Little Boy Blue

2017
7.8| 3h10m| en| More Info
Released: 24 April 2017 Released
Producted By: ITV
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

Based on a true story that shocked a nation, this powerful four-part factual drama, from BAFTA winning writer and executive producer Jeff Pope (Appropriate Adult, The Widower), centres on the devastating impact on a city of an innocent child’s murder amid a wave of gang violence. In August 2007, while walking home from football practice in his England kit, 11-year-old Rhys Jones was unwittingly caught in the crossfire of a gang war. Shot in the neck outside the Fir Tree pub in Liverpool’s Croxteth, he died in his mother’s arms. Made with the support of Rhys’s parents, Melanie and Steve, Little Boy Blue explores their ordeal and looks at the agonising dilemmas of witnesses faced with becoming pariahs for speaking up. It tells the story of the long and extensive investigation, led by Merseyside Police SIO David Kelly, that eventually brought Rhys’s murderer and his associates to justice.

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Reviews

SpuffyWeb Sadly Over-hyped
Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Janis One of the most extraordinary films you will see this year. Take that as you want.
kitellis-98121 An utterly captivating drama, perfectly executed over four episodes with not a single flaw to be found.Top-notch writing, precision directing, exemplary performances from the entire cast, seamless editing, with music and cinematography that intelligently don't make themselves noticed (so nothing showy or artsy, just excellent scene-setting) perfectly paced with an overall sense of all-round good storytelling.Every moment of this true-life drama was suffused with authenticity, integrity, and verisimilitude, with no audience manipulation to be detected (which doesn't mean it wasn't there; just that it was artfully and subtly done). This is a rare gem that is worth watching more than once, although the subject matter is grim. Top marks.
jarrodmcdonald-1 There are two sides to every story and this production does not present them. In fact there are three main plot strands-- one involving the victim's family, one involving the lead investigator, and one where the perpetrators and their crowd are lumped together. But all these plots are set up to make the viewer feel sorry for the victim's family. I guess that's understandable given the nature of the main crime but it does not really give us an unvarnished look at society like it should, or why this situation happened in the first place.I would have preferred to see the story a bit from the point of view of the boys that where charged, as well as their families. All the lower class characters in this tale are presented as untrustworthy and unreliable, out to cover things up. There is no sympathetic rendering of the struggles they face; not even the mothers are presented in any kind of sympathetic light. One of the mothers ultimately does the right thing and tells the truth in court, but then a lawyer quickly tries to discredit her statements as false because she's supposedly a known liar.As for the detective assigned to the case, we are told at the end he became friends with the victim's family. So obviously all scenes in which he appears are going to be slanted to make him more heroic and to make his female superior look like a villain.The production itself is too long. Four full hours is way too much to devote to this story. Each of the four one-hour installments I watched had at least 15 minutes that could have been cut. Meaning this could have been told in a much more compact three hours if the narrative had been tightened. In the first installment we get shots of the victim's mother carefully ironing and putting clothes in her son's bedroom drawers. We also see her and her husband discussing what color to paint a living room wall. As well as lingering shots of soccer balls in the backyard. Tedious and a waste of screen time that had nothing to do with the key issues of the story. In the second and third installments there are countless scenes of the police reviewing the video footage of the killing with nothing new being figured out or added to the story. A montage or lap dissolve compressing these non-events would have been sufficient. The third installment has lingering shots of the police on their computers-- at one point the director and editor cut to a shot of a keyboard as a police officer debates typing something. Why? There's no real reason for all the wasted screen time. The filmmakers do not seem to know how to tell the story more expediently. It's like their primary goal is to just fill up screen time.There are also a lot of long tracking shots, meant to convey realism. Some of these work rather well. Especially in the first part where the victim is killed and we have a nearly two-minute shot of Rhys' mother leaving the house and going to the car park. But after a while these long tracking shots are an artistic nuisance. In some cases you can tell the actors have to wait to deliver their dialogue because they're walking ahead of the camera crew waiting for the microphones to catch up to them so their dialogue can be audibly recorded. As a result we get a very stilted and very labored presentation of a story that is entertaining only in how transparent its biases are and how transparently artistic the people behind the camera are trying to put this over on the viewers.
little-lou1984 I remember when Rhys was shot, the incident this drama is about, and it was an awful event and anybody who was aware of the case at the time will have no surprises with this drama. There was plenty of controversy over the whole event from poor Rhys' death, his family's strength, the age of the killers and the frustrating and seemingly all encompassing hurdle of getting witnesses to "grass".All of the above is covered sensitively and, with the Jones' giving their input to this drama, a fair degree of accuracy too. You obviously feel for the victim and his family but this drama also shines a light on peer pressure, the difficulty of getting someone to agree to be a witness due to the stigma and dangers of being a " grass" and the shameful enabling and apathetic attitude of some of the suspects' parents.Whether someone is aware of the case or not this is an interesting, gripping and emotive drama. You can't watch this and leave it not feeling anything. Utterly heartbreaking. RIP Rhys Jones.
Paul Evans This is absolutely heart braking to watch, I defy anybody to watch this without shedding a tear. Based on the tragic real life events of young Rhys Jones, and his horrific and tragic murder. I understand that the parents of young Rhys were involved in the production of this drama, and I think that definitely helps with the grit and realism of the show, it doesn't feel like it's been sensationalised at any point, it feels very realistic.Fantastic performances all round, I have forever been a fan of Stephen Graham, but he has gone up a notch with this, he's proved what an incredibly powerful actor he is.It's tough viewing, and I've watched every episode in tears, but it's a story that is worth seeing, what that poor family went through. The scenes in Goodison Park are among the most powerful I've seen in years.9/10

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