find it amusing at all. At the end of the day, it really has to go down as a bad day at the office for Jonathan Pryce and Jason Schwartzman, who usually make good movies but this one was really boring and a total disappointment. Rubbish!Round-Up: I can't believe that I wasted 2 hours of my life on this poor movie. The movie was directed by Alex Ross Perry who brought you Impolex, The Color Wheel, The Sixth Year and Queen of Faith, which I have never heard of before. I wasn't that impressed with his style of direction or the grainy camera-work which became annoying after a while. The acting wasn't bad from Schwartzman, who was great in Saving Mr. Banks and Darjeeling Unlimited but this film was a terrible choice. I'm sure that the director has quite a few fans of his work because he does have a unique style, but I really struggled with it. Jonathan Pryce, who recently joined the Game Of Thrones series, was a complete waste in this film but he obviously found something interesting in the script to take on the project. Anyway, I think you can tell that I really didn't enjoy this movie so I will stop putting it down.I recommend this movie to people who are into their comedy/dramas about a novelist who seeks inspiration from another author, to bring out his second novel. 1/10
comicman117
Listen Up Phillip is a very pretentious movie. It's not a poorly made movie, but it gives me the feeling that it's trying to be more than something it is. Listen Up Phillip tells the story of aspiring author Phillip Lewis Friedman (Jason Schwartzman) who has just published his second novel. He wants to leave his adopted home city, and his relationship with his girlfriend, Ashley (played by Elizabeth Moss) is falling apart. When his idol Ike Zimmerman (played by Jonathan Pryce) offers him a chance to live with him at his isolated summer home, Phillip takes this opportunity to get some peace and quiet to focus on his favorite, and most important subject, himself.The main character of Listen Up Phillip, Philip, is intentionally unlikeable and it's very hard to root for him. In some stories, unlikeable main characters change throughout the course of the story, but in this story, Phillip not change from beginning to end. Although I feel this is intentional on the director's part, if the protagonist was even meant to be relatable character at all, as the movie's narration suggests, then I believe the film failed in that regard.Elizabeth Moss is pretty darn good as Jason's girlfriend, Ashley. She has all the right ingredients: she's full of emotion. Jonathan Pryce does a good job playing a messed up author, Ike, in a somewhat predictable role. Props to Krysten Ritter, especially, as Ike's daughter, who really gives us her all as an unhappy character. Also of note, is French actress, Josephine de La Baume, as Melanie Zimmerman, a woman Phillip starts dating at the end. Unfortunately, their relationship is underdeveloped, and somehow I was left feeling she was supposed to be more of a major character.One of the better things I appreciated the film for, is how, despite the title, Phillip isn't the only character that gets some perspective. There are a few scenes, halfway through the film, where we see things from Ashley's viewpoint. There's even a sequence where she's talking to Phillip at a restaurant and we can only hear his voice, not see his face. There are even scenes where we are shown the perspective of other characters, Ike and Melanie, and we are given their thoughts on what they are thinking during those scenes.There are some shots that I liked, too. The title sequence reminds me of a title sequence from the 70's and 80's, and I appreciate Eric Bogosian's narration (the opening almost made me think I was watching a documentarian for a second) describing the characters and their feelings. There's also a nice sequence where Phillip is driving the car which features some low-key jazz music in the background. While Listen Up Philip is not a film I would rush out to see again, it was enjoyable.
george.schmidt
LISTEN UP PHILIP (2014) *** Jason Schwartzman, Elisabeth Moss, Jonathan Pryce, Krysten Ritter, Josephine de La Baume (Narrator : Eric Bogosian) Schwartzman had a field day in his best performance since RUSHMORE as an angry, egotistical, mean-spirited and obnoxious NYC writer who finds life pretty much unbearable in spite of his recent success in the publication of his second novel. Along the way he is befriended by a fellow, mellower misanthropic author of well-reknown (Pryce equally giving snide goods) who offers his mentorship - and country home - for his young charge to use in his writings and in the process destroying his most recent relationship with an ambitious photographer (Moss marveling in a complex and winning performance) amidst his selfishness. Filmmaker Alex Ross Perry's nimble direction and clean screenplay has its share of the impossible made possible : having a jerk protagonist actually be sympathetic while not compromising his unique arch demeanor.
Liam Blackburn
That would sum this one up right there. It begins in a nebulous fashion, with a half- impression of what could be a character. It then begins to gather some steam on the strength of some well-timed comedic moments. Philip's relationship with his mentor is especially poignant. Then about halfway through, just before he starts his new relationship, the story loses steam. It was ebbing and flowing in small climactic patterns up until that point. You lose touch with the character Philip, and he just stops being interesting. Had to fast-forward at that point, to just about the very end....where it continues to be boring. His final encounter with his ex, reveals that she is happy having a cat instead of Philip. Wow. What drama... This movie fails.