Diagonaldi Very well executed

Inclubabu Plot so thin, it passes unnoticed.

Grimossfer Clever and entertaining enough to recommend even to members of the 1%

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

MartinHafer Although Joe E. Brown was pretty popular in the 1930s, I have never been a huge fan as too often his character has been pretty hard to like. Too often he played cocky characters--ones you really DIDN'T want to see have a happy ending. Films like "Alibi Ike" and "Elmer the Great" present Joe as a blow-hard--which is interesting, as these are two of his more popular bigger movies. Now this does not mean he always played this sort of guy--but it was very, very common. Here in "Local Boy Makes Good", fortunately, he's very likable--the sort of guy you pull for and want to succeed.Brown plays a nerd. He's very bookish, loves botany and wears thick geeky glasses. Other college students make fun of him and girls pretty much ignore him. However, his quite world is thrown for a loop when two girls come into his life. His pen pal (Dorothy Lee), decides to come watch him at the next track meet. The problem, however, is that he's NOT an athlete and he lied to her about this to impress her. His new co-worker (Ruth Hall) obviously likes Joe but he doesn't notice. She likes him enough to try to help him and suggests he goes out for the track team. He's in big trouble because an errant javelin he threw nearly gores the star of the team. And when the star of the team chases him, he runs so fast that the coach is convinced Joe will be their next star. But, when the coach and players look for him, Joe hides--he thinks he's in trouble and they want to beat him up! Eventually, they find him and convince him they DON'T want to hurt him and offer to put him on the team. And, in the mean time, Lee arrives and helps them convince Joe to join. It seems that she's quick to forgive him for lying and is still quite impresses...even though he's a mild-mannered geek. Can Joe make good on the team? And, which girl will get Joe--the popular pen pal or the sweet co-worker? Overall, this is a very enjoyable film. While it's not among the funnier films of the era, it is a nice film--with very likable characters. My only complaint is the scene following Hall kissing him--it did seem WAY overdone. Still, it's a nice little film from start to finish.By the way, Dorothy Lee is a familiar face if you have watched some Wheeler & Woolsey films. This high-pitched lady appeared in nearly all of the team's films as Wheeler's love interest--and they sang a lot of duets together. She was quite cute, though apparently rather humble--as she once said she had no idea what people saw in her in these films! FYI--I just checked her biography and was surprised to see that she was married six times...yikes.Also, while you might look at Brown and wonder why they cast him in the film in a role playing a star athlete, he actually was amazingly talented when it came to sports.By the way, they were able to sneak one past the censors on this one. Again and again, Joe referred to a plant he was working on--the 'Zinnia Coptafeel'. I wonder how many people understood what he was saying here?!

normvog Despite the other reviewer's opinion, as far as pathos goes, this is easily one of Joe E. Brown's best films, and easily outshines "The Freshman" (which, imho, was one of Lloyd's poorest films).We've all been in situations where we're afraid of something/someone, and have to meet it, face it, if we are to move ahead in Life. Brown is the Every Man in this film, and we can all identify with him. (Much moreso than Lloyd).Dorothy Lee & Ruth Brown are (as they would say in the 30's)"easy on the eyes", as well (!) and it's interesting to hear Lee talk about "sex", "libido", etc back then.

Ron Oliver A LOCAL BOY MAKES GOOD when a shy botany student joins the University of Ohio's track team to impress the beauty queen he idolizes.Comic Joe E. Brown does the best he can in this not-very-funny collegiate comedy, going over the same ground Harold Lloyd plowed to greater effect during silent days. It is not Brown's fault, the script is almost unrelenting in denying him any significant laughs. Not until the final sequence, when Brown must prove himself at the big track meet or forever live in ignominy, does he come into his element - with the help of a pretty girl's kiss and a strong shot of alcohol. Even the intensely annoying rear screen projection cannot destroy the fun of watching Joe ham it up.Dorothy Lee, temporarily escaped from Wheeler & Woolsey, plays the girl of Joe's dreams. As ever, she is kewpie-doll cute and it is great to see her, but her role as a psychology student desperate to engage with Joe's emerging libido is rather bizarre and a bit risqué. Easier to swallow is lovely Ruth Hall, the coed who admires Brown in silence. Edward Woods is Miss Lee's bullying boyfriend who can't wait to dig his spikes into Brown's flesh. Edward J. Nugent plays the team captain who befriends Joe after witnessing his remarkable sprinting ability.Movie mavens will recognize Maude Eburne as a sympathetic maid.

Oskado The plot, the budget, the playtime - even the slapstick - are modest in scope. As a result, the lead four actors and a camera with wonderful eye had what seems to me a "hands-free" opportunity to actually act and create a work with poetic charm. Joey and co-players are young, attractive, and exuberant, and share their humor with us across a gulf of seventy years. But that humor's consistently the stuff of which good comedy is made: incongruous play with high-tone ideas (Freudian dream analysis, botany), and characters battling their way through seas of foibles, inhibitions, mistaken word choices, vanities, and longings for things totally inappropriate. From works like this evolved - to my mind - all the better comedies to follow, from My Friend Godfrey, to the Pierre Richard films, the best of Albaladejo and his superb team, Shall we Dansu, Woody Allen's best works, Mad, Mad, Mad, World, or films like The Loved One, or Christmas Vacation. This may be a low budget film, but its ideas are not cheap - they target a common, human soul riddled with weaknesses and self-doubts we all share. And wow! Did I like Joe E. Brown and his fabulous colleagues in Midsummer Night's Dream - what a treasure.What a shame Hollywood all but dropped the baton - trading delicacy off in exchange for a bullying big-industry get-rich marketing clique to exploit ad tedium a totally different lowest common denominator.