Living Doll

1990 "Wanted Dead or Alive"
5.5| 1h32m| en| More Info
Released: 01 February 1990 Released
Producted By: Spectacular Film Productions
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

Howard, a shy morgue worker, falls in love with a girl who ends up in the morgue, but he doesn't let that stop him. Howard has a secret - he is in love with Christine. There's only one problem, Christine is DEAD! A grave was no place for Christine, the only place for her was at Howard's side. At last she was his, his to dress, his to feed and to care for.

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Reviews

Bardlerx Strictly average movie
Freaktana A Major Disappointment
2freensel I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
EVOL666 LIVING DOLL doesn't live up to some of the other necrophilia-themed horror films in terms of sleaziness or "graphicness", but I personally found it enjoyable, despite it's flaws. It's no NEKROMANTIK or anything - but I got a kick out of it...Howard is mildly obsessed with Christine, the girl who runs the flower stand in the hospital that they both work at. Christine already has a boyfriend and hardly knows that Howard exists. When she dies following a car accident - Howard decides now is the perfect time to get to "know" her a little better...LIVING DOLL is not a very graphic film, though there are a few gore scenes, and the decaying corpse make-up FX are top-notch. This film reminded me more of a Frank Henenlotter type of film, but with a more "serious" tone. I think that watching Howards sanity decay at the same rate as his new "girlfriends" corpse, is an interesting thing to behold. My only gripes with the film is that there's no even slightly-graphic necro-action, as the story is more centered around their (or I should say, Howards PERCEIVED) "relationship" - not the sexual aspects of it. That was a let-down as I feel that any proper necro-film should have a good "shock" sequence in it. The other thing that I found somewhat distracting, is that this is a British film that did some very short filming in New York - and is obviously supposed to be set in the States, but the actors are obviously Brits and have a hard time deciding what accent to use. Not a huge problem - just a minor annoyance. Personally, I recommend this one, but I don't think everyone will dig it as much as I did. I think it's going to be considered too "un-graphic" and tame for those that are expecting some hardcore necro-sickness...8/10
Steve Nyland (Squonkamatic) Sort of a disappointment here from the usually stellar Mondo Macabro, who made an excellent DVD of a movie that is just sort of OK. LIVING DOLL is an updating of the story ideas realized so vividly in the 1972 Eurohorror classic HUNCHBACK OF THE MORGUE with Spanish horror star Paul Naschy, amongst other sources. Man who works in morgue encounters hot babe, falls in love from afar or other position of being unable to fulfill his longings, he witnesses a cruel brutalization by someone who should be caring for her, she dies tragically & turns up as the next case on his slab the following morning. Oops.Mark Jax plays the twenty-something slacker who takes his obsession with the gorgeous female in question too far by probing into her apartment and (apparently) hallucinates or imagines finding a note that says she suffers from a rare neurological condition which may render her inert and deathlike in appearance. So like Naschy's Gotho the Hunchie, he digs her up, takes her home and props her up on his couch with a blanket to keep her warm. Meanwhile she's really dead and the body starts to decompose while Jax imagines himself having conversations with the girl, and they start having a relationship of sorts.Much of the film "works", including the pretend NYC environments which give the film a claustrophobic look where walls, ceilings and the trappings of life always seem to be filling in the background. Living in NYC is very compartmentalized in that one spends their day going from one box to another, riding on or in boxes shuttling one to additional boxes, and eventually you go back to your own box which is only yours because someone allows you to mess it up. I liked the Eartha Kitt landlady role, the part of the slacker buddy who gets sidelined by Jax' strange new girlfriend, and the decaying body scenes were appropriately revolting. But for me the best moment in the movie was when he gets pulled over by the cops (driving his Trans Am, yeah right?) after digging his beloved's corpse up. The policeman lets him go with a stern comment about needing to have his headlight fixed. There was abundant nudity, some nice slashes of ultra-violence, and a macabre air to the film that was at odds with the 1990's production values, which are actually rather high for such a project. This movie was very well made.The problem is that the story never really gets involving: We watch Jax on his slow descent into madness but are never really anything more than witnesses to a bizarre obsession. HUNCHBACK OF THE MORGUE is over the top, energetic and frenzied in it's blasts of graphic gore, sexuality and macabre touches, some of which seem alluded to by individual moments seen in LIVING DOLL. But the lead character is so blasé, unconcerned and unable to deal with the crisis that develops that his predicament is always held at arm's length. Jax plays his role as if he were in CLERKS, and merely demented instead of the deranged psychopath that the movie calls for. The film also seems preoccupied with the need to be respectable even while being revolting, a very British trait and again at odds with what could have been a really sleazy, sensationalistic descent into the gutters of a NYC hospital morgue. Instead we get a taste of trendy slacker life in NYC ala 1991 & what really is just another weird, dysfunctional emotional entanglement between two mismatched lovers. The dead body could have been a blow-up doll and the film would have generated just as much intrigue, perhaps more.So yeah, for once I am in total agreement with the consensus: LIVING DOLL might be an interesting rental diversion to check out but it certainly isn't one that I'll be watching again anytime soon, which is sort of the whole idea behind lower budgeted 1990's horror movies in the first place. This one was meant to be on the racks of rental shops & you'll not be doing any harm to yourself by renting it once and then having it returned there for the next victim. It is a commodity rather than a statement, and HUNCHBACK OF THE MORGUE deserves the same kind of restorative treatment when anyone feels like getting around to it.5/10: "Myehh."
pj75pj75 Infamous schlock producer Dick Randall's last film (or last released film, anyway) turns out to be a surprisingly good and grim little horror yarn.Medical student Howard falls in love with the girl who sells flowers at the hospital where he works. She barely knows he exists. Then one day a body is brought into the morgue and Howard has to assist in the autopsy. Only too late does he realize it's the lovely Christine herself laid out on the cold slab. How this shock affects his already delicate mental balance and what he does to deal with this terrible state of affairs makes this a highly diverting outing for fans of the macabre Mark Jax is great as the disturbed Howard. He never once camps it up and plays even the most ridiculous moments straight. The SFX and make up on the mouldering corpse are excellent,. The plot takes plenty of surprising turns and the final sick twist raised a smile or two.Great news that this will soon be out on DVD – and in an extras packed special edition.If you like big studio, star-filled extravaganzas, then this is not for you. But if you're looking for something out of the ordinary, you'll not be disappointed.
DocEmmettBrown Here's a premise for ya: A morgue attendant, who's obsessed by a beautiful girl, soon finds her on the slab after a car crash, he takes her home where he creates a fantasy world in which she is alive and co-habiting with him, eventually leading to his total mental breakdown and destruction. Sounds intriguing doesn't it? WRONG! This film is a perfect example of a fair premise let down by totally uninspired film making. Instead of an interesting character development plot, what we are presented with is a film based almost entirely on a man coming in and out of his apartment, making excuses to people, and occasionally talking to or hiding a phony corpse. But at least the performances carry it through right? WRONG! Some of the most mind numbingly poor performances by any actors I have ever seen (just check out the girls meathead boyfriend) and not even in a laughable way, just in a truly 'couldn't care less if they all died' kinda way. It says a lot when one of the stronger performances is from Eartha Kitt! If you really need to complete guy falls in love with corpse film collection then do yourself a favour and fast forward most of the middle of the film, only the mildly deranged ending is worth the entry fee. Though it does have a great closing line. File under: mild curiosity.