BootDigest Such a frustrating disappointment

SunnyHello Nice effects though.

Konterr Brilliant and touching

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

notfunny OK, let me start with I love the work of Jenna Malone, Chole Segivny, and LeeLee Sobieski. And over the recent times have wonder why I haven't seen Malone and Sobieski. If people had seen them in this, might never work again, not that anything they did was bad, actually I can't say anything bad about any of the actresses in the movie. But this is a movie that just does not go anywhere. Are Malone and Gross lesbians? Is there some strange plot behind Segivnys actions? Why does one of the characters stand in a field waving what looks like metaphor flags, is she warning someone? I stayed with it to see where it was going, which was nowhere. This was made because the director got boring trying to get his real movie off the ground, "The Wait - 2011" and he had already had Malone and Segivny attached to that. The failure of this film rest totally on the director and writer (one and the same). While Malone and Segivny both seem to prefer working with independent films, why after doing this one did they follow through with the other? Maybe they know the director, owe him a favor. But after this film I would have thought they might have found a way to gracefully back out.

charles000 I will try to be gentle here . . .Have worse movies ever been created in all of known human history? Possibly, but as a sort of comparative reference, the all time "worst movie ever" classic - Plan 9 from Outer Space - could be rated as a seriously produced example of fine filmcraft.This film Lying is so odd, completely lifeless, thrown together attempt at something possibly resembling a plot, that it deserves its own rating category.Not only is the film itself beyond ridiculously awful, but on the DVD there is the added "interview" with the director, conducted with such serious, way over the top pretentious self absorbed pseudo importance supposedly associated with this production.This is the extreme outer edge of unintended comedy . . . a Monty Pythonesque parody - only this was actually intended as a serious interview.The rating category of 1 (awful) isn't low enough to actually represent the rating of this pathetic non-entity attempt of filmcraft.I would suggest less than zero, perhaps somewhere between -3 to -5.The one positive thing I could say for this film? It could be a good cure for insomnia . . .

c-stephen444 Although I would like to say I have seen worse films than LYING, I cannot honestly say I have. There is no inkling of a plot, nor does the movie tie together in the end. Every moment is a question of "Are they going to murder each other; does she have a name; why does it matter if she's a pathological liar; when is it going to end?" For the most part, none of these questions are even answered. Instead, the films continues on and on, into what seems like eternity, and finally ends with no much as a summation, future events, or any other detail that would help a person understand why four women spent 3 days together drinking, exchanging awkward glances, and lying to each other about their histories. Maybe that is why the film is called LYING.

valis1949 LYING is a fey and contemplative film which attempts to examine the various levels and applications of deception. Megan, played by Chloe Sevigny, is a young woman who is obsessed with control. She honestly feels that if she is allowed to dominate and dictate events, everyone will benefit from her machinations. Her behavior is certainly neurotic, but her intent is not malevolent. The story is set on a beautiful country estate in upstate New York, and on an Indian Summer weekend, Megan invites three friends to relax and work on a short film project. The entire weekend is predicated on several falsehoods which the girls must accept in order for the prevarication to become real. Megan's actual mission is to see if she can induce her guests to enter a hypothetical world of her construction. The film is paced very slowly, almost hypnotically, and information is divulged sparingly which tends to heighten the effect of never knowing exactly what to believe. This film is not for everyone, but gradually and by degrees, LYING does enable the viewer to contemplate the art of manipulation. If you liked the classic Australian art film, PICNIC AT HANGING ROCK, you will probably appreciate what M. Blash, the writer/director, has attempted in LYING.